Owned: Chapter 20
Owned (A Dark Mafia Romance) (Dellucci Mafia Duet Book 2)
Marcello ⦠taken by the Irish?
I sink to the floor, clutching my belly. I canât even process what he just said, nor can I form a proper response because of the shock.
Marcello is in the hands of the people he hates the most.
Theyâre going to destroy him.
Sudden gunshots make me look up at the door through which the guard came. Men flock at the door, punching and kicking each other. Panicked, I scramble up and run to Ricardo.
âIt isnât safe. Theyâve broken through,â the guard at the top of the stairs yells at us. âCâmon! I know a way out.â
Ricardo pushes me forward, and we run up the stairs, where the other guard grabs my arm and hauls me away from the gun room. Men are fighting all around us, gunshots flying around everywhere, and I duck when one of them shoots right at us.
âGo, go, go!â the guard yells, and he pulls me along the hallway, past several Irish men, shooting them on the way. We walk over dead bodies like it means nothing, and fight our way into the corridor where Marioâs room is.
Where are we going? Why here?
âIsnât the underground gun room safer?â
âNo, theyâll break in eventually or force us out. We canât risk it,â Ricardo answers.
âHere, here!â Mario beckons us to come inside, and he quickly glances around to make sure no one noticed before shutting the door.
âIs Marcello with you?â
I shake my head, anger twisting at my insides. âThey took him.â
Marioâs face darkens, but he quickly recaptures himself. âCâmon. Thereâs a way out of here.â
He guides us into the kitchenette and beyond, where thereâs a door I thought led to a closet for supplies. But when he opens it, he pushes a few cans out of the way and presses a button on the wall. Something clicks, and my heart skips a beat. Mario curls his fingers around the metal and pulls it. The cabinet comes off the wall, including some of the supplies, but he pays no attention to some of the cans and packages that fall off the shelves.
âInside,â he says, pointing at the small hole appearing behind.
Ricardo goes first, and I follow him into the dark, damp hole. He pulls out his phone and lights the area, showing a long tunnel ahead.
âThis tunnel was built during the construction of the house as an emergency exit in case weâd ever need it,â Mario explains. âFirst time itâs been put to use.â
First time? No wonder there are cobwebs everywhere.
I try to ignore the spiders crawling around as we make our way through the tunnel, leaving the yelling and gunshot noise behind us. Even though it feels wrong to leave Marcelloâs people behind, I know they want to defend their home and try to get vengeance for them stealing Marcello away.
âDo you think they can get Marcello back?â I ask.
âDo not worry about Marcello,â Mario says. âHe can handle himself.â
âI know Molly and Frank. Theyâll chew him up and spit him out.â
âBecause he bites,â Mario says, chuckling. âTheyâre no match for him. They will find out sooner or later.â
I sigh and accept what he says even though I donât agree.
I know Marcello is a tough motherfucker, but I know Frank is an even tougher motherfucker now that Iâve seen him come back from the dead. And there is no way in hell heâs going to let Marcello win. Not to mention the fact that Molly wants revenge for her crippled husband. Theyâre probably going to torture him.
The mere thought makes bile rise in my throat, but I force it down and focus on walking because I feel like weâre close. Thereâs a small ladder leading to a metal enclosure that seals the exit.
âCatch,â Mario says as he throws something at Ricardo.
Ricardo quickly goes up the steps and shoves it into the metal lock, opening it up with Marioâs key. Then he climbs out farther and calls us to come too, so I start on the climb. The bright sunlight blinds me as Ricardo grabs my hand and pulls me outside.
I walk a few steps only to realize weâre on the other side of the mansion in a tiny public park in the middle of the city. Iâm impressed they kept this safe and hidden for so long. But it probably wonât be anymore with all of those Irish flooding the house.
âWe canât just leave Marcello in their hands.â I focus on Ricardo and Mario, who seems overwhelmed by my sudden statement as everybody gets out through the hole. âWe have to save him.â
Ricardo pushes down the metal door and locks it in place again, throwing the key at Mario, sealing Marcelloâs fate. âWe canât help him. The mansion is overrun.â
âButââ
Mario grabs my hand. âMarcello would want you to be safe. At all costs. Even his own life.â
My cheeks turn red, but my eyes water at the same time. âIsnât there something we can do? We canât just leave him out there to die.â
Mario nods. âI promise you, I will do my best. But we will have to think up a plan somewhere safe. Not here.â
âThe safe house,â Ricardo says. âCâmon. Thereâs a car parked a few blocks from here that we can use.â
âConvenient,â I say as we all run in the same direction across the street.
âI assure you, nothing is merely convenient in our line of work,â Mario replies as we pass all the people on the street who are oblivious to what just went down only a few blocks away from here. To this Mafia world I now seem entrenched in.
When we get to the car, everybody hops in, and Ricardo hits the gas, racing off. I quickly put on my seat belt as he isnât being careful at all, and I donât want to die just yet. Marioâs eyes are glued to the back window as he searches the area for any potential pursuers.
SCREECH!
Ricardo hits the brakes so suddenly that Mario is almost flung to the front, but he manages to hold the chair in front of him.
I mutter, âWhat theâ?â
âIrish,â Ricardo says, pointing at the safe house through the windshield. The building is to the right, and itâs swarming with suspicious-looking men wearing all-black outfits, their hands nervously gripping their belts where their guns are hidden from the public.
I immediately duck down, scared they might recognize me if they see me. Iâm sure Molly and Frank showed a picture of me to each and every one of their men to make sure they knew who to snag.
âItâs overrun,â Mario adds, blinking at the scene a couple of times.
Irish pour out of the building like theyâre tearing it down from the inside out, leaving nothing unscathed. But none of the men have taken anything from the place. They must be looking for one thing and one thing only: Me.
âWhere do we go now?â Mario mutters, sighing defeated.
âFUCK!â Ricardo yells, and he slams his hands onto the steering wheel hard. âThis was our last shot.â
Biting my lip, I ruminate on it for a few seconds.
âNo, it wasnât.â
Both men look at me now like I found the golden ticket.
Mario raises his brow. âIs it safe?â
I shrug. âOnly one way to find out.â
Ricardo sighs and shifts the car into reverse. âIâm good as long as weâre out of here.â
âThere!â I say, pointing at the building to the left.
Ricardo parks the car on the opposite side of the street and checks the neighborhood before stepping out of the car. Before I can do the same, heâs already opened my door.
âYou donât have to do that,â I say.
âYes, I do,â Ricardo responds, bringing a blush to my face.
I guess Marcello told him to take care of me like Iâm royalty or something.
When Mario gets out of the car, he clears his throat, staring up at the building on the other side of the street. âA church?â
I nod and smile. âCâmon, thereâs a back entrance.â
I cross the street with Ricardo and Mario tailing me, both keeping an eye out for any potential attackers. But the Irish donât know about this place. Itâs the one reason Molly and Frank werenât able to locate me as a child after Marcello pulled me out of that fire. All this time, Andrea has managed to keep me under the radar and out of the hands of the Mafia world without even realizing it. Her secluded way of living protected me, and I am beyond grateful for that.
I just hope she wonât be upset when I ask her to do it for me again.
As I stand in front of the church, I take a deep breath. Itâs strange to be back here again so soon, especially with this kind of burden weighing down on me. I pause to rub my belly. Maybe itâs about time I told her too.
We head to the back of the building, where I open the gate to the garden. The back entrance is here, hidden behind a fair amount of bushes and trees.
âAnd youâre sure this is safe?â Ricardo asks as I open the door a bit too easily.
âYeah,â I reply with a smirk. âThereâs a reason I was able to live and grow up here without Molly and Frank finding me.â
He sighs, reluctantly walking inside to check out the walls covered in webs while I open the door. âIf you say so.â
âThis way,â I say, walking through a small door in the back that leads to the main area where the pedestal and all the pews are.
Marioâs eyes go from painting to painting. âIt is beautiful, I have to say.â
âTheyâre hand-painted by a local artist,â I reply proudly because I hired them personally to spruce up the building on the inside when it needed a renovation. It brought in a lot more people.
Suddenly, Ricardo stops in his tracks, and I almost bump into him. âWhoâs that?â
I peer over his shoulder, and a gigantic smile forms on my face when I see Andrea lighting candles in the corner. She raises her eyes at the men with mistrust, but when she sees me, the look in her eyes softens, and she smiles right back.
âHarper, how nice of you to stop by,â she says, patting down her dress. âI wouldâve put on something nicer if Iâd known you were coming.â
I immediately push past Ricardo and give her a big hug. âIâm so happy to see youâre okay.â
âOkay? Why wouldnât I be?â she mutters, coughing a little because I may be squeezing her a little too tight. She pushes me away and grabs my shoulders tight. âAre you in trouble?â
I look down at the tiled floor. âItâs ⦠complicated.â
She grabs my chin and makes me look at her. âYou tell me everything thatâs bothering you. Everything.â
I nod, but the two men behind me seem skittish. âWeâre on the run from the Irish.â
She frowns. âWhat? But I thought you were with Marcello.â
âMolly and Frank took him, and theyâre looking for me right now.â
When I look away, she pulls me in for another hug. âOh, honey. I knew this day would come. Those bastards will never be satisfied.â
Her hugs always manage to make me feel things, no matter how much I try to hide my emotions.
âIâm sorry your parents are not good people,â she says. âThis is why I left. Because of people like them.â
âIâm worried they mightâthey mightââ
I canât even say it out loud without choking up.
âShh â¦â She pats my back. âHeâs gonna be fine. The man can handle himself. Heâs a mobster for crying out loud.â
I laugh at her comments. Always so direct. Just what I need.
âSo. Whatâs the plan?â she asks.
âWell, we were wondering if we could maybe stay here for a few days?â I tuck my hair behind my ear. âAs a hideout until the house is clear again.â
âHmm â¦â She eyes the guys standing behind us, trying to listen in to our conversation, and then looks back at me. âWell, guess I donât really have a choice now, do I?â
âYou do, but â¦â I make a face.
âIâm your last resort,â she says, smiling. âI know.â
âThe last thing I want to do is endanger your life too.â
She grabs my face and plants a kiss against my cheeks. âOf course, honey. Anything to protect my baby.â
The word baby makes my eyes spring open wide. âOh ⦠that reminds me ⦠I have something to tell you.â
She frowns, placing a hand on my back. âWhat is it, dear?â
I bite my lip. âIâm actually ⦠pregnant.â
Her eyes widen so much they almost pop out. âPregnant?â
Is she going to be upset? Yell at me? Cry for me?
The silence feels like it lasts an eternity.
Until finally, a broad smile appears on her face.
Her hand slides down to my belly. âReally?â
Tears of joy well up in her eyes, and I know that I made the right decision.
âAnd itâs Marcelloâs?â
I nod a few times, a radiant smile on my face. Itâs the first time that Iâm proud to say, âYes. So youâre not mad at me?â
âWhy would I be mad? If youâre happy, then who am I to get in the way of that?â
Her response makes me hug her hard. âThank you. You donât know how much that means to me.â
Because her approval was all I needed to feel comfortable about the idea of having a baby.
âSo I donât mean to be nosy, but ⦠is that who I think it is?â she whispers.
I throw them a look over my shoulder. âRicardo and Mario. Bodyguard and ⦠Marcelloâs father.â
She raises a brow, inspecting them both. âMario? Oh my â¦â
I snigger at the way she looks at him as if sheâs noticing for the very first time in her life there are some handsome men on this planet. Or maybe, just maybe, she always had an eye on her friendâs husband.
An awkward but cute smile spreads on her face as she waves a little too excitedly at him. âLong time no see.â