: Chapter 47
Forging Silver into Stars
The soldiers donât allow me or Nora into the barn. I worry about the hens, about Muddy May, but the soldiers bring me buckets of eggs and milk every morning, so at least the animals seem to be tended. I worry about Jax, about Alek, about all the choices Iâve made over the last few months and whether theyâve been the right ones.
The day after Jax was to leave, I heard clanging up at the forge, and I donât know what it meansâand Iâm too nervous to go check. There are too many soldiers here. Too many guards. Itâs ⦠weird. Nora peers out the windows every night.
âWhat do they want?â sheâll whisper. âDid Lord Alek send them?â
âI donât think so,â I say, remembering the way Lady Karyl told me to burn his message.
I didnât. Itâs under my mattress near all of Motherâs old gear. Iâve read it a dozen times, but I donât understand why sheâd tell me to burn it without reading it. Our plans have changed. Burn it. Is Lady Karyl tricking me? Or was Alek tricking me?
On the seventh night, Nora is lightly snoring beside me when I hear a sound down in the bakery. I freeze in place, thinking of Alek. The worst part is that I canât decide if Iâd be relieved by his presence right now, or alarmed.
I slip out of bed in my sleeping shift and move to the top of the stairs.
Down below, a shadow slides along the far wall, and my heart clenches. But then I hear a tiny voice whisper, âMore sweetcakes!â
I frown, hesitating, then ease down a few steps as silently as I dare.
There in the middle of the bakery, carefully licking frosting off her fingers, is a little girl no more than three or four years old. Her clothes are filthy and ragged, her curly hair a wild mane of tangles that reach her waist.
No Alek. No soldiers. No Lady Karyl.
Oh good. Now I have more questions.
I ease down a few more steps, and she spots me. Her eyes grow wide and she gasps, her expression trapped in that moment between fear and curiosity. I know it well from Nora.
I may not know how to stop an assassination, but I know how to be a big sister. I donât want her to be afraid of me, so I smile. âWhere did you come from?â I whisper, peeking around like weâre co-conspirators.
âIâm sneaking,â she says.
âI see that.â I hesitate. âCan I have a sweetcake, too?â
She studies me for a moment, then must decide Iâm acceptable, because she smiles back and nods.
I come down into the bakery and take one off the platter. The fire in the hearth has gone to embers, but up close, I can see that the girlâs hair is as red as Alekâs. âIâm Callyn,â I say. âWhatâs your name?â
âIâm pleased to make your acquaintance, Lady Callyn,â she says prettily, then curtsies as perfectly as a noble from one of the Royal Houses, completely at odds with the stained and wrinkled skirts sheâs wearingâor the fact that weâre standing in the middle of my little bakery, and Iâm no lady. I smile, bemused, until she adds in her tiny voice, âMy name is Sinna Cataleha, but that takes too long, so everyone calls me Sinna.â
My heart stops before she gets to the end of that sentence. Iâm frozen in place. That bite of sweetcake turns to stone in my mouth.
I have to force myself to speak. âSinna?â I say, and my voice is strangled. âSinna, like the princess?â
She nods emphatically and takes another sweetcake. âMama says weâre playing a game with Da, but I donât like it very much.â
I donât know what to do. Why would the princess be inside my bakery in the middle of the night? Where did she come from? Weâre four hours from the Crystal Palace!
While Iâm standing there deliberating, I hear a shout from outsideâfollowed by a woman yelling. The voice is raw and strangledâand loud. âWhere is she? What did you do to her?â
Soldiers are shouting now, too. Theyâre going to wake Nora.
Sinnaâs face turns white, and she drops the sweetcake. Her voice is a whispered rush. âMama is cross.â
Mama. The queen.
Iâm sure my face is white.
I donât know whatâs happening, but I do know I donât want to be a part of it.
The woman outside is still shouting, her tone turning panicked. âI have done as you asked! You will give me back my daughter!â she screams in rage. âYou will let me go!â
Sinnaâs lower lip begins to tremble.
I scoop her into my arms. âLetâs go make sure your Mama is all right.â
I expect her to struggle, but she wraps her arms around my neck, tangling her sticky fingers in my hair. I burst through the door and a dozen crossbows are suddenly pointed in my direction.
A dozen more are pointed at the woman standing in the barn doorway. Her skirts are as rumpled and filthy as Sinnaâs, but thereâs no mistaking the power in her stance, the assuredness of her expression, as if being queen was a quality that could fill the very air around her.
âDonât shoot!â I cry. âThe princess snuck into the bakery.â
âOh, Sinna,â the queen says, her voice half relieved, half a sob.
One of the guards approaches me. âIâll take her.â
Sinna cringes away from him, clutching my neck and squealing.
âDonât you touch her,â the queen says, and thereâs a vicious note in her voice that makes me shiverâand makes the guard hesitate.
I glance from the guard to the queen. âSheâs not hurt,â I call to her. âShe just ate some sweetcakes. I didnâtâI didnât know who she was.â
The queen stares back at me, and it feels like sheâs studying every fiber of my being, judging me by measure.
I remember standing with Jax in the bakery, when we discussed the first note. How the palace and the royal family felt so far off.
Itâs just one note, I remember thinking.
As I stare across the yard at the queen, as I feel her daughterâs shaking breath in my ear, I realize itâs about more than one note.
I donât know what Alek did, or where the king is, or what Jax was able to do.
But I know what Iâve done. And I donât know if I can undo it.
âI can bring her to you,â I call.
The guard looks to someone else: a superior officer. The woman nods.
I donât waste time. As I stride across the distance between us, I feel as though a thousand eyes are on me.
âMama is mad,â Sinna whispers in my ear.
âSheâs not mad at you,â I whisper back.
When I reach the queen, I discover details I couldnât see from the bakery door. Her cheek and jaw are shadowed with dark bruises, and a split on her lip has scabbed over. Long red hair is roped into a braid, but tendrils have escaped to frame her face. Blood speckles her clothes, including one long streak on her sleeve. Her eyes are like steel.
âMama,â Sinna says lightly, without letting go of my neck, âthis is Lady Callyn. She gave me sweetcakes.â
There are so many guards surrounding us. Iâm afraid to let go of the little girlâand also afraid to keep standing here. But the queenâs eyes are on mine, and sheâs in worse shape than I am. If she can stand here stoically, so can I.
âAre you unwell?â I say quickly. âAre youââ
âI am being held against my will.â
âI didnât know you were here,â I say. âI didnâtâI didnât knowââ
âYou must know something,â the queen says, her voice dangerously quiet, âor they would not have brought us here.â
Heat rushes to my cheeks. âI had no idea,â I whisper, and my voice breaks. âI only held messages for Lord Alek and Lady Karyl. He neverâthey neverâI thoughtââ
I donât know how to finish that sentence. Iâm not sure how to tell the injured woman in front of me that I thought they might be plotting against her husband, the king.
I donât know how to tell her that I might have been helping them.
âI didnât know what I thought,â I finish.
She says nothing to that. âSinna,â she says softly, then raises her arms.
The little girl goes to her mother, clinging to her neck the way she did to mine.
âThe woman you know as âLady Karylâ is a traitor,â the queen says firmly. Loudly. âLord Alek may be as well.â
One of the guards snorts. âThe king is the traitor. Get back in the barn.â
She glares at him. âYou are the traitors.â
He lifts his crossbow. âI donât have to kill you to make you regret thatââ
âNo.â My heart is pounding, but I step in front of him. âI donât know whatâs going on here, but please. Just stop.â I donât know what kind of person would point a crossbow at a mother holding her child, much less the queen.
âYou donât need to risk yourself,â the queen says. âThey wonât dare to put an arrow through me. The kingâs magic will find and destroy anyone who tries.â She pauses. âThey know what happened the first time they attacked the castle. They are clearly eager to meet the same fate.â
My mouth goes dry. I donât know whatâs right anymore. I donât know whatâs wrong.
âMama,â says Sinna. âI donât like this game anymore. When will it be over?â
The guard hasnât lowered his crossbow. âGo back in the barn,â he bites out.
What the queen said clearly unnerved him.
âI will go,â she says to him. âBut you will not touch my child.â
I turn before she can leave. My eyes search her bruised face. âAre you hurt?â I say. âDo you need supplies?â
She studies me for a long moment, then says loudly, âYou will come with me. I will give you a list of what we need.â
She doesnât even look at the guard for approval; she simply turns and steps into the barn as if itâs as regal a building as the Crystal Palace.
If I look at him, Iâm going to falter, so I scurry after her, hoping Iâm not going to get an arrow in my back for my troubleâand hoping Nora wonât wake up and come looking for me.
The queen walks to the far corner of the barn, where I store hay and straw for the animals. A lantern is hung from one of the posts, and a few random quilts are laid out over the ground and the hay bales.
I canât help but stare. âIs this where youâve been sleeping?â
âItâs not the worst place Iâve ever slept.â She lays her child on one of the quilts, then tucks the blanket up and around her. âYouâre wasting time. They wonât allow you to stay here with me for long. Who are you? Why are they holding me here?â
âYour Majesty, IâmâIâm no one. Iâm just a baker.â
âThere must be a reason they chose this place. Lady Karyl is a governess from the Crystal City. Her real name is Lady Clarinas Rialâor maybe Lady Karyl is her real name, and she presented us with a false one.â The queen sighs. âShe has no relation to Alek. She should have no business here. You said Lady ClarinasâI mean, Lady Karyl has been sending messages through you?â
âYesâbut theyâre always sealed. I donât know what they say.â I hesitate. âDid they hurt you?â I cast a glance at her midsection. Her clothes are too rumpled and stained for me to tell anything, but I remember all the gossip about the queenâs pregnancy. âIs the baby â¦â I let my voice trail off.
âThere is no baby anymore,â she says, and even though her voice doesnât waver, the words are hollow.
I gasp. âTheyâthey beat you so badlyââ
âI will not speak of this with my captors, Callyn. And certainly not in front of my daughter.â
I freeze. Sinna is watching us both with wide eyes. âIâm not your captor,â I whisper. âI swear. I didnât know they were doing ⦠this. We thoughtââ I break off, glancing at the tiny princess again.
âYou thought what?â says the queen.
âWe thought the target was the king. His magic.â
âThe king is my husband. The father of my child. An attack on him is an attack on me. If you think otherwise, you are fooling yourself.â
âI know. I know that now.â
âDid they force you to carry these messages?â
I swallow. âNo.â
âThey paid you?â Her eyebrows go up.
âYes,â I admit softly.
âAnd you knew they were associated with the Truthbringers?â
âYes, Your Majesty.â Now itâs my voice that sounds hollow.
She studies me for a long moment, thinking. âAÂ baker. Youâre the baker Tycho met, arenât you? Does that mean weâre in Briarlock?â
âLord Tycho mentioned me?â
Something in her gaze sharpensâor maybe it shatters. Her eyes gleam in the dim lantern light. âIs Tycho a part of this, Callyn?â she whispers.
âI donât know. I donât think so.â I pause. âItâs Jax whoâs seen him more than I have. Heâs the blacksmith.â
She doesnât look reassured. âJacob said that the blacksmith was found with marks of the Truthbringers, too.â
I bite at my lip. âWe wanted to break the seal. We wanted to see what kind of messages we were carrying.â
âAnd what did you discover? What are they planning?â
âI donât know! Truly. We were only able to open one letter, and it looked like a plot to kill the kingââ
Sinna gasps and sits up. âDa!â
âHush,â says the queen, and her voice is soothing, no hint of tension. âThis is all part of our game, remember? We need to solve the puzzle.â
Sinna lies back down, but she doesnât look convinced.
âThe message from Alek said Father will be on the fields to observe,â I say to the queen. âUse your best arrows, and do not miss your target.â
She goes very still. âFather has been a reference to the king.â
âBut Lady Karyl didnât take the message,â I say. âShe told me to burn it. So I donât know if the plot was realâor if she was trying to mislead someone else.â Like Alek, I think. I pause, trying to work that out in my head, but itâs too complicated. âThatâs the day she arrived with the guards.â I think of the covered wagon, which was clearly hiding the queen and her daughter. âThe day you arrived here.â
âTheyâre holding us here for a reason.â She presses a hand to her abdomen like it pains her. âIt doesnât matter. Grey is days away in Emberfall. They must know that. Everyone knows that.â
Sheâs right. Even I know it. And if Jax is able to get to Emberfall to share the message with Tycho, itâll take daysâmaybe weeks!âbefore heâll be able to return to Briarlock. And even then, thereâd be no reason for the king and his entourage to stop here. Theyâd head straight for the Crystal Palace.
I think of the clanging Iâve heard at the forge. I donât know if Jax went at all.
The queen is stroking her fingers over Sinnaâs hair now, and the little girlâs eyes drift closed. I watch the motion for a moment, then remember something Alek said about the kingâs magic only being extended to a select few.
âDo you not have rings like Tychoâs?â I say in surprise.
She looks at me ruefully. âI did. But they were smart. They attacked Sinna first. I was forced to remove them.â
âWonât people in the palace know youâre missing?â I say quietly.
She sniffs, then swipes at her face. âMost everyone of importance went to Emberfall with Grey. Lady Clarinas thought a series of spring visits to my Royal Houses would be an enjoyable way to pass the time. That it would give Sinna a bit of fresh air since the babyââ Her voice breaks, and she drops to sit on the hay bale. âI was so foolish.â
The guard opens the door. âThatâs enough time,â he barks.
I shift to leaveâbut hesitate. âIâm going to figure out a way to help you,â I say. âYou werenât foolish. I was.â
She looks up at me. âI always wish for the best for my people, Callyn. I always expect the best. I know it is seen as a weakness. I have heard the gossip. The rumors that I am not as strong as my mother. That my husband has somehow tricked me or is using his magic against me.â Her voice turns to steel, and she glances at the guard in the doorway. âBut expecting more from my people is not a weakness. It is hope. It is patience. It is grace. But those virtues donât mean the absence of viciousness. The true weakness is to think a queen is powerless.â
âJust wait,â calls the guard. âWeâll see whoâs powerless.â
âYes. You will see. Because when you failâand you will failâyou will learn that I am stronger than my mother. You will learn that the kingâs magic reaches farther than you even imagine.â Her eyes flash with danger. âAnd you will learn that instead of standing here pointing a weapon at my child, you and the rest of the traitors should have been finding a place to hide.â