Chapter 7
Murder Notes (Lilah Love Book 1)
I donât give myself time to think about who is at the door. Iâm armed and Iâm ready to deal with a ghost, a man, his ex-girlfriend, or an assassin. The latter being of the most concern, but I doubt heâd ring a doorbell. However, there were no signs of struggle with the prior victims. That wonât prove true if Iâm next on the hit list. Cujo says so, I think, marching across the room and down the stairs, the bell ringing another three impatient times. When it begins repeatedly ringing, the grip on my weapon eases. I know who this is, and Iâm pretty sure he is here to kill me but will settle for a whole lot of yelling.
As if proving my point, by the time I turn into the shiny dark-gray-tiled foyer, and round the table filled with a massive vase of fake white-and-red flowers, heâs shouting my name. âLilah, damn it. Open up. I know youâre here.â I reach the door, and heâs already started another round of demands. âLilahââ
âHold your horses, already!â I shout, setting Cujo in the corner by the coat closet.
âLilah, damn it.â
âYou said that already!â I call out, reaching for another security panel and keying in the disarming code. It gives me a computerized âsystem disarmedâ in a female voice before I unlock the door.
âIâll say it ten more damn times if I have to until you open the damn door,â he replies.
I open said âdamn doorâ and Iâm immediately facing my brother, and just like old times, heâs sporting a casual look of faded jeans, boots, and a tan, short-sleeved button-down with a badge on the pocket. And while this might be too casual for some in the middle of the elites of his territory, his confident good looks, blond hair, and tall, leanly muscled body now consuming the doorway charm the best of the best.
âLilah, damn it,â he growls again, his pale-blue eyes fixed on me.
âAndrew, damn it,â I growl right back, and in a blink, heâs pulling me into one of his famous bear hugs, one that makes you feel suffocated and loved at the same time. âI missed the hell out of you, little sis.â
My arms wrap around him, and those emotions Iâve just sworn to be nonexistent expand in my chest, acid ready to destroy me. And yet there is no escaping one realityâhis familiar, woodsy scent somehow stirring memories of Christmas trees and family holidays, of all things. Times when Santa Claus and fairy tales felt possible. âI missed you, too,â I confess.
Andrew pulls back, his hands on my arms. âIâm glad youâre here, but Iâm pissed. Why the hell are you in my town, my state, and I had to find out from the FBI?â
âI wanted to surprise you. I had no idea another murder would happen when I got here.â
âAnd you didnât find me when you got here?â He walks me backward, shuts the door, and then glares down at me, his hands on his hips. âDonât bullshit me. And what the hell does âanother murderâ mean? What other murders were there?â
âMaybe we should see if the coffee pot still works.â
âWhy do I think Iâd prefer a bottle of whiskey?â
~Iâm the one who needs whiskey to get through this trip,~ I think as we head toward the kitchen. His phone rings and I hear him answer, but I keep moving, cutting left into the kitchen, and this time it seems my surroundings demand attention. I walk toward the island, actually noticing the granite countertop when it had been just white space the last time I was here. And when I move to the counter between the fridge and the sink where my old Keurig remains, the checkered backsplash in shades of gray catches my eye. Iâd sat in the kitchen and helped Mom pick that tile years ago, but it feels like yesterday.
I check the stock of coffee and then inspect the dates on the box to discover that it and the creamer are both expired. Sighing, I turn to find Andrew joining me, fingers diving through his wavy blond hair. âWhatâs wrong?â
âAside from a dead body in my territory?â he asks, leaning on the island, hands on the counter behind him. âSome sort of disturbance at the Spielberg property.â
âDo you need to leave?â I ask, trying not to sound hopeful.
âDonât sound so hopeful,â he scolds, telling me my endeavor of neutrality has failed. âIâm informed about these high-profile situations in my territory,â he adds. âBut I donât answer the calls myself unless absolutely necessary.â
âOf course. I knew that.â I move on to more important matters. Caffeine. âThe coffee and creamer are both expired, which is pretty much my definition of hell, just so you know.â ~Right after nightmares of Kane and me and oceans of blood,~ I add silently.
âWhy the hell are you here, Lilah? And donât tell me itâs to see me. You donât even return my calls.â
I lean on the counter, my arms folding in front of me. âThereâs a murder in Manhattan that Iâm trying to connect to two in Los Angeles.â
âAnd yet youâre here.â
âItâs close enough to merit a visit home,â I say, the word ~home~ uncomfortable on my tongue.
âThatâs bullshit. Youâre here on the night that a murder is discovered. I assume itâs connected.â
Itâs not really a question, but since heâs looking at me like he wants an answer, itâs easier to give him one than not. âI believe it is,â I concur.
âYour boss is a bastard. Loose lead, my ass.â His gaze sharpens. âDid you follow it or did it follow you?â
âI have no reason to believe it followed me.â
âAnd yet it happened the night you arrived.â
âYouâve already stated these facts.â
âYou donât think itâs odd timing?â
âItâs curious.â
âCurious?â he demands. âIt sounds like a gift left by an admiring killer or a damn threat.â
âFuck me, Andrew,â I say, moving him away from the case. âI donât remember you saying damn this much.â
âI ~damn sure~ remember you saying fuck all the damn time.â
âFond memories, arenât they?â
He scowls at me and then his phone starts ringing again. He grabs it from his pocket and glances at the number. âDad,â he tells me, answering before I can demand he not. âSheâs right here,â he says to him, eyeing me. âYes. Hold on. Iâll put you on speaker.â
âNo!â I mouth, waving my hands, but he does it anyway and sets the phone on the counter.
âYouâre live with Lilah,â Andrew announces.
âWhy the hell are you here without telling us?â comes the gruff, fierce demand of my fatherâs familiar voice. âHow about the gift of a phone call followed by a hug, instead of a dead body?â
âGood to hear your voice, Dad,â I say, hugging myself again, and now itâs my turn to glower at Andrew.
My brother, in turn, seems to have confused my scowl with a smile and answers for me. âShe wanted to surprise us,â Andrew replies.
âWith a dead body?â my father demands.
âOh Jesus fuck, you Love men are drama queens. I didnât drop a dead body off when I got here.â
âFuck?â my father demands. âYour motherââ
âWas trapped by the spotlight,â I say, âor she would have been letting it fly, too.â
Andrew jumps in and gets to the point. âAre you claiming jurisdiction on this case?â
âNot yet,â I say, âbut I need full access to every detail.â
âIâve had three phone calls about you being at the crime scene,â my father says. âItâs sent tongues wagging. People are nervous.â
âMurder does that to people,â I say.
âThe feds do that to people,â my father corrects. âWe need to have a press conference at daybreak tomorrow.â
âA press conference is a bad idea,â I say.
âWeâre having a press conference,â my father reiterates.
âTell them I happened to be here and Andrew asked me to help.â
âWeâll tell them together,â my father says. âYou need to be there and at dinner tomorrow night. I need to go.â But he doesnât go. He hesitates and uses what I call his âDadâ tone, a softer hard, which is his best attempt at tender. âLilah,â he says. âGood to have you home, even if it is a bloody return.â He hangs up, ending any impact of his âtenderâ moment abruptly. What the hell is it with these men just hanging up on me?
Andrew snatches his phone and it immediately beeps with a text he glances at, his sharp expression telling me he is not pleased even before he looks at me again. âI have to go handle this problem.â But like Dad, he doesnât go. He stays, his attention fixed on me. âYou look good. Thin, but good.â
I roll my eyes and reply, âYou look good. A little chubbier than before, but good.â
He laughs. âI have never been chubby in my life,â he says, already heading to the doorway leading to the foyer.
âYou might not be chubby,â I call out, âbut you are an asshole. Donât tell a girl sheâs fat or a little thin. You tell her she looks good. She looks beautiful. No wonder youâre single.â
He stops in the archway and turns to face me. âAbout that. Iâm not single and I should warn you before you find out the wrong way. Iâm dating Samantha Young.â
I blanch but recover quickly, certain Iâve misunderstood. âWhat?â I ask, stunned. âAs in, ~the~ Samantha Young?â
He laughs. âYes. The Samantha Young.â
Heâs amused as if this is nothing, when he knows damn well heâs just punched me in the gut. âFor how long?â
âSix months and I know thereâs no love lost between the two of you, but weâre going to fix that.â
âShe dated my ex. Donât you think thatâs weird?â
âItâs a small town and it was years ago.â
âAndrewââ
âLilah,â he says firmly, a warning in his tone. âI have to go. Iâll be at the station at seven.â He turns and starts walking.
âThatâs it?â I demand to his broad shoulders. âWe arenât going to talk about this?â
âCome lock up,â he calls out, disappearing into the hallway.
I purse my lips and pursue him, fully intending to let him know what I think about this piece of news. But by the time Iâve entered the foyer, heâs about to exit the house when he stops dead in his tracks. I follow his gaze to the corner where Cujo rests, my lips thinning. Damn it, heâs going to make this an issue. Sure enough, he rotates to face me, his blue eyes keenly locked on my face. âWhy do you have a shotgun by the door?â
I walk to Cujo and pick him up, facing Andrew. âThis is in case you piss me off. You did.â
âLilah,â he warns again. Heâs always warning me in our conversations. Itâs his thing. I decide to turn the tables.
âIâm holding a loaded weapon, Andrew. You could at least act a little intimidated.â
âIâm shaking in my size-thirteen boots. But nowââ
âThirteen?â I give him an appalled look, glancing down at the growths at the end of his legs. âWow. Those really are monsters. When did they get that big?â I glance up at him. âPlease tell me you have the equipment to back those up. If not, that would be downright embarrassing. I meanââ
âStop talking,â he says, clearly not enjoying my attempt to divert his questions. âWhat is going on with you?â
I stare at him, blinking several times.
âLilah,â he growls. âAnswer me.â
âYou said stop talking.â
âDonât be a smart-ass.â He scowls. âI want an answer.â
âDead bodies make me nervous,â I lie, though they obviously donât. Puddles of blood and brain splatter are another story. Itâs illogical, of course, that a corpse is fine but other matter is not, but itâs just my reality, one I donât share with anyone.
âYouâve investigated at least a dozen murders. How can that be possible?â
Heâs way off on that number, but correcting him seems counterproductive to my agenda to dodge and weave. âWe all have our crosses to bear.â
He narrows his eyes on me. âIf you were hereââ
âI am home and I still have my shotgun in my hand.â
âFamily delivers security.â
His phone rings and he gives me another scowl like Iâve conjured up the interruption. He snatches his phone. âWeâre not done talking about this.â He turns and opens the door before I can stop him.
âWe need to talk aboutââ
He shuts it in my face, and I add, âSamantha, Andrew. The woman who fucked Kane this very night.â I take a step and fully intend to talk some sense into him right here and now. Logic prevails, though, and I cradle Cujo, lock the door, and then reset the alarm. Calling him the idiot heâs being wouldnât go over well, and thatâs exactly what I would do. Neither, likely, would me telling him that Samantha is a skank, a bitch, a ho who likes Kane naked as much as she does him. I lean on the door. Samantha Young? How can he be dating Samantha-freaking-Young? This is insanity. The woman fucked Kane. A detail he will find out when presented with Kaneâs alibi, which I suddenly need to confirm.
I reach for my phone in my pocket and realize itâs upstairs. Another save I need because I would have called Kane, and Iâm not sure that is the right move in this moment. Besides, I know Kane. No matter what he knows or doesnât know about my brother and Samantha, heâll tell me he did Andrew a favor by showing him who Samantha really is. But doesnât my brother already know who she is? Her familyâs corrupt. Sheâs corrupt. What am I missing here? A lot, obviously, that I canât change right now, which means I need to focus on what I can. Finding my Junior and my assassin.
I push off the door and head down the hallway toward the office. Once Iâm up the stairs and back in the heart of Purgatory, I reposition Cujo on the desk and face the wall where Iâve pinned the cards, hands settling on my hips again. My gaze lands on the card that reads SAMANTHA YOUNG. My attention then shifts to the card that says KANE. Then to the one that says ANDREW LOVE. Brow furrowing, I walk to the steps, climb up, and reposition the cards to have Samantha in the center of Andrewâs and Kaneâs. I then place my card under Samanthaâs.
Iâm the common denominator that binds the two men in her life.
I frown, a thought occurring, and I hurry down the step stool and back to the desk, where I sit down and reach for my case file. Opening it, I grab head shots of each victim and several note cards, shoving a pen into my pocket. Walking to the bulletin board again, I pull the step stool with me, and move to the far right to get plenty of naked board space. Climbing the stool, I pin the photos on the board, one row for the LA murders and one row for New York. I climb back down and stare at the problem brewing in my mind and now on my board. Andrew and Kane have Samantha in common. The murders have the assassin in common. But thatâs not what is on my mind right now. I am.
I am the only common denominator to every single thing on that board.