Ruthless Creatures: Chapter 19
Ruthless Creatures (Queens & Monsters Book 1)
When I open the door, I find two people standing on my front step. One of them is an older man in a police uniform. Heâs paunchy and has one of those red noses that hints at years of heavy drinking. I donât recognize him.
The other person is an attractive Black woman in her late forties wearing business casual dress: tan slacks and a navy jacket with a white button-up shirt beneath. She wears no makeup or jewelry, not even earrings. Her fingernails are unpolished. Her hair is pulled back in a simple bun. Despite her lack of ornamentation, she gives off an air of effortless glamour.
I recognize her well.
Her nameâs Brown. Detective Doretta Brown, to be precise.
The woman who led the investigation into Davidâs disappearance and never let me forget for a second that she wasnât ruling anyone out as a suspect.
Including me.
âDetective Brown. Itâs been a while. Do you have news about David?â
Her eyes narrow slightly as she examines my face.
I bet she can smell the fear on me. The womanâs intelligence is frightening.
âWeâre not here about that, Ms. Peterson.â
âNo?â
She waits for me to say more, but my tongue is pinched firmly between my teeth. Kageâs warning about talking to the police is too fresh for me to start blabbering.
When I donât break under her laser beam stare, she adds, âWeâre here about the shooting at La Cantina last night.â
I donât make a peep. I do, however, notice that thereâs more than one law enforcement car parked at the curb out on the street.
Chris leans against his sheriffâs cruiser with his arms folded over his chest, staring hard at me over the tops of his mirrored sunglasses.
Shit.
Realizing that Detective Brown and I could stand there in silence forever, the paunchy officer makes a friendly suggestion. âWhy donât we go inside and talk?â
âNo.â
He looks surprised by the forcefulness of my answer. Detective Brown, however, doesnât.
âIs there something youâd like to tell us, Ms. Peterson?â
I bet those sharp ears of hers can hear the faint screams of my bowels, but I manage to keep a straight face when I answer. âIs there something youâd like to tell me?â
She shares a knowing glance with her colleague. He crosses his arms over his barrel chest and gives me a new look. One that says he didnât take me seriously before, but he does now.
Obviously, Detective Brown has been telling him stories.
In her book, I might look innocent, but Iâm not.
I wonder if she thinks I chopped David into tiny pieces and fed him into a wood chipper.
She says, âThere was a shooting last night at La Cantina. Four people were killed.â
Pause. A daring stare. I say nothing. She continues.
âWhat can you tell us about it?â
âAm I under arrest?â
She seems taken aback by that, but quickly recovers her composure. âNo.â
âThen perhaps you could direct your attention to the open investigation of my missing fiancé, and come back when you have something.â
I start to shut the door, but the other officer says, âWe know you were at the restaurant last night.â
I stop, draw a steadying breath, and look at him. âIâm sorry, we havenât been introduced. Whatâs your name?â
He unfolds his arms and casually rests a hand on the butt of the firearm strapped to the utility belt at his waist. I get the impression itâs a ploy to intimidate me. Instead, it royally pisses me off.
Thereâs nothing more I hate than a bully.
He points to the badge on his chest. âOâDonnell.â
Keeping my tone pleasant, I say, âOfficer OâDonnell, take your colleague and get off my porch. Unless you have new information about the disappearance of my fiancé, I have nothing to say to either one of you.â
Detective Brown says, âWe could make you come to the station with us to have a chat.â
âOnly if youâre arresting me. Which youâve already said youâre not.â
Boy, she really doesnât like me. Her look could peel the paper right off the walls.
âWhy would you refuse to cooperate with us if you have nothing to hide?â
âCitizens are under no obligation to speak to the police. Even if theyâre accused of a crime. Even if theyâre in jail. Am I right?â
She says, âA judge can force you to talk to us.â
Iâm pretty sure thatâs a stretch, but considering Iâm not a constitutional attorney, I donât know.
Still, weâre playing chicken here.
I wonât blink first.
I say, âI donât see a judge on my porch. Have a nice day, Detective.â
Heart hammering, I shut the door in their faces. Then I stand there shaking and trying to get control of myself, until I hear Chrisâs voice from the other side of the door.
âNat. Open up. I know youâre standing there.â
âGo away, Chris.â
âI have your purse.â
I freeze in horror.
Oh my god. My purse! I left it at the restaurant!
Donât panic. You havenât done anything wrong.
Hurry up and make up a lie anyway.
I open the door and look at him, standing there with my small black clutch in his hand. My mind goes a million miles per hour trying to figure out what to do.
When I donât say anything, Chris sighs. âFour people were killed last night, Nat. Six others were injured. If you know anything, you really need to talk to the police.â
Detective Brown and Officer OâDonnell are out at the curb by their squad car, watching us talk. I know they sent Chris in because we used to date, and they think he might have a better chance of getting information out of me.
Which makes me wonder what heâs told them about our relationship.
What he thinks about our relationship. Does he actually believe he has some kind of influence over me, the girl he dated for a few weeks last summer who he never even had sex with?
Men.
âI donât know anything.â
He holds up my purse and stares at me. âReally? So you werenât at La Cantina last night? This just walked out of your house and showed up at the scene of a crime?â
I get the sense thereâs no video of me at the restaurant. That the purseâwith my ID and phone insideâis the only thing placing me there. Detective Brown would definitely have used security camera footage as her trump card to scare me into talking, but she didnât.
Fingers crossed, because although I might not be legally obligated to talk to the police, I have no idea if lying to them is a crime.
Looking Chris in the eye, I say, âI accidentally left that handbag on the counter at the dry cleaners the other day. When I went back for it, it was gone.â
He examines my face in silence for a moment. âYouâre telling me that someone stole your purse and kept all your stuff in it when they went out for dinner?â
âI have no idea what happened to it between then and now. May I have it back, please?â
His sigh is heavy. âNat. Come on. What the heck is going on with you?â
âIâm just trying to get my purse back.â
His voice gains an edge. âYeah? So you refusing to talk has nothing to do with your neighbor?â
My stomach clenches. I swallow, feeling my hands tremble, wishing I were the kind of person who could lie with confidence. Sloane wouldâve already ripped him a new one and kicked him to the curb.
Be Sloane.
I lift my chin, pull back my shoulders, and hold out my hand. âGive me my purse.â
âI knew he was trouble, that guy. Youâre too trusting of people, Nat. You need to be more careful.â
âI donât know who youâre talking about. Give me my purse.â
âYou donât know who Iâm talking about? Does this ring a bell?â
From inside his jacket pocket, he pulls a folded piece of paper. Tucking my clutch under his arm, he unfolds the paper and hands it to me.
Itâs a black-and-white pencil sketch of a manâs head and face. Despite my horror, I have to admit that the resemblance is remarkable.
Itâs Kage.
Even in a rough, two-dimensional, hand-drawn sketch, heâs so damn gorgeous, it takes my breath away. If there were an international Hot Felon Contest, heâd win it, hands down.
âThatâs a police sketch of one of the suspects in last nightâs shooting. A couple of restaurant employees got a good look at himâ¦right before he shot two guys point blank. Does he look familiar to you?â
âNo.â
Chris is getting exasperated. He shakes his head, glaring at me. âThatâs your next-door neighbor, Nat. The guy who threatened me right here on this very porch.â
I send his glare back to him, tripled. âOh, you mean when you forced yourself on me as I kept saying no? Yeah, I remember that.â
A Mexican standoff commences. Weâre two bandoleros with pistols drawn, facing each other across a dusty corral, neither one willing to run or shoot first.
Finally, he says softly, âAre you fucking him?â
Heat rises in my cheeks, but thereâs nothing I can do about it. âMy personal life is none of your business. Now give me back my purse and get the hell off my property.â
âJesus, Nat. That guy? Are you kidding me? All you have to do is look at him to know heâs bad news!â
I take a deep breath. Then I hand him back the sketch and take my purse from him.
âGoodbye, Chris.â
I shut the door in his face.
I stand there listening for a few moments, but he doesnât leave. Finally, he curses under his breath.
âOkay, Iâll go. But Iâm gonna be keeping an eye out for you. This isnât over.â
His boots make heavy thuds as he walks off.
I wonder if by âkeeping an eye outâ he actually means âkeeping an eye on.â
I have a bad feeling heâs decided to make it his personal mission to keep tabs on me.
I go into the kitchen, sit down at the table, and open my bag. Everything is there as it was, my wallet and phone, lipstick and keys.
Iâm shocked when I realize I didnât lock the front door last night when Kage and I left. I didnât notice the door was unlocked when we came back, either.
If Iâm going to be a mafia kingâs queen, Iâll have to be smarter about things like that.
When my cell phone rings, I jump, startled. I donât recognize the number, so Iâm hesitant when I pick up.
âHello?â
âThe leader of the Russian mafia in America is a dude named Maxim Mogdonovich, a Ukrainian. Isnât that interesting, a Ukrainian in charge? Youâd think ethnic Russians would be a little pissed.â
âSloane! Oh, thank god. Are you okay? Youâre safe? Where are you?â
She laughs in delight, sounding like sheâs on the lido deck of a cruise ship, cocktail in hand. âBabe, Iâm fine. You know me. I always land on my feet. The question is: how are you?â
I collapse facedown onto the kitchen table and groan.
âThatâs what I thought. Have a glass of wine. Itâll make you feel better.â
âItâs nine oâclock in the morning.â
âNot in Rome it isnât.â
âIâm not in Rome!â
âNo, but I am.â
I sit bolt upright in the chair. âWhat?â
âStavros has a private plane. We flew out as soon as we left the restaurant. I think heâs terrified your man will string him up by his balls if anything happens to me. Iâm really going to enjoy you being the moll of a mafia kingpin, by the way.â
âExcuse me, but Iâm nobodyâs moll.â
âYou donât even know what it means.â
I hate it when sheâs right. âI will if you give me a sec to google it.â
âIt means gangsterâs female companion.â
âThereâs a word for that?â
âThereâs a word for everything. Example: you know that little landing at the top of a flight of stairs where you have to turn and go up another set of stairs?â
âYeah?â
âThatâs called a halfpace. Isnât that cute?â
âYouâre drunk. Is that it?â
She laughs again. I hear menâs voices in the background. âStavrosâs yacht has a lot of stairs.â
âYacht? I thought you were in Rome!â
âWe landed in Rome. Now weâre on his yacht. The Mediterranean Sea is unbelievable. Hey, you and Kage should come join us!â
No wonder she sounds like sheâs having cocktails on the lido deck of a cruise ship: she is.
I demand, âYou knew Stavros was in the mafia, didnât you?â
âSort of? Itâs not like they make a big production out of it. Nobodyâs going around wearing lapel pins that say, âmafioso.â Or whatever the word is in Russian. I just got a vibe is all.â
âHow could you not tell me you were dating a mobster? You said he was a tech guy!â
âHe is a tech guy. Who also happens to be in the mafia. Why are you so upset?â
I say drily, âGee, I donât know. Maybe it has to do with the gunfight during dinner last night? Or the four dead bodies we left at La Cantina? Or the cops who knocked on my door this morning? Or the fact that Kage was gone when I woke up?â
She sucks in a thrilled breath. âYou slept with him, didnât you?â
âOut of everything I said, thatâs what youâre interested in talking about?â
âYes! Oh my god, bitch, spill!â
âRewind, maniac. The cops knocked on my door this morning.â
âAnd you didnât tell them anything. And now theyâre gone. Letâs get back to the good stuff: you and Kage. I know the answerâs probably no because it was your first time being together and all, but I still have to askâ¦butt sex?â
âThere is something very, very wrong with you.â
âAnswer the question.â
âI could be in jail right now!â
âBabe, you didnât do anything to get put in jail for. Now answer the damn question.â
âThe answerâs no, psychopath!â
She sighs in disappointment. âWell, at least youâre okay. We got lucky getting out of that restaurant alive.â
âWhat happened, anyway? I missed how the shooting started.â
âStavros saw some guys over at the bar who were looking at him sideways. He said something to Alex and Nick, the other guys approached the table, there was a little bit of conversation, then Alex and Nick just jumped up and opened fire.â
So they started it. Interesting. âWhat did they say to each other?â
âWho the hell knows? It was all in Russian and Irish. Whatever it was, it obviously wasnât good.â
âDid Stavros tell you anything?â
She chuckles. âBabe, I know better than to ask. The less we know, the better.â
She sounds exactly like Kage. I make a face at the phone.
âWhen are you coming back?â
âIâm not sure. But from what Iâve overheard, Stavros and his crew will wait for contact with Kage before they do anything. Apparently, sis, your man is the shit. Second only to the Grand Poobah of the Russian mafia himself.â
Maxim Mogdonovich. The man Kage said was in prisonâ¦leaving him to run the daily business.
My boyfriend is the acting head of an international criminal syndicate.
My mother would be so proud.
My phone beeps, indicating another incoming call. When I look to see who it is, my heart starts to pound. I tell Sloane Iâll have to call her back.
Then I click over to Kage.