Chapter 11
Murder Notes (Lilah Love Book 1)
I know, of course, that Alexandra is oblivious to how that night changed me, though sheâs certainly aware of the fact that we were never close from that point forward. Her need to see me the next morning, to share details on her recovery fuck, was expected and understandable, even. But also expected was her ability to look in my eyes and ~know~ one night had changed me. Sheâd have asked questions I didnât want to answer. Exactly why I never let them happen, despite the awkwardness that ensued and lingered until I took the FBI job. And right now, with Alexandra looking at me and me looking at her, Iâm experiencing that awkwardness all over again. That very special kind of Saturday-night-drunk-and-pretending-not-to-be-bad kind of awkward.
She stands up, and reading her intentions to come to me, I quickly stand as well, immediately walking in her direction, because no way in hell am I going to get trapped at my table with her overstaying the welcome that doesnât exist. Unfortunately, she charges forward, rather than hesitating or waiting on me, her navy heels, which match her navy suit dress, clicking on the tiled floor as she continues her approach.
âI heard you were here,â she says, meeting me in the center of the diner with a number of guests sprinkled at various tables that are thankfully out of hearing range.
âAfter that press conference this morning,â I say, âIâm pretty sure that even Jane Wiseâs pet cow knows Iâm here.â
âShe still has that cow,â Alexandra tells me with a strangled kind of laugh. âLucy is her name. And sheâs famous, you know. That cowââ
âWas on ~Farmland~,â I say of the now-defunct kidsâ show. âI know. And she also handled her fame better than most of the human residents in this town.â
âOf that, you will get no disagreement from me,â she assures me, swiftly changing the topic. âHave you seen Kane?â
The question doesnât surprise me. If anyone other than Kane knows how inseparable we once were, itâs my exâbest friend. âHe showed up at the crime scene last night.â
âAnd?â she asks, lowering her voice, as if this is some big secret. Itâs not.
âAnd I had a dead body on my mind.â
âA dead body,â she repeats. âNot his hot body?â
âDead and hot are not two words I often use together.â
âNot often, but sometimes?â
âYes,â I agree, thinking of one particular serial killer whose good looks got him into six dead girlsâ pants before he brutally murdered them. âSometimes.â
âThis would be one of those times weâd get drunk and youâd explain what the hell you are talking about.â ~Once upon a time,~ I think. But not now, and she must see that in my eyes, because she clears her throat and adds, âWhatâs the word on that murder last night? Are you handing me a killer to convict, or what?â
âThatâs a question my brother, the police chief, can answer.â
âOh come on, Lilah. Youâre FBI and you showed up with a dead body.â
âThe only body I showed up with is my own, which I assure you is not dead.â
âYou went to the crime scene,â she points out.
âI was here and I did what I do for many law enforcement agencies. I went. I evaluated and I shared my evaluation with the real man in charge: my brother.â
âIf you didnât come for that case, which I guess is obvious, since it was waiting on you when you arrived, then why are you here?â
âPersonal business,â I reply, and when she reaches up and swipes her chin-length, blunt-cut brown hair behind her ear, the ring on her finger tells me sheâs now married and I donât know for how long or to whom.
Her dress starts ringing and she shoves a hand in her pocket. âI just needââ
âTake the call,â I say, giving her my back and returning to my seat, her eyes heavy on me, but my waitress and my coffee save me on my return to my table.
I claim my seat, chat a minute with Rose while doctoring my coffee with lots of cream and Splenda. Iâm aware of the exact moment that Alexandra has claimed her seat, which is the same time that Beth chooses to make her appearance.
She enters the diner, and I watch her approach, sizing her up the way I do everyone old and new in my life, every observation one I might draw on in comparison with another person in an investigation one day. In Bethâs case, sheâs tall, thin, and alert as she scans the diner before spotting me, lifting a hand, and heading in my direction. Her black, pinstriped pants sheâs paired with a matching jacket are definitively masculine, while the black, silk, long-sleeved blouse she wears softens her. This tells me she feels her femininity works against her for some reason, but sheâs also not willing to completely emasculate her womanhood either. I get it. Thus my loose use of the F-word that I wear as easily as I do my pink lipstick.
She closes the remainder of the space between us with long strides, the confidence Iâve always admired in her still alive and well, unlike the naked woman whoâd become our shared specimen the night before. That Beth manages to detach herself from death as readily as I do perhaps says a lot about why we connect. This probably makes her the closest thing to a friend I will ever have, and since I havenât talked to Beth in years, ~friend~ canât be placed in the context of literal any more than the claim that chocolate is better than sex. At least, not good sex.
Beth slides into the seat across from me and sets her oversize Gucci bag beside her, the expensive brand name a reminder that she, like most around here, comes from a family of money. In her case, real estate investors whoâd rather she play with decorations than with dead bodies.
Rose stops beside us, eyeing Beth, a pot in her hand. âCoffee?â
âThe whole pot, please,â she says, turning over her cup. âBut Iâll start with this.â
Rose fills her cup and looks between us. âSomething to eat?â
Beth and I shake our heads, and the minute Rose is gone, Beth lowers her voice and leans in closer. âWhat the hell is going on?â
âWhat the hell does that mean?â
âIâm here in East Hampton,â she says, as if that explains everything.
âYou live here,â I say, and a light bulb goes off. âBut . . . the medical examinerâs facility is in Hauppauge, and you just said you finished the autopsy this morning. There canât be proper facilities here for that.â
âIâd call the facility I used early this morning acceptable at best.â
âThen why do it here?â
âExactly what I said when I got the request, and I insisted that it be done in Hauppauge. Thirty minutes later, my bossââ
âAs in the Suffolk County medical examiner director,â I confirm.
âYes. Bridget Johnson. She called me and told me she was keeping this off the books for forty-eight hours. I needed to do the autopsy here.â
âIâm not even sure thatâs legal.â
âYou and me both.â
âWhy do this?â
âShe said Hauppauge is heavily staffed and filled with people who might talk too much. That point was made after she reminded me that East Hampton was filled with powerful people who donât want to end up with news crews in their front yards.â
âMy father did a press conference today. I think sheâs misguided. The news is out.â
âA news conference in which he all but inferred there was a suicide, not a murder, last night.â
âFuck me. Tell me he didnât do that.â
âI wish I could.â
I slide my coffee cup aside. âWhat the hell is he thinking? Heâs going to look like a liar.â
âHeâll say he was misinformed.â
âBy you,â I supply, the quickness of her answer making me wonder whether this is a repeat offense.
âI do believe Iâm the likely fall guy, especially since your brother backed him up.â
âDid you confront them?â
âI never got the chance. They made sure of it.â
âWhatâs the endgame here?â
âRivera came to me this morning, hovering until I completed the autopsy report.â
âWhich told you what?â
âAside from what you and I both surmised from the crime scene, distance and height of the shooter, and the normal, random data youâd expect. No DNA. No trace evidence. No sign of struggle.â
âTattoo?â
âNo.â She frowns. âAnd you asked about that last night. Whatâs with you and the tattoo? Is there a connection youâre looking for?â
âIâve found body markings tend to tell a story,â I say without missing a beat. âI look for them.â
âWell. None in this case to help you out. Frankly, this is as clean as it gets. Unless thereâs a witness, the body isnât telling us this story.â
And yet, it is, and she is. Clean. Professional. Planned. These things tell me about our killer. âIs there any way this can be twisted into a suicide?â
âOne does not put a bullet through oneâs eyes at a full foot away, which is what forensic evidence supports. Nor do you do so and have the gun disappear.â
âIn other words, they were trying to calm everyone the fuck down to get some distance from this thing.â
âYouâre here. Youâre FBI. And you were at the crime scene.â
âIs there a question?â
âItâs the same observation the public was making before that press conference, which is exactly why they inferred suicide. To calm everyone down.â
âAre you saying you now support them misleading people?â
âI donât support it, but I understand it. Letâs face it, Lilah. You being here in time to make that crime scene leads to the conclusion that you were tipped off to this murder.â She gives a brittle laugh and adds, âOr you were in on the murder.â
I donât laugh. I sure as hell donât tell her I think she might be closer to the truth than not. âAgain,â I say. âIs there a question?â
âThe same one I asked when I sat down. What the hell is going on?â
âI told youââ
âTell me,â comes a male voice. Riveraâs voice.
He appears beside us, already setting a chair at the end of the table before joining us. That heâs managed to sneak up on us when I have a clear view of the door, something that doesnât happen to me, makes me think he was hovering somewhere close, possibly listening to our conversation. âWhat the hell is going on?â
â~You~ tell ~me~,â I say. Noting the scar on his right jawline that wasnât there when I left, I turn the tables on him. âStart with that knife wound on your face. Who cut you?â
âStart with why youâre here,â he counters.
âI like the coffee,â I reply.
âYou know,â he says dryly. âPeople who are smart-asses hide behind a bad attitude. That, and the few thousand miles youâve kept between you and this place, really makes me wonder what youâre hiding.â
Heâs hit a little too close to home for comfort, and itâs my turn to counter. âPeople who change the subject and redirect when asked about a knife wound usually didnât get it honorably.â
His lips quirk. âLetâs not play games, Lilah.â
âBut then you wouldnât be you and I wouldnât be me, and what kind of homecoming would that be?â
He leans in toward me, ignoring Beth, his plump finger jagging on the counter in front of me, his voice low, tight. âIf you want to meet with my medical examiner, you come through me.â
â~Your~ medical examiner?â Beth objects. âI donât work for you.â
âFor a big man,â I say, still focused on him, since heâs in my fucking face, âyouâve always operated with little-man syndrome. Iâd be careful about that. It really makes a girl doubt whatâs under the hood. But hey. If you want to be a part of this conversation, of course Iâll fill you in.â
He lingers close to me, his breath brushing my cheek, and Iâm pretty sure heâs not buying my easy compliance any more than I am. In fact, Iâve just pulled my foot back, with his shin as the target to prove that point, when he settles into his seat again and orders, âTalk.â Like Iâve ever been one to do as told, especially by him.
âSure,â I say. âIâll bring you up to speed on what you missed. So here we go. My best friend in the agency is gay. And hot. So fucking hot. Iâve been trying to turn him but Iâm failing miserably. From a male perspective, can it be done?â
His face turns a Christmassy shade of red that is my new favorite color. âI know youâre here on agency business.â
âYou know what they say about assumptions,â I reply. âThey make an assââ
âYour brother told me.â
I quickly decide that a conversation with Andrew, in which I call him an idiot to his face, is not a bad idea after all. âWhat is the point of this powwow, Eddie?â I demand, having no choice but to assume Andrew repeated every word I shared with him last night. âCut to the chase.â
âWhatever youâre after, it isnât here,â he says. âI have a suspect in last nightâs case. I expect to bring him in in the next few hours.â
âWho?â Beth asks.
âKevin Woods,â he states, still looking at me, not her. âA man with a violent history who dated the deceased.â
Eddie cuts Beth a sharp look. âYour job is to examine dead bodies,â he snips. âMine is to make sure we donât have any more. You do your job. Iâll do mine.â He returns his gaze to me. âCut to the chase, you said. Here it is. This isnât your case. We have our man. Go back to Cali and enjoy La-La Land. We donât need you here.â He stands and starts walking. I watch him cross the diner, my gaze catching on the empty table where Alexandra was a minute ago before lifting and following him to the exit. He disappears, leaving me with one thought: this isnât a simple turf war. Thereâs more going on.
âI thought this wasnât official business, Lilah?â Beth demands, pulling my attention back to her.
âItâs complicated,â I reply.
âClearly,â she states, holding up her cell phone and indicating her text screen. âIâve been ordered back to the main office. Iâm to return immediately, which I suspect has something to do with Eddie showing up here. Just as I was supposed to stay here and say nothing to anyone about this case.â
That the locals want to keep this quiet doesnât surprise me. That her boss, in the vastly larger Suffolk County, is involved, on a non-election year, feels worthy of investigation to me. âWhen you said you were asked to stay here and do the autopsy, but you originally declined that request,â I say. âWho asked?â
âYour brother.â
âMy brother,â I repeat, his connection to Samantha Youngâs corruption returning to the front of my mind.
âYes. And I know he is your brother, but if he lets Kevin Woods take the blame for thisââ
âWho is this Kevin Woods person?â
âHeâs Ciara Matthewsâs boy toy. And by ~boy toy~, I mean heâs twenty years younger than her and runs a construction company thatâs doing work here locally.â
âNot only did Ciara do several movies with my mother, they were close friends, and my father knows her husband, John, well. A woman with a boy toy doesnât process to me as accurate.â
âOh honey, youâve missed so much. John started drinking and was violent. Ciara let her boy toy Kevin lick her wounds. John found out and it was bad. They fought. Boy toy held a gun on him.â
âLet me guess,â I say. âBetween the eyes.â
âYes.â
âAnd what happened?â
âRumor is he was let off, paid off, and left the city.â
âYou said he wasnât a killer. Explain what brings you to that conclusion.â
âHe didnât pull the trigger. Heâs not a killer.â She grabs her bag. âI have to go.â
âWait. You know as well as I do, just because someone doesnât kill someone the first time they think about it doesnât mean they arenât building confidence and working up to it.â
âI do know this. But Iâve looked into that manâs eyes and Iâm telling you. Heâs not a killer.â
âSo you know him?â
âI met him once.â
âHow?â
âA party, and while it was brief, when youâve been doing this as long as I have, you get to know people. You see things in their eyes.â
Sheâs right. You do, but those who are master killers only let you see what they want you to see. She should know this. She has to know this.
Her phone buzzes again and she glances at her screen, then at me. âI need to go. Call me if you need me.â
I give a nod and she slides out of the booth. I follow her progress as I had Eddieâs, wondering how anyone in the business this long, as sheâd noted, could make a statement as wrong as the one she just made. I know from experience that just because you donât pull the trigger the first time doesnât mean you wonât pull it the next. Kevin Woods interests me. Her defense of him interests me. But Eddieâs desire to make him the catalyst that gets me out of town interests me the most. Too bad for him, and me both, that I have reasons to stay. My potentially corrupt family. Junior. And the fact that no one who masterfully killed four people without a trace of evidence would implicate themselves in a personal scandal that connects them to murder. Kevin Woods is not the killer Iâm hunting. And the idea that my family would let an innocent man take the fall for a crime for political or personal reasons doesnât even sound like my family. Maybe I donât know them any more than they know me. But I will before I leave. Of that, I am certain.