: Part 1 – Chapter 11
The Hate U Give
Monday morning, I know something is up when I first step into Williamson. Folks are quiet as hell. Well, whispering really, in little huddles in the halls and the atrium like theyâre discussing plays during a basketball game.
Hailey and Maya find me before I find them. âDid you get the text?â Hailey asks.
Thatâs the first thing she says. No hey or anything. I still donât have my phone, so Iâm like, âWhat text?â
She shows me hers. Thereâs a big group text with about a hundred names on it. Haileyâs older brother, Remy, sent out the first message.
Protesting today @ 1st period.
Then curly-haired, dimpled Luke replied:
Hell yeah. Free day. Iâm game.
And Remy came back with:
Itâs like somebody hit a pause button on my heart. âTheyâre protesting for Khalil?â
âYeah,â Hailey says, all giddy and shit. âPerfect timing too. I so did not study for that English exam. This is, like, the first time Remy actually came up with a good idea to get out of class. I mean, itâs kinda messed up that weâre protesting a death, butââ
All my Williamson rules go out the door, and Starr from Garden Heights shows up. âWhat the fuck that got to do with it?â
Their mouths open into perfectly shaped âs. âLike, I mean . . . if he was a drug dealer,â Hailey says, âthat explains why . . .â
âHe got killed even though he wasnât doing shit? So itâs cool he got killed? But I thought you were protesting it?â
âWe are! God, lighten up, Starr,â she says. âI thought youâd be all over this, considering your obsession on Tumblr lately.â
âYou know what?â I say, one second from going off. âLeave me alone. Have fun in your little protest.â
I wanna fight every person I pass, Floyd Mayweather style. Theyâre so damn excited about getting a day off. Khalilâs in a grave. He canât get a day off from that shit. I live it every single day too.
In class I toss my backpack on the floor and throw myself into my seat. When Hailey and Maya come in, I give them a stank-eye and silently dare them to say shit to me.
Iâm breaking all of my Williamson Starr rules with zero fucks to give.
Chris gets there before the bell rings, headphones draped around his neck. He comes down my aisle and squeezes my nose, going, âHonk, honk,â because for some reason itâs hilarious to him. Usually I laugh and swat at him, but today . . . Yeah, Iâm not in the mood. I just swat. Kinda hard too.
He goes, âOw,â and gives his hand a quick shake. âWhatâs wrong with you?â
I donât respond. If I open my mouth, Iâll explode.
He crouches beside my desk and shakes my thigh. âStarr? You okay?â
Our teacher, balding, stumpy Mr. Warren, clears his throat. âMr. Bryant, my class is not the . Please have a seat.â
Chris slides into the desk next to mine. âWhatâs wrong with her?â he whispers to Hailey.
She plays dumb and says, âDunno.â
Mr. Warren tells us to take out our MacBooks and begins the lesson on British literature. Not even five minutes in, someone says, âJustice for Khalil.â
âJustice for Khalil,â the others chant. âJustice for Khalil.â
Mr. Warren tells them to stop, but they get louder and pound their fists on the desks.
I wanna puke and scream and cry.
My classmates stampede toward the door. Mayaâs the last one out. She glances back at me then at Hailey who motions her to come on. Maya follows her out.
I think Iâm done following Hailey.
In the hall, chants for Khalil go off like sirens. Unlike Hailey, some of them may not care that he was a drug dealer. They might be almost as upset as I am. But since I know Remy started this protest, I stay in my seat.
Chris does too for some reason. His desk scrapes the floor as it scoots closer to mine until they touch. He brushes my tears with his thumb.
âYou knew him, didnât you?â he says.
I nod.
âOh,â says Mr. Warren. âI am so sorry, Starr. You donât have toâyou can call your parents, you know?â
I wipe my face. The last thing I want is Momma making a fuss because I canât handle all this. Worse, I donât wanna be unable to handle it. âCan you continue with the lesson, sir?â I ask. âThe distraction would be nice.â
He smiles sadly and does as I ask.
For the rest of the day, sometimes Chris and I are the only ones in our classes. Sometimes one or two other people join us. People go out of their way to tell me they think Khalilâs death is bullshit, but that Remyâs reason for protesting is bullshit too. I mean, this sophomore girl comes up to me in the hall and explains that she supports the cause but decided to go back to class after she heard why they were really protesting.
They act like Iâm the official representative of the black race and they owe me an explanation. I think I understand though. If I sit out a protest, Iâm making a statement, but if they sit out a protest, they look racist.
At lunch, Chris and I head to our table near the vending machines. Jess with her perfect pixie cut is the only one there, eating cheese fries and reading her phone.
âHey?â I ask more than say. Iâm surprised sheâs here.
âSâup?â She nods. âHave a seat. As you can see, thereâs plenty of room.â
I sit beside her, and Chris sits on the other side of me. Jess and I have played basketball together for three years, and sheâs put her head on my shoulder for two of them, but Iâm ashamed to admit I donât know much about her. I do know sheâs a senior, her parents are attorneys, and she works at a bookstore. I didnât know that sheâd skip the protest.
I guess Iâm staring at her hard, because she says, âI donât use dead people to get out of class.â
If I wasnât straight I would totally date her for saying that. This time I rest my head on her shoulder.
She pats my hair and says, âWhite people do stupid shit sometimes.â
Jess is white.
Seven and Layla join us with their trays. Seven holds his fist out to me. I bump it.
âSev-en,â Jess says, and they fist-bump too. I had no idea they were cool like that. âI take it weâre protesting the âGet Out of Classâ protest?â
âYep,â Seven says. âProtesting the âGet Out of Classâ protest.â
Seven and I get Sekani after school, and he wonât shut up about the news cameras he saw from his classroom window, because heâs Sekani and he came into this world looking for a camera. I have too many selfies of him on my phone giving the âlight skin face,â his eyes squinted and eyebrows raised.
âAre yâall gonna be on the news?â he asks.
âNah,â says Seven. âDonât need to be.â
We could go home, lock the door, and fight over the TV like we always do, or we could help Daddy at the store. We go to the store.
Daddy stands in the doorway, watching a reporter and camera operator set up in front of Mr. Lewisâs shop. Of course, when Sekani sees the camera, he says, âOoh, I wanna be on TV!â
âShut up,â I say. âNo you donât.â
âYes, I do. You donât know what I want!â
The car stops, and Sekani pushes my seat forward, sending my chin into the dashboard as he jumps out. âDaddy, I wanna be on TV!â
I rub my chin. His hyper butt is gonna kill me one day.
Daddy holds Sekani by the shoulders. âCalm down, man. You not gonâ be on TV.â
âWhatâs going on?â Seven asks when we get out.
âSome cops got jumped around the corner,â Daddy says, one arm around Sekaniâs chest to keep him still.
âJumped?â I say.
âYeah. They pulled them out their patrol car and stomped them. Gray Boys.â
The code name for King Lords. Damn.
âI heard what happened at yâall school,â Daddy says. âEverything cool?â
âYeah.â I give the easy answer. âWeâre good.â
Mr. Lewis adjusts his clothes and runs a hand over his Afro. The reporter says something, and he lets out a belly-jiggling laugh.
âWhat this fool âbout to say?â Daddy wonders.
âWe go live in five,â says the camera operator, and all I can think is, . âFour, three, two, one.â
âThatâs right, Joe,â the reporter says. âIâm here with Mr. Cedric Lewis Jr., who witnessed the incident involving the officers today. Can you tell us what you saw, Mr. Lewis?â
âHe ainât witness nothing,â Daddy tells us. âWas in his shop the whole time. I told him what happened!â
âI sholl can,â Mr. Lewis says. âThem boys pulled those officers out their car. They werenât doing nothing either. Just sitting there and got beat like dogs. Ridiculous! You hear me? Re-damn-diculous!â
Somebodyâs gonna turn Mr. Lewis into a meme. Heâs making a fool out of himself and doesnât even know it.
âDo you think that it was retaliation for the Khalil Harris case?â the reporter asks.
âI sholl do! Which is stupid. These thugs been terrorizing Garden Heights for years, how they gonâ get mad now? What, âcause they didnât kill him themselves? The president and allâa them searching for terrorists, but Iâll name one right now they can come get.â
âDonât do it, Mr. Lewis,â Daddy prays. âDonât do it.â
Of course, he does. âHis name King, and he live right here in Garden Heights. Probably the biggest drug dealer in the city. He over that King Lords gang. Come get him if you wanna get somebody. Wasnât nobody but his boys who did that to them cops anyway. We sick of this! Somebody march âbout that!â
Daddy covers Sekaniâs ears. Every cuss word that follows equals a dollar in Sekaniâs jar if he hears it. âShit,â Daddy hisses. âShit, shit, shit. This mothaââ
âHe snitched,â says Seven.
âOn live TV,â I add.
Daddy keeps saying, âShit, shit, shit.â
âDo you think that the curfew the mayor announced today will prevent incidents like this?â the reporter asks Mr. Lewis.
I look at Daddy. âWhat curfew?â
He takes his hands off Sekaniâs ears. âEvery business in Garden Heights gotta close by nine. And nobody can be in the streets after ten. Lights out, like in prison.â
âSo youâll be home tonight, Daddy?â Sekani asks.
Daddy smiles and pulls him closer. âYeah, man. After you do your homework, I can show you a thang or two on Madden.â
The reporter wraps up her interview. Daddy waits until she and the camera operator leave and then goes over to Mr. Lewis. âYou crazy?â he asks.
âWhat? âCause I told the truth?â Mr. Lewis says.
âMan, you canât be going on live TV, snitching like that. You a dead man walking, you know that, right?â
âI ainât scared of that nigga!â Mr. Lewis says real loud, for everybody to hear. âYou scared of him?â
âNah, but I know how the game work.â
âIâm too old for games! You oughta be too!â
âMr. Lewis, listenââ
âNah, you listen here, boy. I fought a war, came back, and fought one here. See this?â He lifts up his pants leg, revealing a plaid sock over a prosthetic. âLost it in the war. This right here.â He lifts his shirt to his underarm. Thereâs a thin pink scar stretching from his back to his swollen belly. âGot it after some white boys cut me âcause I drank from their fountain.â He lets his shirt fall down. âI done faced a whole lot worse than some so-called King. Ainât nothing he can do but kill me, and if thatâs how I gotta go for speaking the truth, thatâs how I gotta go.â
âYou donât get it,â Daddy says.
âYeah I do. Hell, I get you. Walking around here, claiming you ainât a gangster no more, claiming you trying to change stuff, but still following allâa that âdonât snitchâ mess. And you teaching them kids the same thing, ainât you? King still controlling your dumb ass, and you too stupid to realize it.â
âStupid? How you gonâ call me stupid when you the one snitching on live TV!â
A familiar sound alarms us.
Oh God.
The patrol car with flashing lights cruises down the street. It stops next to Daddy and Mr. Lewis.
Two officers get out. One black, one white. Their hands linger too close to the guns at their waists.
No, no, no.
âWe got a problem here?â the black one asks, looking squarely at Daddy. Heâs bald just like Daddy, but older, taller, bigger.
âNo, sir, officer,â Daddy says. His hands that were once in his jeans pockets are visible at his sides.
âYou sure about that?â the younger white one asks. âIt didnât seem that way to us.â
âWe were just talking, officers,â Mr. Lewis says, much softer than he was minutes ago. His hands are at his sides too. His parents mustâve had the talk with him when he was twelve.
âTo me it looks like this young man was harassing you, sir,â the black one says, still looking at Daddy. He hasnât looked at Mr. Lewis yet. I wonder if itâs because Mr. Lewis isnât wearing an NWA T-shirt. Or because there arenât tattoos all on his arms. Or because heâs not wearing somewhat baggy jeans and a backwards cap.
âYou got some ID on you?â the black cop asks Daddy.
âSir, I was about to go back to my storeââ
âI said do you have some ID on you?â
My hands shake. Breakfast, lunch, and everything else churns in my stomach, ready to come back up my throat. Theyâre gonna take Daddy from me.
âWhatâs going on?â
I turn around. Tim, Mr. Reubenâs nephew, walks over to us. People have stopped on the sidewalk across the street.
âIâm gonna reach for my ID,â Daddy says. âItâs in my back pocket. Aâight?â
âDaddyââ I say.
Daddy keeps his eyes on the officer. âYâall, go in the store, aâight? Itâs okay.â
We donât move though.
Daddyâs hand slowly goes to his back pocket, and I look from his hands to theirs, watching to see if theyâre gonna make a move for their guns.
Daddy removes his wallet, the leather one I bought him for Fatherâs Day with his initials embossed on it. He shows it to them.
âSee? My ID is in here.â
His voice has never sounded so small.
The black officer takes the wallet and opens it. âOh,â he says.
He exchanges a look with his partner.
Both of them look at me.
My heart stops.
Theyâve realized Iâm the witness.
There must be a file that lists my parentsâ names on it. Or the detectives blabbed, and now everyone at the station knows our names. Or they couldâve gotten it from Uncle Carlos somehow. I donât know how it happened, but it happened. And if something happens to Daddy . . .
The black officer looks at him. âGet on the ground, hands behind your back.â
âButââ
âOn the ground, face-down!â he yells. âNow!â
Daddy looks at us. His expression apologizes for the fact that we have to see this.
He gets down on one knee and lowers himself to the ground, face-down. His hands go behind his back, and his fingers interlock.
Whereâs that camera operator now? Why canât this be on the news?
âNow, wait a minute, Officer,â Mr. Lewis says. âMe and him were just talking.â
âSir, go inside,â the white cop tells him.
âBut he didnât do anything!â Seven says.
âBoy, go inside!â the black cop says.
âNo! Thatâs my father, andââ
âSeven!â Daddy yells.
Even though heâs lying on the concrete, thereâs enough authority in his voice to make Seven shut up.
The black officer checks Daddy while his partner glances around at all of the onlookers. Thereâs quite a few of us now. Ms. Yvette and a couple of her clients stand in her doorway, towels around the clientsâ shoulders. A car has stopped in the street.
âEveryone, go about your own business,â the white one says.
âNo, sir,â says Tim. âThis is our business.â
The black cop keeps his knee on Daddyâs back as he searches him. He pats him down once, twice, three times, just like One-Fifteen did Khalil. Nothing.
âLarry,â the white cop says.
The black one, who must be Larry, looks up at him, then at all the people who have gathered around.
Larry takes his knee off Daddyâs back and stands. âGet up,â he says.
Slowly, Daddy gets to his feet.
Larry glances at me. Bile pools in my mouth. He turns to Daddy and says, âIâm keeping an eye on you, boy. Remember that.â
Daddyâs jaw looks rock hard.
The cops drive off. The car that had stopped in the street leaves, and all of the onlookers go on about their business. One person hollers out, âItâs all right, Maverick.â
Daddy looks at the sky and blinks the way I do when I donât wanna cry. He clenches and unclenches his hands.
Mr. Lewis touches his back. âCâmon, son.â
He guides Daddy our way, but they pass us and go into the store. Tim follows them.
âWhy did they do Daddy like that?â Sekani asks softly. He looks at me and Seven with tears in his eyes.
Seven wraps an arm around him. âI donât know, man.â
I know.
I go in the store.
DeVante leans against a broom near the cash register, wearing one of those ugly green aprons Daddy tries to make me and Seven wear when we work in the store.
Thereâs a pang in my chest. Khalil wore one too.
DeVanteâs talking to Kenya as she holds a basket full of groceries. When the bell on the door clangs behind me, both of them look my way.
âYo, what happened?â DeVante asks.
âWas that the cops outside?â says Kenya.
From here I see Mr. Lewis and Tim standing in the doorway of Daddyâs office. He must be in there.
âYeah,â I answer Kenya, heading toward the back. Kenya and DeVante follow me, asking about fifty million questions that I donât have time to answer.
Papers are scattered all on the office floor. Daddyâs hunched over his desk, his back moving up and down with each heavy breath.
He pounds the desk. âFuck!â
Daddy once told me thereâs a rage passed down to every black man from his ancestors, born the moment they couldnât stop the slave masters from hurting their families. Daddy also said thereâs nothing more dangerous than when that rage is activated.
âLet it out, son,â Mr. Lewis tells him.
âFuck them pigs, man,â Tim says. âThey only did that shit âcause they know âbout Starr.â
Wait. What?
Daddy glances over his shoulder. His eyes are puffy and wet, like heâs been crying. âThe hell you talking âbout, Tim?â
âOne of the homeboys saw you, Lisa, and your baby girl getting out an ambulance at the crime scene that night,â Tim says. âWord spread around the neighborhood, and folks think sheâs the witness they been talking âbout on the news.â
Oh.
Shit.
âStarr, go ring Kenya up,â Daddy says. âVante, finish them floors.â
I head for the cash register, passing Seven and Sekani.
The neighborhood knows.
I ring Kenya up, my stomach knotted the whole time. If the neighborhood knows, it wonât be long until people outside of Garden Heights know. And then what?
âYou rang that up twice,â Kenya says.
âHuh?â
âThe milk. You rang it up twice, Starr.â
âOh.â
I cancel one of the milks and put the carton into a bag. Kenyaâs probably cooking for herself and Lyric tonight. She does that sometimes. I ring up the rest of her stuff, take her money, and hand her the change.
She stares at me a second, then says, âWere you really the one with him?â
My throat is thick. âDoes it matter?â
âYeah, it matters. Why you keeping quiet âbout it? Like you hiding or something.â
âDonât say it that way.â
âBut it is that way. Right?â
I sigh. âKenya, stop. You donât understand, all right?â
Kenya folds her arms. âWhatâs to understand?â
âA lot!â I donât mean to yell, but damn. âI canât go around telling people that shit.â
âWhy not?â
âBecause! You ainât see what the cops just did to my dad âcause they know Iâm the witness.â
âSo you gonâ let the police stop you from speaking out for Khalil? I thought you cared about him way more than that.â
âI do.â I care more than she may ever know. âI already talked to the cops, Kenya. Nothing happened. What else am I supposed to do?â
âGo on TV or something, I donât know,â she says. âTell everybody what really happened that night. Theyâre not even giving his side of the story. Youâre letting them trash-talk himââ
âExcuseâ How the hell am I letting them do anything?â
âYou hear all the stuff theyâre saying âbout him on the news, calling him a thug and stuff, and you know that ainât Khalil. I bet if he was one of your private school friends, youâd be all on TV, defending him and shit.â
âAre you for real?â
âHell yeah,â she says. âYou dropped him for them bougie-ass kids, and you know it. You probably wouldâve dropped me if I didnât come around âcause of my brother.â
âThatâs not true!â
âYou sure?â
Iâm not.
Kenya shakes her head. âFucked-up part about this? The Khalil I know wouldâve jumped on TV in a hot second and told everybody what happened that night if it meant defending you. And you canât do the same for him.â
Itâs a verbal slap. The worst kind too, because itâs the truth.
Kenya gets her bags. âIâm just saying, Starr. If I could change what happens at my house with my momma and daddy, I would. Here you are, with a chance to help change what happens in our , and you staying quiet. Like a coward.â
Kenya leaves. Tim and Mr. Lewis arenât far behind her. Tim gives me the black power fist on his way out. I donât deserve it though.
I head to Daddyâs office. Sevenâs standing in the doorway, and Daddyâs sitting on his desk. Sekaniâs next to him, nodding along to whatever Daddyâs saying but looking sad. Reminds me of the time Daddy and Momma had the talk with me. Guess Daddy decided not to wait until Sekaniâs twelve.
Daddy sees me. âSev, go cover the cash register. Take Sekani with you. âBout time he learned.â
âAww, man,â Sekani groans. Donât blame him. The more you learn to do at the store, the more youâre expected to do at the store.
Daddy pats the now-empty spot beside him on the desk. I hop up on it. His office has just enough space for the desk and a file cabinet. Framed photographs crowd the walls, like the one of him and Momma at the courthouse the day they got married, her belly (a.k.a. me) big and round; pictures of me and my brothers as babies, and this one picture from about seven years ago when my parents took the three of us to the mall for one of those J. C. Penney family portraits. They dressed alike in baseball jerseys, baggy jeans, and Timberlands. Tacky.
âYou aâight?â Daddy asks.
âAre you?â
âI will be,â he says. âJust hate that you and your brothers had to see that shit.â
âThey only did it âcause of me.â
âNah, baby. They started that before they knew âbout you.â
âBut that didnât help.â I stare at my Jâs as I kick my feet back and forth. âKenya called me a coward for not speaking out.â
âShe didnât mean it. She going through a lot, thatâs all. King throwing Iesha around like a rag doll every single night.â
âBut sheâs right.â My voice cracks. Iâm this close to crying. âI am a coward. After seeing what they did to you, I donât wanna say shit now.â
âHey.â Daddy takes my chin so I have no choice but to look at him. âDonât fall for that trap. Thatâs what they want. If you donât wanna speak out, thatâs up to you, but donât let it be because youâre scared of them. Who do I tell you that you have to fear?â
âNobody but God. And you and Momma. Especially Momma when sheâs extremely pissed.â
He chuckles. âYeah. The list ends there. You ainât got nothing or nobody else to fear. You see this?â He rolls up his shirt sleeve, revealing the tattoo of my baby picture on his upper arm. âWhat it say at the bottom?â
âSomething to live for, something to die for,â I say, without really looking. Iâve seen it my whole life.
âExactly. You and your brothers are something to live for, and something to die for, and Iâll do whatever I gotta do to protect you.â He kisses my forehead. âIf youâre ready to talk, baby, talk. I got your back.â