Fake Empire: Chapter 6
Fake Empire (Kensingtons Book 1)
I hear her before I see her. Subtle sounds alert me to Scarlettâs approach. Thereâs the glide of satin and silk and whatever else wedding dresses are constructed from across the marble floor. The whispers of the crowd. The swell of the music before it reaches the crescendo thatâs supposed to signify her arrival at the altar.
According to the one time we practiced this, Iâm not meant to turn until Scarlett has reached the final pew. Iâm happy to comply. I wouldnât know how to look. Stoic is my default setting. Thatâs not how a groom is meant to look, watching his bride come down the aisle. Weâre supposed to be selling a love story to everyone who is in attendance today. Stock in our familiesâ companies has skyrocketed since our engagement was announced a few weeks ago. Scarlett and I are the faces of the future. The stronger we appear, the better.
Deals fall apart.
Business partners part ways.
Marriages are made of tougher stuff, at least in our world. Divorce is rare when fidelity isnât expected and each party will end up poorer for it.
My cue to turn appears. I look to the left. Without realizing it, I started holding my breath.
I donât exhale, even when my lungs begin to burn.
I donât move, even though Iâm supposed to take a step toward her.
I just stare.
The first time I saw Scarlett Ellsworth, I was fifteen years old. So was she. We were both kids playing adults. I was wearing a custom suit Iâd outgrow in a couple of weeks. Scarlett was wearing a floor-length gown, heels, and makeup. I was drunkâoff Thomas Archibaldâs fatherâs scotch. Breaking into studies and sneaking expensive liquor was a common pastime at parties on the Upper East Side.
I thought she was beautiful then.
Iâve thought she looked stunning every single time Iâve seen her in the ten years that have elapsed since. Scarlett possesses a classic, timeless poise that provides the same presence as actual royalty.
But today? Sheâs devastatingly, heartbreakingly beautiful. The untouchable sort of regal. An ice queen. A snow angel. A moon goddess. She walks toward me on her fatherâs arm surrounded by a waterfall of white organza, her brunette hair curled in an elaborate updo and her lips painted their signature crimson shade.
Hanson Ellsworth doesnât walk her all the way to me. He stops at the last pew, and Scarlett takes the final steps toward me alone. When she reaches me, I demonstrate more staring. More not moving. Itâs not customary for the bride and groom to pause before approaching the priest, and the rustling of the audience emphasizes that.
âHi.â
âHi.â I clear my throat. âReady?â
âReady.â Thereâs no hint of hesitation on her face.
I rely on her confidence like a crutch. âYou lookâ¦â I flip through adjectives that all fall short. The best I can come up with is âstunning,â but it doesnât say everything Iâm trying to.
Scarlett looks away after I compliment her, up at the altar where weâre about to get married. âThank you.â
We start up the short row of steps that lead to the waiting priest, side by side. The priest launches into a speech about the sanctity of marriage. I donât pay close attention to any of the readings that follow. Iâm mostly focused on not looking over at Scarlett. Weâre on display up here, and Iâm no longer worried about appearing too indifferent to her presence. Iâm concerned about the exact oppositeâgiving away too much.
When it comes time for the vows, I have no choice but to look at her. Scarlett hands off her bouquet, and weâre stuck staring at each other while the rings are blessed.
I go first. When we met with Father Callahan, he asked if we would be writing out our own vows. Scarlett and I talked over each other in our haste to let him know weâd be sticking with the traditional ones. I wasnât worried about saying them. But suddenly these wordsâones that millions of people have said millions of times before during millions of weddingsâsound far too intimate as I look at her.
âI, Crew Anthony Kensington, take you, Scarlett Cordelia Ellsworth, to be my wife, to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, until death do we part.â I slide the diamond wedding band onto her ring finger. âI give this ring as a sign of my love.â
The priest looks to Scarlett expectantly. She doesnât need any prompting. Her voice is clear and unwavering, echoing off the glass windows and the marble floor and the dark wood.
âI, Scarlett Cordelia Ellsworth, take you, Crew Anthony Kensington, to be my husband, to have and to hold from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, to love and to cherish, until death do we part.â She slides the platinum wedding ring onto my third finger. Itâs far from heavy but impossible to ignore. A reminder of her Iâll always seeâwhether I want to or not. âI give this ring as a sign of my love.â
If I werenât watching her so closely, I would miss the flicker of trepidation as it passes across her perfectly painted face. Scarlett knows what happens next, same as I do. I wonder if sheâs more or less apprehensive about this kiss following her request earlier.
âYou may kiss the bride.â
I watch Scarlett smother the urge to roll her eyes. She obviously doesnât appreciate the priest âallowingâ me to kiss her. But Iâm close enough to see her breath hitch and her eyes widen. She wants to kiss me; she just doesnât want to admit it.
I take a step forward slowly. Deliberately.
Actions I donât usually think twice about, Iâm second-guessing. The small space between us shrinks to nothing, until the stiff fabric of my tuxedo is pressed against the white material of her dress. This is the closest weâve ever been, save for that brief moment earlier.
I was annoyed then. At her for asking. At myself for capitulating. Women chase me, not the other way around. And, ironically, the one woman whose attention should be a given is the only person whose lack of it bothers me. I admire her for treating me with a callousness I didnât expect, for not getting swept up in the pomp and circumstance of what is, at the end of the day, nothing more than a business arrangement. However, itâs put me in the strange situation of having to pursue what I want from her.
My expectations of this marriage never included a wife who wants nothing to do with me. It would be convenientâif not for the fact I find Scarlett captivating and intriguing. I want her attention.
I have no idea when Iâll kiss her again after this, so I intend to savor every second. Most of todayâthe gold foil invitations and the thousand plus attendees and the flowers covering the end of every pewâseemed unnecessary. This feels very necessary.
The thin lace of her veil tickles my palms as I raise my hands. I cradle her face like itâs a bubble that might pop. Like itâs the most precious possession I own. Her pulse thrums rapidly, just below her jawline. Her eyes turn heated, betraying how her body hasnât moved at all. I hesitate for a few more seconds, letting the anticipation build to a breaking point.
She may want toâtry toâforget this day. This moment.
She wonât be able to.
Our lips collide. I can taste her surprise, followed by relief the torture has ended. Iâm not finished though. I slide my hands down to rest on her waist as I tease my tongue along the seam of her lips. I swallow the slight gasp that allows the entry Iâm seeking. Then she starts kissing me back and I forget everything I was trying to accomplish.
Our kiss is fireworks and heat and passion. Combustible. Explosive. Electric. More than a cold fusion of assets. Itâs a struggle to remember where we are. Why itâs not an option to bend her over the nearest available surface.
Ice can be chipped away at. But fire? Only fools trifle with fire. Fire destroys everything in its path.
Thereâs a split-second, right after I pull away and end the kiss, where this feels real. When Iâm looking at her and sheâs looking at me and thatâs the extent of anything that matters. It lingers between usâ¦and then itâs gone.
âI present to you, for the first time, Mr. and Mrs. Crew Kensington!â
I incline my head. Scarlett gives me a barely perceptible nod. And we turn, facing the crowd that is clapping and cheering and standing.
Weâre married. The woman standing next to me is my wife. Iâve had almost a decade to get used to the idea. It wasnât long enough, clearly, because the words sound strange in my head. Maybe marriage is one of those things that canât be prepared for.
Maybe itâs that I careâabout her, about the significance of the vows we just exchangedâand I didnât think I would.
I take the hand hanging limply at her side, and we start our descent. Past my father and Candace and Oliver. Past Scarlettâs parents. Past the politicians and celebrities and the business moguls. People who think theyâre witnessing a fairy tale and people who know a monopoly was just secured.
The aisle is long. I keep a smile pasted on my face for the full few minutes it takes to traverse from the apse of the cathedral to its narthex. As soon as we pass the final pew, I let the fake expression fall. Thereâs a small army waiting for us outside the doors. Scarlett is ushered away by two women immediately, and Iâm left to nod along to the wedding planner as she talks.
Itâs probably an accurate representation of how the rest of our lives together will look.
The reception is worse than I imagined it might be. Usually, Iâm selective about who I socialize with. Tonight, I have no choice. Every person here wants a moment with me. A chance to offer congratulations and earn favor.
Scarlett is surrounded as well. The first time I have a chance to talk to her is several hours after we left the altar, during our first dance. Sheâs looking at me, but sheâs not really looking. I know itâs purposeful. I caught a glimpse of vulnerability earlier. Now sheâs reinforcing her walls. Battening down the emotional hatches.
I shouldnât care.
It shouldnât make me want to push.
âMaybe we should have practiced this too,â I suggest, as she moves stiff and unwilling in my arms. For a second, I catch a glimpse of a smile. âI think we should set some ground rules.â
âFor?â she asks, glancing away. Out at the admiring onlookers surrounding us. A few cameras flash.
âUs.â
Scarlett is no longer pretending to pay attention to the crowd. Her eyes fly to mine. âYou want to discuss this now?â
âYouâre still leaving tonight, right? I figured it would be best to hammer out some details before then. Plus, youâve avoided me since we got engaged.â
âI avoided you before then too.â
âWell, it ends now, wife.â
I feel her back tense through the thin fabric of her wedding dress. âAnd you thought our first dance would be the most appropriate venue?â
âI figured there was a higher chance you wouldnât walk away during the conversation, yes.â
âIâm not a coward,â Scarlett states.
âI never called you one.â
Her chin rises to a defiant tilt. âThereâs nothing to discuss, Crew. I said Iâd marry you, and I just did. Thatâs the extent of us.â
âThe start of us.â
âThe extent,â she reiterates.
âI assume you want separate bedrooms?â
She holds my gaze. âI have a chef and a maid. One of them will show you to your room when you get to my place tonight.â
âSex?â
âBe discreet.â
âWith you, Scarlett.â
Her throat bobs as she swallows. âI donât know yet. Maybe sometimes.â
Maybe sometimes? I shake my head. âYou donât want anything from me.â
Itâs not a question. She answers anyway. âI donât want anything from you.â
âOkay.â
âOkay,â she echoes. âWe donât need to pretend.â
âIâm not pretending.â
Those three words linger between us.
The rest of our dance is silent. When it ends, we both move on to our other obligations. Scarlett begins dancing with her father, while I twirl Candace.
Itâs been years since I wished my mother was alive so viscerally. But this day? This moment? Itâs one I wish she were here for. From what little I remember and have heard about Elizabeth Kensington, she was sweet and calm. She softened my fatherâs rough edges, which have only sharpened over time. Today would have been romantic, in her eyes. Rather than Candaceâs endless babbling about the dinner and the cake and the flowers, I imagine sheâd ask me if I feel different, as a married man. Lecture me on how to treat Scarlett. Maybe she would have talked my father out of the agreement to begin with. Iâll never know.
After the song ends, I ask Josephine Ellsworth. I catch Scarlettâs surprised look as we walk onto the dance floor, like the thought of me dancing with her mother never occurred to her.
âYou outdid yourself, Mrs. Ellsworth,â I compliment as we spin. âEverything was perfect.â
Unlike her daughter, Josephine is modest and demure. Pink tinges her cheeks before she glances away at the sea of elaborately decorated tables surrounding us. âCall me Josephine. And it was my pleasure, truly. Iâm glad you appreciated it.â
I half-smile at the emphasis, under no delusions about who Josephine is referring to. I also correct my earlier assumption. She has more fire than she lets on. âIâve gathered Scarlett isnât the sort to accept decisions she didnât make.â
âScarlett doesnât do anything she doesnât want to, either.â
I feel my brow wrinkle with confusion.
Josephine smiles, and thereâs an almost daring edge to it. âDonât let my daughter convince you she had no choice in this matter.â
âOf course she had a choice. Scarlett would have been stupid not to accept this, though. And sheâs not.â
âSheâs not,â Josephine agrees. âBut sheâs smart enough to know her options. She doesnât need you for anything, Crew.â
I muffle the smile that wants to appear in response to her earnest expression. This is remarkably similar to the conversation I just had with Scarlett herself. âShe may not need anything from me, but sheâs getting plenty.â
âYes, she is.â
I wait, but thatâs all she says until the song ends a minute later. âThank you for the dance, Crew. Scarlett chose well. And she didâchoose. No matter how she acts. Indifference is a means of survival in this world. I imagine you know that as well as anyone.â
With those parting words, she disappears into the crowd. I head for the bar, craving a moment of solitude and a stiff drink. Today has felt endless. Every minute meticulously planned from the moment I woke up.
I order a whiskey from the bartender and lean against the counter serving as a makeshift bar. I stay in place once he hands it to me, sipping the amber liquid and surveying my surroundings.
âQuite the event, Mr. Kensington.â
I glance to my left and almost choke. The liquor slides down my esophagus with a stinging stab, rather than the usual pleasant burn. âMr. Raymond. How nice to see you, sir.â
âYou can call me Royce,â he replies, adopting a similar pose beside me as he orders a drink. I hide my surprise. Royce Raymond is a media mogul, whose production company consistently churns out blockbuster hits. Thereâs not an actor in Hollywood who doesnât want to work with him. Heâs famous for his hands on approach to everything. Supposedly, not even a PA gets hired on one of his sets without his say so. Heâs just as well known for his antisocial tendencies, which include snubbing many of the coveted invitations he receives. Iâm shocked heâs here.
âIâm glad you could make it. Royce.â
The older man makes an unintelligible sound.
âAre you in New York for long?â Last I knew, his primary residence was in Los Angeles.
âLong enough.â
âLong enough for what?â
âYouâll be taking over for your father soon?â
âThatâs the general assumption. Youâd have to ask him for the specifics.â
âIâve never much cared for Arthur. Too power-hungry for my taste. Althoughâ¦I suppose youâre the one who just married billions.â
I hold his gaze as he studies me appraisingly. âMoney isnât the only reason I married Scarlett.â I expect the words to sound false. To ring with insincerity. They donât.
âA bold statement for a man who just inherited an empire.â
âDonât confuse me for my father.â
âIf that were the case, we wouldnât be having this conversation, Crew.â
âWhat conversation would that be?â
Royce smiles. âYou know I have no children of my own.â
âI do.â
âIâmâ¦entertaining the idea of passing the torch. Would that interest you?â
âA partnership?â
He shakes his head. âFull ownership. Itâs been fifty years. Nothing lasts forever. When I find the right person, it will be time to move on.â
âI assume you know I have no experience in the film industry?â
He chuckles. âIâm looking for someone with good business sense and a moral compass. The latter is difficult to find in this world.â
âThank you?â
Another chuckle. âIâm not looking for a figurehead to collect a hefty percentage. That, I could find easily. Iâve never entertained any of your fatherâs offers because Iâve seen what happens to companies underneath the Kensington Consolidated umbrella. I know how business works. But itâs not how my business worksâhow it will ever work.â
âYou would want me to choose,â I realize.
âArthur isâ¦what? Fifty-four? Fifty-six? I wouldnât be expecting him to hand the biggest office over anytime soon, son or not.â
âIâm happy in my current position.â
âIâm certain you are. But itâs different to inherit versus to earn. I built everything I have, same as your great-grandfather.â
âBecause you had to, in order to succeed. Kensington Consolidated is my legacy. No sane person would turn their back on a thriving birthright to hack it on their own.â
âIâm not sure your new wife would appreciate that characterization.â
I open my mouth, then close it. âThatâs different,â I finally manage.
âIs it?â Royce challenges. âI find it difficult to believe there wasnât a place at Ellsworth Enterprises for Hansonâs only child.â
âI believe Scarlett had diverging interests. Ellsworth doesnât own any magazines.â
âThey offer limited opportunities in other ways as well.â
âPerhaps,â I acknowledge.
Royce picks up the glass the bartender delivered without me noticing. âThink it over. And congratulations. I expect great things from you and the new Mrs. Kensington.â
The end of the reception passes more quickly. The important, older guests begin to leave. Iâm left to drink and talk with people I consider friends.
The wedding planner, a petite woman named Sienna, is the one who tells me itâs time to make our grand exit.
âWhereâs Scarlett?â
âChanging. Sheâll meet you in the lobby.â
When I get to the lobby, Scarlett is already waiting. Sheâs wearing another white dress. This one has straps and no train. The silky material clings to her curves, covering her from head to toe in an ivory waterfall.
All I get is a cursory glance. âGood. Youâre here. Letâs go.â
I grab her hand before she can take a step. She doesnât ask what Iâm doing. Doesnât move as I release my grip and trail my fingers up her arm. Her hair is still pulled back in a fancy knot, baring her shoulders and neck. I trace all the exposed skin, savoring the goosebumps that raise on her skin.
I take another step closer, pressing my body against her side.
She inhales sharply. In the wide, empty space, itâs all I can hear. The music and chatter coming from the ballroom sound distant and muffled.
Neither of us say a word. This is a silent truce.
My hand falls away.
Your move.
Scarlett turns, so our bodies are flush. Her eyes scan my face. I have no idea what sheâs looking for.
I donât know if she finds it or not. But she does kiss me, which is what I was looking for.
Her taste hits my system like a drug. Something about Scarlettâher prickliness, her beauty, the fact sheâs my wifeâsharpens sensations. I canât recall the last time I kissed someone else, expecting it to go no further. Thatâs the only way Iâve kissed Scarlett. I pay attention to things I normally wouldnât, not distracted by flying clothes or finding the nearest hard surface.
She smells like lilac and tastes like champagne. Her warm curves crush against me as she deepens the kiss. I slide my hands down her back and settle them on her hips, tugging her closer even though thereâs nowhere to go. Weâre already pressed as tight together as two people can be.
If the hem wasnât out of reach, Iâd pull up her dress and slide a hand between her thighs. Instead, I journey back north, cupping her left breast and confirming sheâs not wearing a bra. She moans my name and the sound ricochets around my insides.
This was supposed to be a teaseâa preview of what sheâs missing out on tonight by choosing to fly across the Atlantic. Itâs turned into torture. Sheâs affected, but so am I. Rock hard and desperate.
Scarlett pulls back first. I let her move away, watching as she straightens her dress and smooths the fabric. I want herâbadly. Iâve never been this affected by a woman before. If she wasnât a former Ellsworth turned Kensington, wasnât my wife, Iâd tell her exactly how much. Describe exactly what I want to do to her.
Hell, Iâm tempted to do it anyway. But then she smirksâtriumphantly, knowingly. And Iâm reminded of just how far out of my depth I am with her.
âYou want nothing from me, Scarlett?â I pose it like a question, but itâs a taunt.
âNothing,â she reiterates. Her voice is as resolute as it was on the dancefloor, but thereâs no empty edge this time. Thereâs a teasing lilt that calls out my lack of indifference but also tells me thereâs at least one thing she wants from me.
Before either of us can say anything else, Sienna appears and herds us toward the front of the hotel. Sheâs talking a mile a minute, relaying details I donât care about. I gather the gist is the walk weâre about to make to a waiting limo.
A smaller hand slips into mine right before we reach the doors. I have no idea when the last time I held hands with someone was. This shouldnât count. Weâre the main event in an elaborate show, and this is just one piece of the choreography. But for a few seconds, the warm press of her palm is all I can focus on.
The doors open to a dazzling display of light and sound. A literal carpetâwhite, not redâhas been rolled from the entrance of the hotel to our waiting car. Small potted trees strung with twinkling lights separate the pathway from guests tossing flower petals.
I force a wide smile onto my face. A glance at Scarlett shows sheâs beaming just as bright and false.
Our families are waiting by the limo. Cameras flash as I shake my dadâs hand and hug Candace. I watch as Scarlett hugs her mom and gets a kiss on the cheek from her father. Like a dutiful husband, I help her into the back before climbing into the car myself.
âNew dress just for the car ride?â I ask as the limo begins to move.
âYou expected me to fly six hours with a five-foot train?â
âI didnât give any thought to the clothes youâre wearing, actually.â
She raises one eyebrow.
I raise one back. âDo you have anything on underneath?â
Thereâs a glimpse of amusement before her expression shutters to blank. âSomething youâd seeâif we got married for real.â
I get what she means, that weâre not the traditional love story. We didnât meet at Harvard, bonding over a harsh professor at a study group. We didnât date for years. I didnât propose on a rooftop covered with flowers and pop a bottle of prosecco. But⦠âWe are married for real, Scarlett.â
She tilts her head to stare out the window instead of replying.
Fifteen minutes later, weâre pulling up to the private terminal of JFK.
âBye.â Thatâs all she says before climbing out.
I watch from behind the tinted glass as she talks to the driver for a minute before an attendant comes over to retrieve her bags. She has three of them, which makes me realize I never asked how long she would be gone for.
The driver gets back into the car. Scarlett heads inside the airport. And the limo pulls back into the busy traffic.
When it stops for a second time, outside a building on Park Avenue, Iâm confused. Then, I realize where I am. I step outside into the humid air and walk into Scarlettâs lobby. Itâs expensive and minimalistic. The space is mostly black with gold accents. Thereâs one desk, which a man with gray hair is standing behind. He gives me a respectful nod as I pass.
I use the plastic card Scarlett gave me to call the elevator and then type in the code I memorized.
She was right. Her place is nicer than mine.
I step out of the elevator. The far wall is mostly glass, showing off the terrace that spans the full length of the building, overlooking Central Park and the Reservoir.
The floor plan is mostly open, the spectacular view uninterrupted. Thereâs a neat formation of white couches and a gleaming black Steinway sitting in the corner. I walk deeper, discovering the formal dining room, a living room, the library, a study, and then the kitchen.
Finished touring the downstairs, I walk upstairs, peeking into each room as I go. There are eight bedrooms, one of them Scarlettâs. My bags and boxes have all been stacked in the corner of the bedroom farthest from hers.
I wonder whose idea that was.
Most of my belongings, the decorations and furniture, were put into storage or left at my old place. The bulk of what I brought along were clothes. Rather than unpacking or sorting through anything, I lie back on the white bedspread and stare out at the shimmering skyline of Manhattan. I could call someone. A woman. Asher or Jeremy. Go out to a club or a bar.
Iâm too tired. Too drained.
Looks like Iâll be spending my wedding nightâ¦alone.