Breaking Hailey: Chapter 11
Breaking Hailey (Shadows of Obsession Book 1)
My eyes dart to the digital clock on the nightstand as soon as I jolt awake.
Shit. Eight forty-three am.
Seventeen minutes until my first class. Thirteen minutes late for breakfast. Damn it. Iâve not had any food since I left the hospital yesterday afternoon, too chicken last night to head downstairs for dinner and face the studentsâ scrutiny after the dean highlighted my unorthodox late arrival.
A pile of Lakeside Collegeâs reading material is scattered across my bed where I fell asleep last night half-curled around the orientation guide and the map.
Untangling myself from the sheets, I scramble out, my shoulder protesting the sudden movement with a hissy fit. The breath lodges in my chest as I cradle my arm, waiting until the pain subsides.
My sling hangs over the desk chair but itâll only slow me down so, instead of protecting my delicate shoulder from additional trauma, I dash into the bathroom, my feet skidding across cold tiles.
Yes, thereâs an en suite bathroom, and if thatâs not great enough, I donât have a roommate. The room is a spacious single with a large bed tucked on one side, a desk by the floor-to-ceiling ornate window, a closet, a loveseat, and a small coffee table. The décor is simple: white walls, gray curtains that match the comforter, and a dark wooden floor.
Not too shabby.
I grimace at my reflectionâwild hair, flushed cheeks, and wide, panicked eyes. Iâll make quite the entrance in class. Like I need to draw more attentionâ¦
First things first. I pop two painkillers, chasing them down with a splash of water straight from the faucet and, using my good arm, tame my tangled, blonde locks into a rough ponytail.
Three minutes later, with my teeth brushed and face washed, I dart out of the bathroom. My suitcases are pushed against the wall, all open, clothes spilling onto the floor in a messy waterfall.
I wasâunsuccessfullyâsearching for a phone charger last night. Dad did a decent job packing but as I dig through the clothes, I realize everything, save for a few dresses I hung neatly in the closet, is wrinkled.
A dress it is. White with a flowery pattern. It seems my style has dramatically changed. None of my old clothes are here. Last I remember, my favorite color was black and I wore strictly jeans, never skirts.
Pulling the breezy dress on takes more tries than I care to admit, especially since my injured shoulder is throwing another fit. The pills havenât had time to kick in yet.
Zipping myself up with one hand is an accident waiting to happen but, once successfully managed, slipping into my white sneakers doesnât take long.
Eight forty-nine. Must be a record.
Checking my reflection once more I pull a disgruntled face at the bruises and scars. The old ones, the ones that melt with my complexion, donât bother me as much, but the fresh red ones, shining like a beacon against my milky skin, do.
Thereâs no time to cover the shitty Pollock impersonation on my skin with makeup, so I rush back into the room, flipping through the clothes for a cardigan.
Just my luck that I canât find any which donât look like a dog chewed them up and spat them out.
Eight fifty-one.
Damn it! Either I leave right now, or Iâll be late.
Being late for class is suddenly tempting. I need ten, fifteen minutes tops to apply stage makeup and hide my imperfections, but the dean said punctuality is taken seriously around here.
Cursing some more, I huff a resigned breath, flinging a heavy book bag over my working shoulder.
Maybe people will have the decency not to stareâ¦
I exit the room, caught off guard by the ghostly stillness of the building. Not a single soul in the hallway or downstairs, not one person roaming the campus.
Does everyone start at nine? No free periods?
I shouldâve studied the guide more carefully. Instead, I focused on the map, though I donât seem to remember much right now. I reach into my bag for it, but itâs nowhere to be found.
Shit. I left it upstairs.
My wristwatch says I donât have time to run back up two flights of stairs and a maze of corridors, while my brain reminds me that close to none of the information I filled my head with yesterday survived the night.
The only thing about the theater I remember is that itâs a separate building. I break into a clumsy jog, my eyes darting between the path ahead and my surroundings.
Thereâs the boysâ dorm, thereâs the main building, thereâs the cafeteria⦠the theater should be rightâ
Bingo.
With less than two minutes to spare, I reach the door, burst through, then apply the brakes. Not only because Iâve made quite a loud entrance and everyoneâs staring, but also because the architecture matches the main building, meaning this theater was here from the start.
Why would they build a theater for mentally ill patients? Was it therapeutic somehow?
In the heart of the stage on the opposite side, another stern-looking woman pins me with an icy-stare.
Everyoneâs so stiff around here.
The woman is Angela Townsend. Acting coach, former Broadway actress. Thatâs all I remember from the orientation guide which lists the staffâs accomplishments beside professional headshots.
âRunning late on your first day, Miss Vaughn?â she drawls, her voice echoing throughout the nearly silent room.
I guess thatâs introductions done.
Good. I canât imagine getting up on that stage to say a few words about myself. It would not go down well.
Hi, Iâm Hailey. Iâm from Florida which is apparently in Ohio now. Iâm twenty, but in my head Iâm eighteen, and Iâm an amnesiacâ¦
âPunctuality is not optional in my class,â Angela adds, tapping her heeled boot against the wooden stage.
âIâm sorry,â I wheeze, on the verge of doubling over and coughing up my lungs.
Who knew two weeks in bed would make me pant after jogging three hundred yards? Or maybe I hadnât been in the best shape before the accidentâ¦?
Angela studies me a moment longer, her lips pinched as she points toward the front row. âThis isnât high school. Next time youâre late, you wonât be allowed to stay.â
Technically Iâm not late. I still have a minute left, but I donât argue the point. With a quick nod, I slink toward the indicated spot, head down, cheeks on fire as I pass my fellow students.
Everyone is staring.
Itâs a small class, less than twenty, but theyâre gaping at me, my scars, and my bruises, making me wish the floor would swallow me whole.
I block out the embarrassment, focusing on the grand theater instead. Itâs a mini amphitheater of sorts, with rows of scarlet seats descending toward the stage. Framed posters depicting classic plays hang beside bright, modern ones, a timeline of Americaâs theater history. High ceiling, red curtains, a sleek, black piano in the corner.
âGiven your late arrival, Haileyâ¦â Angelaâs stern voice draws my eyes back to her slender figure pacing the stage. Whatever she said while I was admiring the room went right over my head. âYou have a lot of catching up. Acting class is no walk in the park.â
I nod, feeling the weight of the missed classes. She looks like she gives ten hoursâ worth of homework every night.
God, I feel like Iâm back in high school.
âToday,â she continues, addressing the class, âyouâre performing a five-minute scene in pairs. Iâve already assigned your partners, so donât get excited.â
A collective groan ricochets off the walls. I barely have time to feel my stomach drop at the idea of performing in front of strangers before sheâs rattling off names.
âHailey and Jensen,â I catch, among others.
A tall guy with messy brown hair nods at me from across the room. I nod back, swallowing the lump in my throat.
âFifteen minutes to prepare, then we start,â Angela instructs, stopping beside me with a bowl of ping-pong balls. âPick a number. It corresponds to a script. You act out whichever you choose.â
I cast a sideways glance at Jensen. Heâs crossing the room, flashing me a bright, reassuring smile that doesnât ease my nerves. I guess his head tilt means I should choose a scene, so I dip my hand into the bowl and grab the first ball I touch.
âThirteen,â I mutter.
Of course itâs thirteen. My luck dried out months ago.
Angela hands me two copies of a script and moves away, calling out another pair.
My eyes land on the page and my stomach churns as I skim the scene, absentmindedly handing Jensen his copy as he slips into a seat beside me.
Sucking in a sharp breath, I wipe my clammy hand down the front of my dress. This will not go down well.
âDamn. I hope youâre as talented as you are gorgeous because thisâ¦â Jensen waves the script in my face, his gaze dropping from my eyes to my lips, then lower to the swell of my breasts, ââ¦wonât be easy, sweetheart.â
âI guess weâll see how good I am,â I mutter, ignoring his obnoxious staring.
I doubt itâs my small boobs that caught his attention. Itâs the scars and bruises the flimsy dress canât hide. I glance back at the script, reading properly through the scene.
It opens halfway through a married coupleâs heated argument. Nothing extraordinary were it not for the topic: how each believes the otherâs way of grieving after they lost their son is not what grief should look likeâ¦
God, I feel sick.
I havenât dealt with my motherâs death yet, filing it back for later, careful not to think triggering thoughts while I lay in the hospital bed in case Dr. Phillips wouldnât discharge me.
âHey, you good?â Jensen nudges my shoulder. âI know itâs an intense scene, but itâs only five minutes.â
âYeah, Iâm fine, sorry.â I flip back to the first page. âRead through it with me.â
We fire back and forth, the line between acting and reality blurring inside my head. This is heavy⦠personal.
Way too personal in my current state.
âAnd Chloe.â Angelaâs voice pulls me out of the scene before weâre done rehearsing. âYouâre up first.â
I watch a cute, brown-haired girl make her way to the stage where she waits at least fifteen seconds for her partner. I know heâs a man before he climbs onto the stage, because of the heavy, measured footfalls which echo in the grand theater as he lazily ascends the steps from the back of the room.
The temperature around me drops a few degrees when he turns, his broad shoulders squared back, the expanse of his chest stretching the fabric of his black pullover.
I swallow hard, shifting in my seat as I scrutinize his bulky frame and confident stance.
Among the viciousness droning around him, thereâs unexpected, twisted beauty. Heâs⦠rugged, wild, unpredictable. All sharp lines, dark eyes, and full lips that donât seem to smile.
Thereâs nothing soft about his face. The muscle in his jaw ticks when he takes in the room and that icy, expectant stare moves to me and pauses. A lazy sort of ire tainting his features makes me immediately drop my eyes to my knees.
He doesnât look like he belongs here. If I had to guess, Iâd say heâs a couple years older than your average senior.
I feel his dark brown eyes on me and my body responds with a mixture of intimidation and curiosity. Fear, but not the run-for-your-life kind. No, this is the exciting, reckless, cliff-diving kind of fear. Danger that makes you feel alive.
âBegin,â Angela urges, taking a seat in the first row.
I risk looking up, watching them. There are no props on the stage, but even without the bar or the drinks, I can imagine where they are.
In a dimly lit club somewhere, flirting.
He leans against the piano, eyes on Chloe. Theyâre not speaking, but they act with their body language, and Iâm instantly captivated watching the heated looks passing between them. It takes a moment before Chloe glides toward him, stopping so close their shoes almost touch.
âIâve never seen you here before,â she says, holding her hand at an angle that suggests she holds a glass of wine.
âYou werenât paying attention,â he shoots back, seemingly disinterested, his voice like hot tar.
He looks over her shoulder as if heâs waiting for someone and sheâs an annoying distraction, but then his eyes cruise down her body in a purposeful once-over.
Even though Iâm not on the receiving end of that scorching gaze, my cheeks heat.
With a subtle shift of her posture, Chloe leans toward him. âDo you always watch people like they owe you something?â
A slow, deliberate smile that doesnât quite reach his eyes curves his lips. âOnly when they do,â he retorts, his deep voice oscillating through the air.
He steps closer, diminishing what little space is left between them, his gaze not veering from hers.
I swallow hard. How Chloeâs still standing instead of pooling at his feet is beyond me. My stomach ties into knots at the electric tension crackling around them.
Itâs a blessing that Iâm not in her shoes right now. Iâd be trembling like a kitten if he stood this close, towering above me.
She watches, almost breathless, as he lifts his hand to gently brush a stray lock of hair from her face. The gesture is tender, yet thereâs a clear possessiveness that make my toes curl in my sneakers.
Chloe lets out a soft, almost inaudible gasp and Iâd be willing to bet good money that wasnât acting.
âI donât owe you anything,â she whispers.
âThatâs where youâre wrong.â He leans in, grazing his knuckles from where he tucked her hair behind her ear all the way down to her hip. âYou owe me a dance.â
The air thickens with anticipation, everyone in the room holding their breath, including me. I lean forward, waiting for Chloeâs line, my own script long forgotten.
âAnd cut!â Angela booms, rising to her feet and igniting a wave of disappointment in me. âThatâs exactly the chemistry Iâm looking for.â
The class starts clapping and I put my hands together, too, watching them stride off the stage, unaware of the impact they made.
âHailey.â Jensen nudges my shoulder. âCâmon, weâre up.â
He stands, offering his hand to help me. I donât take it, but my heart pounds in my chest, matching my throbbing shoulder as we step onto the stage.
How the hell are we supposed to follow Chloe and⦠whatever his name is? Our scene will break all of that delicious sexual tension.
Without much warning, Jensen starts, screaming the line at me with everything heâs got. âWe canât just ignore it, Emma!â
I take a second to get my head in the game. Staring into Jensenâs eyes I dive into the scene, summoning the grief Iâve stifled thus far and, at a snap of fingers, the air between us grows tense.
My response leaps out of my core, my anger matching his then knocking it out of the park.
Itâs real, this anger.
Real and powerful because his words hit a nerve.
Iâm taking this shit personally after obstinately pushing the memory of my mom out of my mind all week.
âSo what do you suggest? You expect me to cry, scream, and curse fate? Is that it?â
âNo,â he snaps back, stepping closer, his fury ringing true and fueling mine. âNo, but⦠fuck!â That fuck isnât in the script but it works. âWe lost our son and you⦠you act like nothing happened! You need to grieve! Ignoring itâ¦â He meets my eyes, stumbling over his words. That wasnât in the script, either. I think heâs taken aback by my streaming tears. âIgnoring it wonât bring him back.â
âI know heâs not coming back!â I shout, shaking all over, my eyes burning as the tears wet my eyelashes. âIt hurts, okay?! It hurts so much!â The dam bursts, every next line no longer a scene⦠Itâs an avenue, an outlet for my pent-up emotions.
Iâm poised on the edge of a knife, so confused I feel sick. Reality blurs with the past. Thereâs something familiar about this dialogue, like Iâve lived through it, but canât place it.
Jensen keeps talking, his voice muffled as if through a wall. My mind fights for attention, summoning a memory⦠a memory of Mom or her death or something but itâs like it doesnât know where to look.
I mustâve processed this grief, this raw pain last year. I had to. When Mom died, I probably fell apart over and over again before I accepted she was gone. And now Iâm being forced to do it again?
Thatâs cruel.
Losing my memories is fucking cruel, but reliving my motherâs death is infinitely worse. Iâd give up every other memory of the past two years in exchange for remembering how I dealt with it and moved on after Mom died.
I donât want to feel like my heart is being torn apart piece by piece⦠like Iâm slowly being fed through a meat grinder. As if my lungs are collapsing.
Which is why I refused to before. If this happened at the hospital, Dr. Phillips wouldâve shoved a needle in my neck, sedating me before I could process the grief.
I buried those emotions deep within and now theyâre geysering out, the paralyzing sense of loss puncturing the surface.
I scream.
I cry.
Iâm so disoriented.
Back and forth, I swing from here to the memory thatâs still out of my reach, so close, yet so far. I whack Jensenâs chest, blink, and Iâm in his arms, my hands holding on for dear life.
How did I get here?
I blink again, finding myself halfway across the stage.
Blood drains from my face, every breath a struggle, my nose buried in Jensenâs chest.
Somethingâs wrong with me.
My heart pounds my ribs and fear wrings out my guts. Trembling all over, my head not far off exploding from the sensory assault, I grasp Jensenâs t-shirt, afraid Iâll collapse if I let go.
The performance goes on, but Iâm not acting. I think Iâm floating in and out of consciousness⦠in and out of the past I canât see. I donât know how much time passes before the scene transitions into the comfort part, lulling me into reality.
Itâs over. The scene, the disorienting pull, the sensation of drowning while still pulling down air.
A weighted silence falls around. It stretches and stretches and stretches some more until a slow, measured clapping starts.
Not a student. Our professor is leading the charge, her eyes wide in stunned disbelief. Everyoneâs face mirrors hers as they join the applause.
âImpressive,â Angela says. âVery impressive. You make a great team. Excellent work.â
I let out a shaky breath, wiping my cheeks as I step out of Jensenâs embrace.
âShit, girl. You were fucking amazing!â He beams, eyes sparkling, white teeth peeking between his lips.
A half-laugh, half-whimper escapes me. My hands shake, and it feels like thereâs no blood in my upper body.
Iâm cold, nauseated, and⦠scared.
I had a panic attack at the hospital but this⦠this felt different. Surreal. I inhale a few steady breaths, counting my heartbeats to calm down.
âHey, you good?â Jensen cocks an eyebrow. âYouâre looking a little green. Youâre not gonna puke, are you?â
âNo,â I whisper, my throat dry. âI just⦠I mean, that was⦠quite the experience.â
Not how Iâd choose to break down, but despite the unexpected detachment from reality, I feel lighter.