PAID
Shut Up, Malevolent Dragon! I Don’t Want to Have Any More Children With You
The dayâs rehearsal went smoothly.
Whenever a scene called for emotional development between the main characters, Leon and Rosvisser effortlessly delivered with their seasoned âacting skills.â They flawlessly portrayed scenes like, *âThough we say we donât love each other, weâd still risk our lives for one another,â* and *âToday, whether you want to or not, youâre going to express your feelings.â*
Helena was curious about how this couple could act with such impeccable chemistry. According to Noa, Aunt Rosvisser was a workaholic who dedicated most of her time to clan matters, leaving little chance to explore acting techniques. Uncle Leon, on the other hand, was a top-tier warrior-dad skilled in combat and magic, but acting was certainly not part of his skill set.
Yet here they were, perfectly capturing the awkward yet affectionate dynamic between the playâs protagonists.
How could this be? A young dragon from a sheltered family pondered with deep curiosity.
Of course, the rehearsal wasnât without its quirks. One part of the script proved⦠problematic.
This was the scene between Leon and Claudia.
According to the story, Claudia was Leonâs âMother Empress.â Upon discovering that her only son had fallen for the enemy princess, this stern mother imposed strict opposition, becoming one of the primary obstacles in the coupleâs romance.@@novelbin@@
In the end, though, the Mother Empress relents, allowing her son to pursue love, leading to the classic happy ending.
It sounded fine⦠on paper.
But actually performing it was⦠a bit awkward.
âMr. Cosmod, you clearly have strong line delivery skills, so why canât you say this one lineââMother Empressâ?â Claudia asked with a raised eyebrow.
âUncle Leon, itâs âMother Empress,â not âMom,ââ Helena corrected him firmly.
âNo, no, Dad, you need to show reverence! Not like youâre visiting an old friend,â Director Noa, as meticulous as ever, pointed out.