: Part 2 – Chapter 19
The Hate U Give
The smell of hickory bacon and the sound of way too many voices wake me up.
I blink to soothe my eyes from the assault my neon-blue walls are giving them. It takes me a few minutes lying here to remember itâs grand jury day.
Time to see if Iâll fail Khalil or not.
I put my feet in my slippers and head toward the unfamiliar voices. Seven and Sekani are at school by now, plus their voices arenât that deep. I should be worried about some unknown dudes seeing me in my pajamas, but thatâs the beauty of sleeping in tanks and basketball shorts. They wonât see much.
The kitchenâs standing-room-only. Guys in black slacks, white shirts, and ties are at the table or standing against the wall, shoveling food in their mouths. They have tattoos on their faces and hands. A couple of them give me quick nods and mumble âSâupâ through mouths full of food.
The Cedar Grove King Lords. Damn, they clean up nicely.
Momma and Aunt Pam work the stove as skillets full of bacon and eggs sizzle, blue flames dancing beneath them. Nana pours juice and coffee and runs her mouth.
Momma barely looks over her shoulder and says, âMorning, Munch. Your plateâs in the microwave. Come get these biscuits out for me, please.â
She and Aunt Pam move to the ends of the stove, stirring the eggs and turning the bacon. I grab a towel and open the oven. The aroma of buttery biscuits and a heat wave hit me head-on. I pick the pan up with the towel, and that thing is still too hot to hold for long.
âOver here, liâl momma,â Goon says at the table.
Iâm glad to put it down. Not even two minutes after I set it on the table, every last biscuit is gone. Goddamn. I grab my paper towelâcovered plate from the microwave before the King Lords inhale it too.
âStarr, get those other plates for your dad and your uncle,â Aunt Pam says. âTake them outside, please.â
Uncle Carlos is here? I tell Aunt Pam, âYes, maâam,â stack their plates on top of mine, grab the hot sauce and some forks, and leave as Nana starts one of her âback in my theater daysâ stories.
Outside, the sunlightâs so bright it makes the paint on my walls seem dim. I squint and look around for Daddy or Uncle Carlos. The hatch on Daddyâs Tahoe is up, and theyâre sitting on the back of it.
My slippers scuff against the concrete, sounding like brooms sweeping the floor. Daddy looks around the truck. âThere go my baby.â
I hand him and Uncle Carlos a plate and get a kiss to the cheek from Daddy in return. âYou sleep okay?â he asks.
âKinda.â
Uncle Carlos moves his pistol from the space between them and pats the empty spot. âKeep us company for a bit.â
I hop up next to them. We unwrap the plates that have enough biscuits, bacon, and eggs for a few people.
âI think this oneâs yours, Maverick,â Uncle Carlos says. âItâs got turkey bacon.â
âThanks, man,â Daddy says, and they exchange plates.
I shake hot sauce on my eggs and pass Daddy the bottle. Uncle Carlos holds his hand out for it too.
Daddy smirks and passes it down. âI wouldâve thought you were too refined for some hot sauce on your eggs.â
âYou do realize this is the house I grew up in, right?â He covers his eggs completely in hot sauce, sets the bottle down, and licks his fingers for the sauce that got on them. âDonât tell Pam I ate all of this though. Sheâs always on me about watching my sodium.â
âI wonât tell if you wonât tell,â Daddy says. They bump fists to seal the deal.
I woke up on another planet or in an alternate reality. Something. âYâall cool all of a sudden?â
âWe talked,â Daddy says. âItâs all good.â
âYep,â says Uncle Carlos. âSome things are more important than others.â
I want details, but I wonât get them. If theyâre good though, Iâm good. And honestly? Itâs about damn time.
âSince you and Aunt Pam are here, whereâs DeVante?â I ask Uncle Carlos.
âAt home for once and not playing video games with your liâl boyfriend.â
âWhy does Chris always have to be âliâlâ to you?â I ask. âHeâs not little.â
âYou better be talking about his height,â says Daddy.
âAmen,â Uncle Carlos adds, and they fist-bump again.
So theyâve found common complaining groundâChris. Figures.
Our street is quiet for the most part this morning. It usually is. The drama always comes from people who donât live here. Two houses down, Mrs. Lynn and Ms. Carol talk in Mrs. Lynnâs yard. Probably gossiping. Canât tell either one of them anything if you donât want it spread around Garden Heights like a cold. Mrs. Pearl works in her flower bed across the street with a little help from Foâty Ounce. Everybody calls him that âcause he always asks for money to buy a âFoâty ounce from the licka stoâ real quick.â His rusty shopping cart with all of his belongings is in Mrs. Pearlâs driveway, a big bag of mulch on the bottom of it. Apparently he has a green thumb. He laughs at something Mrs. Pearl says, and people two streets over probably hear that guffaw of his.
âCanât believe that foolâs alive,â Uncle Carlos says. âWouldâve thought he drank himself to death by now.â
âWho? Foâty Ounce?â I ask.
âYeah! He was around when I was a kid.â
âNah, he ainât going nowhere,â says Daddy. âHe claims the liquor keeps him alive.â
âDoes Mrs. Rooks live around the corner?â Uncle Carlos asks.
âYep,â I say. âAnd she still makes the best red velvet cakes you ever had in your life.â
âWow. I told Pam I have yet to taste a red velvet cake as good as Mrs. Rooksâs. What about um . . .â He snaps his fingers. âThe man who fixed cars. Lived at the corner.â
âMr. Washington,â says Daddy. âStill kicking it and still does better work than any automotive shop around. Got his son helping him too.â
âLiâl John?â Uncle Carlos asks. âThe one that played basketball but got on that stuff?â
âYep,â says Daddy. âHe been clean for a minute now.â
âMan.â Uncle Carlos pushes his red eggs around his plate. âI almost miss living here sometimes.â
I watch Foâty Ounce help Mrs. Pearl. People around here donât have much, but they help each other out as best they can. Itâs this strange, dysfunctional-as-hell family, but itâs still a family. More than I realized until recently.
âStarr!â Nana calls from the front door. People two streets over probably hear her like they heard Foâty Ounce. âYour momma said hurry up. You gotta get ready. Hey, Pearl!â
Mrs. Pearl shields her eyes and looks our way. âHey, Adele! Havenât seen you in a while. You all right?â
âHanging in there, girl. You got that flowerbed looking good! Iâm coming by later to get some of that Birds of Paradise.â
âAll right.â
âYou not gonâ say hey to me, Adele?â Foâty Ounce asks. When he talks, it jumbled together like one long word.
âHell nah, you old fool,â Nana says. The door slams behind her.
Daddy, Uncle Carlos, and I crack up.
The Cedar Grove King Lords trail us in two cars, and Uncle Carlos drives me and my parents. One of his off-duty buddies occupies the passengerâs seat. Nana and Aunt Pam trail us too.
All these people though, and none of them can go in the grand jury room with me.
It takes fifteen minutes to get to downtown from Garden Heights. Thereâs always construction work going on for some new building. Garden Heights has dope boys on corners, but downtown people in business suits wait for crossing lights to change. I wonder if they ever hear the gunshots and shit in my neighborhood.
We turn onto the street where the courthouse is, and I have one of those weird déjà -vu moments. Iâm three, and Uncle Carlos drives Momma, Seven, and me to the courthouse. Momma cries the entire drive, and I wish Daddy were here because he can always get her to stop crying. Seven and I hold Mommaâs hands as we walk into a courtroom. Some cops bring Daddy out in an orange jumpsuit. He canât hug us because heâs handcuffed. I tell him I like his jumpsuit; orange is one of my favorite colors. But he looks at me real seriously, and says, âDonât you ever wear this, you hear me?â
All I remember after that is the judge saying something, Momma sobbing, and Daddy telling us he loves us as the cops haul him off. For three years I hated the courthouse because it took Daddy from us.
Iâm not thrilled to see it now. News vans and trucks are across the street from the courthouse, and police barricades separate them from everybody else. I now know why people call it a âmedia circus.â It seriously looks like the circus is setting up in town.
Two traffic lanes separate the courthouse from the media frenzy, but I swear theyâre a world away. Hundreds of people quietly kneel on the courthouse lawn. Men and women in clerical collars stand at the front of the crowd, their heads bowed.
To avoid the clowns and their cameras, Uncle Carlos turns onto the street alongside the courthouse. We go in through the back door. Goon and another King Lord join us. They flank me and donât hesitate to let security check them for weapons.
Another security guard leads us through the courthouse. The farther we go, the fewer people we pass in the halls. Ms. Ofrah waits beside a door with a brass plate that says Grand Jury Room.
She hugs me and asks, âReady?â
For once I am. âYes, maâam.â
âIâll be out here the whole time,â she says. âIf you need to ask me something, you have that right.â She looks at my entourage. âIâm sorry, but only Starrâs parents are allowed to watch in the TV room.â
Uncle Carlos and Aunt Pam hug me. Nana pats my shoulder as she shakes her head. Goon and his boy give me quick nods and leave with them.
Mommaâs eyes brim with tears. She pulls me into a tight hug, and itâs at that moment, of all the moments, that I realize Iâve gotten an inch or two taller than she is. She plants kisses all over my face and hugs me again. âIâm proud of you, baby. You are so brave.â
That word. I hate it. âNo, Iâm not.â
âYeah, you are.â She pulls back and pushes a strand of hair away from my face. I canât explain the look in her eyes, but it knows me better than I know myself. It wraps me up and warms me from the inside out. âBrave doesnât mean youâre not scared, Starr,â she says. âIt means you go on even though youâre scared. And youâre doing that.â
She leans up slightly on her tiptoes and kisses my forehead as if that makes it true. For me it kinda does.
Daddy wraps his arms around both of us. âYou got this, baby girl.â
The door to the grand jury room creaks open, and the DA, Ms. Monroe, looks out. âWeâre ready if you are.â
I walk into the grand jury room alone, but somehow my parents are with me.
The room has wood-paneled walls and no windows. About twenty or so men and women occupy a U-shaped table. Some of them are black, some of them arenât. Their eyes follow us as Ms. Monroe leads me to a table in front of them with a mic on it.
One of Ms. Monroeâs colleagues swears me in, and I promise on the Bible to tell the truth. I silently promise it to Khalil too.
Ms. Monroe says from the back of the room, âCould you please introduce yourself to the grand jurors?â
I scoot closer to the mic and clear my throat. âMy nameââ My small voice sounds like a five-year-oldâs. I sit up straight and try again. âMy name is Starr Carter. Iâm sixteen years old.â
âThe mic is only recording you, not projecting your voice,â Ms. Monroe says. âAs we have our conversation, we need you to speak loud enough for everyone to hear, okay?â
âYesââ My lips brush the mic. Too close. I move back and try again. âYes, maâam.â
âGood. You came here on your own free will, is that correct?â
âYes, maâam.â
âYou have an attorney, Ms. April Ofrah, correct?â she says.
âYes, maâam.â
âYou understand you have the right to consult with her, correct?â
âYes, maâam.â
âYou understand youâre not the focus of any criminal charges, correct?â
Bullshit. Khalil and I have been on trial since he died. âYes, maâam.â
âToday, we want to hear in your own words what happened to Khalil Harris, okay?â
I look at the jurors, unable to read their faces and tell if they really want to hear my words. Hopefully they do. âYes, maâam.â
âNow, since we have that understanding, letâs talk about Khalil. You were friends with him, right?â
I nod, but Ms. Monroe says, âPlease give a verbal response.â
I lean toward the mic and say, âYes, maâam.â
Shit. I forgot the jurors canât hear me on it and itâs only for recording. It doesnât make any sense that Iâm so nervous.
âHow long did you know Khalil?â
The same story, all over again. I become a robot who repeats how I knew Khalil since I was three, how we grew up together, the kind of person he was.
When I finish, Ms. Monroe says, âOkay. Weâre going to discuss the night of the shooting in detail. Are you okay with that?â
The un-brave part of me, which feels like most of me, shouts no. It wants to crawl up in a corner and act as if none of this ever happened. But all those people outside are praying for me. My parents are watching me. Khalil needs me.
I straighten up and allow the tiny brave part of me to speak. âYes, maâam.â