Ruthless Creatures: Chapter 5
Ruthless Creatures (Queens & Monsters Book 1)
âItold you he was a widower. Itâs the only logical explanation.â
Sloane and I are at lunch. Weâve already dropped the gown at the consignment shop. Now weâre hunched over our salads, replaying my encounter with Kage to try to get it to make sense.
âSo you think he saw me in the dress andâ¦â
âFlipped out,â she finishes, nodding. âIt reminded him of his dead wife. Shit, this must be recent.â Munching on a mouthful of lettuce, she mulls it over for a moment. âThatâs probably why he moved to town. Wherever he was living before reminded him too much of her. God, I wonder how she died?â
âProbably an accident. Heâs youngâwhat do you think? Early thirties?â
âTo mid at the most. They might not have been married very long.â She makes a sound of sympathy. âPoor guy. It doesnât seem like heâs taking it well.â
I feel a twinge of dismay at the way I treated him this morning. I was so embarrassed to be caught in my wedding dress, and so surprised to see him instead of Sloane, Iâm afraid I was a bit of a bitch.
âSo what was in the box he brought over?â
âPainting supplies. Oils and brushes. The weird thing is that I donât remember ordering them.â
Sloane looks at me with a combination of sympathy and hope. âDoes this mean youâre working on a new piece?â
Avoiding her searching eyes, I pick at my salad. âI donât want to jinx it by talking about it.â
More like I donât want to make up a lie, but if I tell her that Iâm still not painting but I somehow ordered myself art supplies without remembering I did, sheâll drive me straight from lunch to a therapistâs office.
Maybe Diane Myers was right: Iâm living in a bubble. A big fuzzy bubble of denial thatâs disconnected me from the world. Iâm slowly but surely losing touch with real life.
Sloane says, âOh, babe, Iâm so glad! This is great forward progress!â
When I glance up, sheâs beaming at me. Now I feel like an asshole. Iâll have to slap some paint on an empty canvas when I get home just so Iâm not consumed by guilt.
âAnd you did so well at the consignment shop, too. Not a tear in sight. Iâm very proud.â
âDoes this mean I can order another glass of wine?â
âYouâre a big girl. You can do whatever you want.â
âGood, because itâs still The Day That Will Not Be Mentioned, and Iâm hoping to be blacked out by four oâclock.â
The time I was supposed to be walking down the aisle on this date five years ago.
Thank god itâs a Saturday, or Iâd have a lot of explaining to do when I toppled over reeking of booze in the middle of teaching class.
Sloane is distracted from whatever disapproving statement she was about to say by her cell phone chirping. A text has come through.
She digs her phone out of her bag, looks at it, and grins. âOh, yeah, big boy.â
Then she looks up at me, and her face falls. She shakes her head and starts to type. âIâll tell him we need to reschedule.â
âHim who? Reschedule what?â
âItâs Stavros. Weâre supposed to be going out tonight. I forgot.â
âStavros? Youâre dating a Greek shipping tycoon?â
She stops typing and rolls her eyes. âNo, girl, heâs the hottie Iâve been telling you about.â
When I stare at her blankly, she insists, âThe one who showed up at my yoga class in tight gray sweatpants with no underwear on so everyone could see a perfect outline of his dick?â
I arch an eyebrow, sure I would have remembered that.
âOh, câmon. Iâve told you all about him. Heâs got a place right on the lake. Three hundred feet of private beach. The tech guy. Any of this ringing a bell?â
Zero bells are ringing, but I nod anyway. âRight. Stavros. Gray sweatpants. I remember.â
She sighs. âYou so donât.â
We stare at each other across the table until I say, âHow early does early-onset Alzheimerâs kick in?â
âNot this early. Youâre not even thirty yet.â
âMaybe itâs a brain tumor.â
âItâs not a brain tumor. Youâre just kind ofâ¦â She winces, not wanting to hurt my feelings. âChecked out.â
So Diane the blabbermouth was right. Groaning, I prop my elbows on the table and drop my head into my hands. âIâm sorry.â
âThereâs nothing to be sorry about. You endured a major trauma. Youâre still getting over it. Thereâs no correct timetable for grief.â
If only there was a body, I could move on.
Iâm so ashamed by that thought, my face burns. But the ugly truth is that there is no moving on.
The worst thing about a missing person whoâs never found is that those they leave behind canât really mourn. Theyâre stuck in a perpetual twilight of unknowing. Unable to get closure, unable to properly grieve, they exist in a kind of numb limbo. Like perennials in winter, lying dormant under frozen ground.
Itâs the unanswered questions that get you. The terrible what-ifs that gnaw at your soul with hungry teeth at night.
Is he dead? If so, how did it happen? Did he suffer? For how long?
Did he join a cult? Get abducted? Start a new life somewhere else?
Is he alone out in the woods, living off the land?
Did he hit his head and forget his identity?
Is he ever coming back?
The list is endless. A one-sided, open-ended Q&A that repeats on a loop every waking hour, except youâre only talking to yourself and the answers never come.
For people like me, there are no answers. There is only life in suspended animation. There is only the slow and steady calcification of your heart.
But Iâll be damned if Iâll let my best friend calcify with me.
I raise my head and say firmly, âYouâre going on that date with gray sweatpants.â
âNatââ
âThereâs no reason both of us should be miserable. End of discussion.â
She gazes at me with narrowed eyes for a moment, until she sighs and shakes her head. âI donât like this.â
âTough. Now text your boy toy that your date is on and finish your lunch.â
I make a show of polishing off my salad as if Iâve got the appetite of a farm animal, because Sloaneâs like a grandmother: it always makes her feel better when she sees me eat.
Watching me, she says drily, âI know what youâre doing.â
I answer through a mouthful of salad. âI have no idea what you mean.â
Looking heavenward, she draws a slow breath. Then she deletes whatever she had been typing on her cell and starts over. She sends the message and drops her phone back into her purse. âHappy?â
âYes. And I want a full report in the morning.â
Sounding like the head of the gestapo, she demands, âWhat are you going to do tonight if youâre not with me?â
I think fast. âTreat myself to dinner at Michaelâs.â
Michaelâs is a small, upscale casino on the Nevada side of the lake where wealthy tourists go to gamble and blow their money. The steakhouse sits above the casino floor so you can look down on everyone playing craps and blackjack while you stuff your face with overpriced filet mignon. I canât really afford it on my salary, but the minute itâs out of my mouth, Iâm looking forward to it.
If watching me eat makes Sloane feel better, for me itâs watching other people make bad decisions.
She says, âAlone? The only people who eat alone are psychopaths.â
âThanks for that. Any other little gems of encouragement youâd like to share?â
She purses her lips in disapproval but stays silent, so I know Iâm off the hook.
Now I just have to figure out what to wear.
When I walk into Michaelâs at six oâclock, Iâve already got a pleasant buzz going.
I took a cab over so I wouldnât have to drive, because my plan for this evening is to order the most expensive bottle of champagne on the menuâscrew it, Iâll put it on a credit cardâand get properly shit-faced.
Without the wedding dress in the house, I feel lighter. Like Iâve let go of something heavy Iâve been holding on to for too long. I dug around in the back of my closet and pulled out another dress I never wear, but one that doesnât have so much baggage attached to it. Itâs a red silk body-skimming sheath that manages to flatter my figure without looking like itâs trying too hard.
Iâve paired it with strappy gold heels, an armful of slim gold bangles, and a sloppy updo for what I hope is a sort of boho-chic look. A swipe of Sweet Poison on my lips completes the look.
Who knows? Maybe Iâll hit it off with someone I meet at the bar.
I laugh at that thought because itâs so ridiculous.
The maître dâ seats me at a nice table in a corner of the room. Thereâs an enormous fish tank behind me and the casino floor below me on the right. Iâve got a clear view of the rest of the restaurant, too, which is mostly populated with older couples and a few young people who look like theyâre on first dates.
I order champagne and settle into my chair, satisfied that this was a good idea. I canât be as morose in public as Iâd be at home, sharing mac and cheese with Mojo and weeping over my old engagement photos.
Iâm satisfied for all of two minutes before I see him, sitting across the restaurant alone at a table, smoking a cigar and nursing a glass of whiskey.
I mutter, âYouâve got to be kidding me.â
As if he heard me speak, Kage looks up and catches my eye.
Whoa. That was my stomach dropping.
I send him a tight smile and look away, squirming. I wish I knew why making eye contact with the man feels so visceral. Itâs like every time I meet his gaze, heâs reaching into my stomach to squeeze my guts in his big fist.
I neglected to tell Sloane about his comment. The âyou are beautifulâ one that Iâve been trying not to think about all day. The one accompanied by a gruff tone of voice and that look in his eye that Iâm quickly becoming familiar with. That strange mix of intensity and hostility, warmed with what Iâd think was curiosity if I didnât know better.
I busy myself with staring down at the casino floor until the maître dâ returns, smiling.
âMiss, the gentleman at the table against the wall requests that you join him for dinner.â
He gestures to where Kage sits watching me like a hunter peering at a doe through the sights of a rifle.
My heart thumping, I hesitate, unsure what to do. It would be rude to refuse, but I hardly know the man. What I do know of him is confusing, to say the least.
And tonight. Why did I have to run into him again tonight?
The maître dâ smiles wider. âYes, he said youâd be reluctant, but he promises to be on his best behavior.â
His best behavior? What would that look like?
Before I can imagine, the maître dâ is helping me out of my chair and leading me by the elbow across the restaurant. Apparently, I donât have a choice in the matter.
We arrive at Kageâs tableside. Iâm surprised to find him standing. He doesnât seem like someone whoâd bother with such formalities.
The maître dâ pulls out the chair opposite his, bows, and retreats, leaving me standing there awkwardly as Kage stares at me with burning eyes.
âPlease, sit.â
Itâs the âpleaseâ that finally does it. I sink into the chair, swallowing because my mouth is suddenly so dry.
He sits also. After a moment, he says, âThat dress.â
I glance up at him, bracing myself for another insult about my fussy wedding gown, but heâs gazing with lowered lids at the dress Iâm currently wearing. He probably thinks this one is hideous, too.
Self-conscious, I fiddle with one of the spaghetti straps. âItâs old. Simple.â
His dark eyes flash up to meet mine. He says hotly, âSimple is better on you. Perfection doesnât need any embellishment.â
Itâs a good thing Iâm not holding a glass, because Iâd drop it.
Stunned, I stare at him. He stares right back, looking like heâd like to punch himself in the face.
Itâs obvious he doesnât like it when he gives me compliments. Also obvious is that he never intends to, they just come out.
Less obvious is why he gets so angry with himself when it happens.
My cheeks burning, I say, âThank you. Thatâsâ¦probably the nicest compliment Iâve ever been given.â
He grinds his molars for a while, then takes a long swig of his whiskey. He sets the glass back down on the tabletop with such force, I jump.
Heâs regretting the invitation. Time to let him off the hook.
âIt was very nice of you to invite me over, but I can see youâd rather be alone. So thank you forââ
âStay.â
It comes out as a barked command. When I blink, startled, he softens it with a murmured, âPlease.â
âOkay, but only if you take your meds.â
He murmurs to himself, âSheâs funny, too. How inconvenient.â
âInconvenient for who?â
He simply gazes at me without answering.
What is it with this guy?
The maître dâ returns holding the bottle of champagne I ordered, along with two flutes.
Thank god. I was just about to start gnawing on my arm. I canât remember the last time I was this uncomfortable.
Oh, wait. Sure I can. It was last night, when Prince Charmless so elegantly rejected my request for a ride home. Or was it this morning, when he saw me in my wedding dress and looked as if he was about to throw up?
Iâm sure if I give it five more minutes, Iâll have another example to choose from.
Kage and I are silent as the maître dâ uncorks the bottle and pours. He informs us our waiter will be over soon, then disappears as Iâm shooting my champagne like Iâm in a competition for an all-expenses-paid trip to Hawaii.
When I set my empty glass down, Kage says, âYou always drink so much?â
Ah, yes. He saw me boozing it up last night, too. Right before I wobbled over to his table. No wonder he looks at me with suchâ¦whatever it is.
âNo, actually,â I say, trying to look ladylike as I blot my lips on my napkin. âOnly on two days a year.â
He cocks a brow, waiting for an explanation. In an ashtray next to his left elbow, his cigar sends up lazy whorls of smoke into the air.
Are you even allowed to smoke in here?
As if that would stop him.
I glance away from the dark pull of his eyes. âItâs a long story.â
Even though Iâm not looking at him, his attention is a force I can physically feel on my body. In my stomach. On my skin. I close my eyes and slowly exhale, trying to steady my nerves.
Thenâblame it on the buzzâI jump off the cliff in front of me. âToday was supposed to be my wedding day.â
After an oddly tense pause, he prompts, âSupposed to be?â
I clear my throat, knowing that my cheeks are red, but thereâs nothing I can do about it. âMy fiancé disappeared. That was five years ago. I havenât seen him since.â
What the hell, heâd find out from someone soon enough anyway. Diane Myers has probably already mailed him a handwritten essay about the whole thing.
When he remains silent, I glance over at him. Heâs sitting perfectly still in his chair, his gaze steady on mine. His expression reveals nothing, but thereâs a new tension in his body. A new hardness in his already stony jaw.
Which is when I remember that heâs a recent widower. Iâve just stuck my foot in my mouth.
Hand over my heart, I breathe, âOh, Iâm so sorry. That was thoughtless of me.â
His brows draw together in a quizzical frown. Itâs obvious he doesnât know what I mean.
âBecause of yourâ¦situation.â
He sits forward in his chair, folds his arms on the tabletop, and leans closer to me. Eyes glittering, he says quietly, âWhich situation is that?â
God, this guy is scary. Big, hot, and really scary. But mostly hot. No, scary.
Shit, I think Iâm drunk.
âMaybe Iâm wrong. I just assumedââ
âAssumed what?â
âThat when you saw me in my wedding dressâ¦that youâre new in town and you seem very, um, a little, how should I say? Not angry, exactly, but more like upset? That perhaps, you were, ah, maybe suffering from a recent lossâ¦â
Feeling pathetic, I trail off into silence.
His stare is so hard and searching, it might as well be an interrogation spotlight. Then his expression clears, and he sits back into his chair. âYou thought I was married.â
Thereâs a definite a hint of laughter in his tone.
âYes. Specifically, a widower.â
âIâve never been married. Never been divorced. Donât have a dead wife.â
âI see.â
I donât see, not one bit, but what else can I say? So sorry my best friend and I are conspiracy theorists and spent an entire lunch obsessing over you?
No. I definitely canât say that.
Also on the list of prohibited topics: if you donât have a dead wife, why did you freak out when you saw me in my wedding dress? Why do you look at me like you want to run me over with your car but turn around and give me such beautiful compliments? Then hate yourself for giving them?
Last but not least, whatâs up with the punching bag?
At a loss for what else to do or say, I pat my lips with my napkin again. âWell. I apologize. Itâs none of my business anyway.â
Very softly, Kage says, âIsnât it?â
His tone suggests that it is. Now Iâm even more flustered. âI meanâ¦no?â
âIs that a question?â A faint smile lifts one corner of his mouth. His eyes have warmed, and there are tiny crinkle lines around them.
Waitâis he mocking me?
I say icily, âIâm not in the mood to play games.â
Still with that low, suggestive tone, he says, âI am.â
His gaze drops to my mouth. He sinks his teeth into his full lower lip.
In a wave, heat rushes up my neck to my ears where it settles, throbbing.
I grab the champagne bottle and attempt to pour champagne into my glass. My hands are shaking so badly, however, it spills down the sides of the flute and onto the tablecloth.
Kage removes the bottle from my hand, takes the glass, and finishes pouring, all the while wearing an expression very close to a smirk.
Itâs not a real smirk, mind you, because that would require smiling.
He hands me the champagne flute. I say breathlessly, âThank you,â and toss it back.
When I set the empty glass back on the table, he turns businesslike. âI think we got off on the wrong foot. Letâs start over.â
Oh, look, heâs being reasonable. I wonder which personality this is?
He sticks out his baseball mitt of a hand. âHi. Iâm Kage. Nice to meet you.â
Feeling like Iâm in an alternate universe, I slip my hand into his, then doubt Iâll ever get it back because itâs lost somewhere inside his warm, rough, gargantuan palm.
What would it be like to have those hands on my naked body?
âKage?â I repeat faintly, struck by the vivid mental image of him running his huge hands all over my naked flesh. I flush all the way down to my toes. âIs that your first name or your last name?â
âBoth.â
âOf course it is. Hi, Kage. Iâm Natalie.â
âPleased to meet you, Natalie. May I call you Nat?â
Heâs breaking out the manners, I see. And he still hasnât let go of my hand. And I still canât banish that image of him fondling me everywhere as I writhe and moan and beg him for more. âOf course.â
Please donât let him notice that my nipples are hard. Please, please, donât let him notice. Why the hell didnât I wear a bra?
He says pleasantly, âSo what do you do for a living, Nat?â
âIâm a teacher. Of art. At a middle school.â
I could also be an escapee from a mental institution. Iâll let you know in a minute, right after the throbbing between my legs settles down and the blood returns to my head.
What is wrong with me? I donât even like this guy!
âAnd you?â
âIâm a collector.â
That surprises me. He couldâve said âcontract killerâ and I wouldâve just nodded. âOh. Like antiques or something?â
His pressure on my hand is firm and steady. His gaze is also steady as he looks into my eyes and answers.
âNo. Like debts.â