: Chapter 37
The Interview
Despite what Whit says, the way to my heart is not through my stomach. And whatever his assertion, heâs embedded himself in there.
My heart, not my stomach.
He is the best of men, and not because he brought me to Paris, but because he pays attention. Because he listens and he watches, and then he offers not just material things and experiences but thoughts and ideas. Conversation and silliness. Itâs all so subtle; the way he treats people is almost by sleight of hand. What you see on the outside is this quite upright, slightly austere, successful man, and Iâd bet thatâs where most peopleâs observations end. Maybe my history with him makes me see beyond this facade. Iâm not sure what it is because itâs hard to see past all this love.
Iâm so doomed.
We eat flaky croissants in a tiny café away from the tourist track, as recommended by the driver, Jacques, who has nerves of steel because driving in the center of Paris is not for the fainthearted! See a space and squeeze into it is how Iâd describe the Parisienne driving style.
Anyhoo, at the café, I order, âdeux cafés au lait et deux pains au chocolat, sâil vous plait,â in my best (but still terrible) French.
âYou want lattes?â the unimpressed bearded hipster answers from behind the counter, but he doesnât dampen my enthusiasm.
âNo thanks, when in Rome!â I say, but heâs already turned.
Iâve read that French people dip their croissant in coffee for breakfast, but after trying, I wouldnât recommend it. Itâs a perfect way to ruin a perfectly good breakfast. But the experience provides the perfect excuse for us to stop at one of the more traditional cafés an hour or so later, where the waiters wear long white aprons and are old, grouchy, and rude. Itâs exactly the experience I imagined it would be!
And then? Well, Paris is my oyster.
âTwenty-four hours,â Whit tells me. âOne whole day and night to make Paris your own.â
âWeâre staying overnight? But I havenât packed a bag.â
âDonât sweat it. Itâs all been taken care of. All thatâs left for you to do is decide what you want to do.â He presses a guidebook in my hand, and I start to laugh.
âThey still make these? Google is everyoneâs go to these days.â
âDonât be a smart arse,â he says, spinning me around and swatting my smart arse. âGet choosing before we waste the day.â
âAre the touristy places open in the evening, too?â
âItâs like this,â he says, lifting his wrist to see his watch better. âI shouldâve said youâve a whole seven hours to fill with what youâd like to do because there are a couple of places Iâd like you to see this evening.â
âWould that be⦠things inside of a hotel room?â
âWhat do you take me for?â
âThe best,â I say, throwing myself at him, sliding my hands around his waist to hug him.
Iâm so glad Whit suggested I wear tennis shoes because we walk everywhere for the rest of the day! We walk hand in hand along the Seine and take a million photographs with the Eiffel Tower as a backdrop. When we make it to the base, I decide I prefer looking at the structure over visiting it. Iâm not a fan of crowds, and the queues are huge. Instead, we munch on an unimpressive yet overpriced crepe from a vendor on the other side of the road, then I insist on haggling with the guys selling cheap touristy knickknacks. No way Iâm overpaying for that Eiffel Tower on a keychain! A man tries to sell us cigarettes, another champagne from a bucket, and the third a poorly made I LOVE PARIS hat. Refusing all of the above, I splash out a few Euros (withdrawn from an ATM) on a cartoon caricature of us on our day in Paris.
âIâll treasure it forever,â I say, hugging it to my chest.
âIs my chin really that big?â
In answer, I tip up onto my toes and press my lips there. âItâs perfect.â Just like the rest of him. My head does a double take. âLook, Whit! Itâs a Soiree Bus!â I watch in delight as the sleek vehicle passes by.
âIâd rather queue three hours to get to the top of the Eiffel Tower,â Whit grumbles, unimpressed. âIâm a bit long in the tooth for disco buses and cheap shots of vodka.â
âI donât want to go on it. I just think the name is amazing. Party Bus is so lame. The Soiree Bus? Thatâs where itâs at.â
A day isnât long enough to see all that Paris has to offer, and while Iâd love to wander around Le Louvre, the queue wait times arenât the best use of our time. Instead, we call Jacque, and he takes us to the Montmartre area of Paris, where we eat lunch in a tiny café where the decor looks unchanged since the nineteen thirties. When Whit orders escargot and I pull a face, he and the server laugh. And he points out when I place my order (mussels in white wine) that we basically ordered the same, the only difference being heâll eat snails from the land and Iâll eat snails from the sea. I get over myself when the food arrives, and the aromas hit my olfactory system.
âThis is the best bread ever,â I say around a hunk of heavenly bread thatâs crispy on the outside and oh-so fluffy in the middle. The food is delicious, and the champagne is sold by the glass. And when we leave the café, I realize why Parisiennes are not overweight. Itâs all the walking they do. But, oh my gosh, is Montmartre perfect! We wander through cobblestone streets, each corner turned revealing a pretty vista or a piece of historic statuary. We find ourselves in the Place du Tetre and watch the oh-so talented street artists before taking in the Sacré Coeur Basilica vista. Before the evening begins, we stumble across a blue-tiled piece of wall art called Le Mur des Je Tâaime. The wall of I love youâs.
We stand for a while, each of us lost to our own thoughts as our eyes scan the many ways to say I love you. The wall speaks of language. Je tâaime. Te amo. Rakastan sinua. Aroha i a koutou. But the language of love is more than words. As we stand, holding hands, I think of Whit and the ways he shows his affection. His family is so lucky, and I hope they know that. I think of how heâd stepped up to fill his fatherâs shoes when so many men in his place wouldâve been consumed with their own grief. I think of the time he devotes and how his loved oneâs needs are his priority. I think of his thoughtfulness, and I think about the person he is.
Whit tugs on my hand, and as I turn, heâs wearing this expression that I find really hard to place.
âYou okay?â
âYeah,â he says softly. âYou?â
I glance back at the wall. Je tâaime, I think to myself. âItâs just really lovely, isnât it?â
âYeah. He nods, gaze dipping to his shoes. His phone buzzes as he slides it out of his pocket. âJacques is at the end of the street. Are you ready?â
âWhere shall we go next?â
âWell, this is that part of the day that isnât up to you.â He fights a smile and loses, and as though he doesnât want to admit it, he pulls me in and presses a kiss to the top of my head. I take the opportunity to breathe him in.
âSo weâre off to the hotel?â I glance up at him, and wiggle my brows suggestively.
âYou know what Iâm going to say, donât you?â
âGet my mind out of the gutter?â
Whit slides his arm over my shoulder, and we turn from the wall of love. âI feel like Iâve created a monster.â
âAnd what would that make you?â
âWhat kind of a question is that?â
âA reasonable one,â I retort.
âAmelia, whether in London, Paris, or whatever, I will always be your daddy!â And with that, his hand slips down my back, his fingers digging into my (recently discovered) sensitive sides. I squeal and jump from his reach, not wanting to be tickled as adrenaline begins to pump through my bloodstream. I might not be a fan of tickling, but being chased by Daddy gives me the shivers.
âThis looks exactly like the exact kind of place you arrive with no luggage,â I whisper as we follow a twentysomething woman up a grand staircase, feeling very conspicuous about our lack of bags.
âYou think this looks like the kind of place that rents rooms by the hour?â Whit angles his amused gaze my way.
âMore like the kind of place I couldnât afford to rent an hour in.â When weâd arrived at the hotel, I almost walked by the entrance because it was so unassuming. It looked like a house, though the hanging Moroccan lanterns on either side of the door seemed a bit odd. Once the door opened, we moved into a space of such fabulousness. The color scheme is dark and sensual, the decor opulent, all marble floors and crystal chandeliers. To put it another way, I felt like Alice in Wonderland, stepping into another world.
âItâs a good thing youâve got a wealthy patron then, isnât it?â
âPatron?â
âA better title than a john, I think.â
âWhat?â If the first explanation had poked at me, the second stopped me in my tracks, my steps grinding to a halt at a small landing. My ears must be playing up because there is no way he just insinuated that.
âThat didnât come out very well.â He pulls a face, kind of abashed. âThis place,â he adds with a flick of his fingers. âIt used to be a high-class brothel a hundred years or so ago.â
âI guess they havenât changed the decor,â I answer, staring up at a life-sized nude on the wall in front of us. A painting on canvas, old or made to look so. The model faces away, her head turned coyly over her shoulder as though startled but not unhappy at being caught in a state of undress.
âCâest magnifique, non?â The hotel employee showing up to our room pauses from a few steps away. I donât need to speak French to understand what sheâs referring to, especially the way sheâs staring up at the painting.
âYes, itâs very beautiful. Sheâs very beautiful.â
âWe think this is one of the women who worked here when the âotel was a bordello,â she continues. âHer patron wouldâve been very rich to have commissioned something of this scale.
âSo you donât know her name?â
âNon,â she says sadly. âThe women would want to keep their anonymity, hoping to move onto better or different things.â
âThat makes sense.â
âBut each of our suites is named for a famous courtesan,â she adds. âCome, let me show you to La Pompadour. I think youâll be very happy there.â
I turn to Whit as the door to the room closes, not quite believing what Iâm seeing. Itâs beautiful, and though quite spacious for a city hotel, thereâs something cocoon-like about the whole suite. Dark silk in a beautiful shade of blue I canât even name covers the walls. The bed is huge and ornate, the four posts drawing up toward the ceiling like an Arabian-style tent. A velvet chaise in front of a working fireplace, ornate gilt mirrors, and sensual artwork adorn the walls. Heavily fringed lamps provide the suite with a sultry glow and vases of orchids its heady scent. Thereâs a small lounge where I can totally see a courtesan serving her gentleman champagne before bringing him into the bedroom for a small slide of heaven.
In short, it looks like a suite built for the purpose of pleasure.
âItâs a bit over the top, isnât it?â Whit murmurs as I make my way to the French windows. French windows in France. Fancy that.
âNot if you were planning on seducing me.â I turn my head over my shoulder in some semblance of the painting in the stairwell. âOh, monsieur,â I say, fluttering my lashes. ââAv brought me âere to have your wicked way wiz me?â
âWho seduces who in a brothel, do you think?â
âYou want me to work for it?â I ask, pulling back the heavy voiles. I gasp. Beyond the doors is a tiny terrace with views all the way to the Eiffel Tower. âCome look at the view.â
âDo you like it?â His question is a purr in my ears, his broad palms sliding around my waist, pulling me against his chest.
âItâs so perfect.â
âNext time, weâll come for longer.â My heart gives a little pang. I could almost kid myself that we have a future when he says things like this. âIâm sorry this visit has to be so short.â
âPerfect doesnât have a timeframe,â I whisper, dropping the voile curtain and turning in his arms. It doesnât have to last a lifetime. âNo need to ask what our plans are for this evening.â I keep my lashes lowered, not wanting to reveal my pained thoughts as I slowly walk my fingers up his right bicep.
âI wouldnât say that.â
âGood. I wouldnât like to lose my air of mystery.â
My chuckle sounds kind of dirty because there really is no mystery about the thing growing hard against my stomach. But before I can make a smart reply, a rap of knuckles sounds against the door.
âBest answer that.â
âOr we could just ignore it.â
âBut itâs for you.â
âHow can you tell?â I ask, pulling slightly away.
âI canât.â
âCanât or wonât?â
âGo open the door,â he whispers, pressing his lips to my head. And then a smack to my butt as I slide around him.
âHey, watch the merchandise.â
âDonât worry, darling.â His words stroke like a caress. âIâve paid madame extra for my unnatural tastes.â
âUnnatural?â I reply, matching his tone.
âShe said you were the best. I canât wait to discover that for myself.â
My sultry laughter sounds all the way to the door.
âMademoiselle Valente?â a chicly dressed woman of indeterminable age asks from the hallway. Her stature is small, her features bird-like, but thereâs something masculine and strong about her.
âYes,â I answer hesitantly.
âBon.â One word and her attention swings away, her hands a flutter of movement.
âCan I help you?â She shakes her head, and I find myself stepping back from the door as she ushers a pair of girls about my age ahead, girls laden with all manner of garment bags and each pulling behind them a suitcase. âWhat is this all about?â Iâm unsure if my question is meant for her or Whit, who, when I turn, is lowering himself into a chair. I also notice he is doing a pretty good impersonation of the Cheshire cat. No so much in the grinning sense but the knowing.
âWe have come to dress you,â the tiny woman states imperiously, shooing me farther into the room. âVite!â
It turns out Whit has no plans to give up his air of mystery this evening as he lounges in the armchair with a crystal flute of champagne dangling from between his fingers. I have a glass, too, but Iâve barely managed a mouthful of it thanks to Madameâno other name givenâhaving the command of a drill sergeant.
âI like this one,â Whit says as Madame instructs her assistant to straighten the hem on the third dress Iâve tried on this evening. Itâs cuts across my arms and chest, Bardot style, the fabric pink and diaphanous. And the label Chanel. Thereâs no price tag, and for that Iâm grateful because I also love this dress, and I really donât want to take it off.
I also really donât want to try another on.
âYou have a good eye, Monsieur.â Madameâs tone is approving. âThis dress complements Mademoiselleâs skin tone perfectly.â
âItâs so pretty,â I say, glancing at myself in the full-length rococo-style mirror, swishing it this way and that.
âMade all the more pretty by you.â
Madame beams at Whitâs approval, and the two younger women with her cluck like little hens.
âYes, this one,â he affirms, rising gracefully from the armchair. Heâs so good at appearing impassive, I realize. Itâs a wonder to me that no one else in the room seems to realize the heat in those tiger eyes of his.
âAnd the shoes?â she asks, her eyes appreciative as he draws closer.
âIâll leave that to you, darling,â he says, pressing a kiss to my temple. âIâm going to hop into the shower.â Madameâs assistants giggle, but he pays them no heed as he saunters off in the direction of the bedroom.
I choose a pair of Valentino heels before it becomes apparent that the assistants arenât here to stroke Madameâs ego when one of them produces a long roll of makeup brushes like a magician and the other, whoâs arms are covered in a sleeve of tattoos, begins to lift curling wands and straightening irons out of a Mary Poppinâs style bag. Iâm hurried to take a seat at the dressing table where the duo proceed to primp, paint, poke, and preen me, all three women conversing in a flurry of French. The spare the occasional word for me, but mostly communicate with each other. While I love this dress, this experience isnât exactly relaxing and not nearly as much fun, I contemplate, as being Whitâs Sunday afternoon boutique Barbie Dollâ¦
I jolt back to myself as the door to the bathroom opens, and in the mirror, Whit steps out. Dressed only in a towel. The girl with the tattoos blushes and ducks her head, intent on tidying a loose stand of my hair. The other woman is much bolder in her appraisal, no that it matters as he has eyes only for me as the fall of light plays across the muscles of his shoulders and chest, the crest of his hip bones rendered a smudge of shadow. He strolls to the ornate armoire and pulls out a leather washbag Iâve seen in his bathroom at him. Home. The word causes me a tiny pang of longing, though Iâm distracted by the sound of the armoire closing. Whit turns and shoots me a wink before he saunters back the way he came, though Iâm surprised he can move through the thick estrogen cloud. The bathroom door closes once again.
âBeau cul.â In the mirror, I note how the makeup artist purses her lips appreciatively.
I feel myself frowning. Beaucoup? Like merci beaucoup? Is she thanking him for the show?
âShe says you are a very lucky woman.â The old woman catches my eye, her words diplomatic.
âYeah,â I reply doubtfully.
âHe has, how do you say?â She frowns a little as though grasping for the words. âA backside like two boiled eyes in a handkerchief.â
Words from the same school of thought as Aunt Doreen, apparently.