Chapter 320 - Bomb (1)
I Was Mistaken as a Monstrous Genius Actor
Translator: Dreamscribe
âYou mean the main poster to send to Cannes?â
At Kang Woojinâs low question, the old voice of Director Ahn Ga-bok came through the phone again.
âYes, the poster for âLeechâ that will be handed over to Cannes. As you know, this poster is different from the usual ones. Itâs closer to an introduction than a promotional tool. And itâs a poster that will introduce the film to the filmmakers from around the world who will attend Cannes.â
Posters are produced at various stages of a filmâs production. For early promotion, for full-scale marketing of the movie, for word-of-mouth during screenings, etc. Of course, they are all designed with different concepts, but most of them center around promotion or marketing.
Thus, provocative elements are inevitably inserted.
However, in the case of âLeechâ, which had Cannes as its first destination, was different from that of typical commercial films. The poster didnât aim at attracting the general public or serving as a promotional tool. It needed to become the symbol or face of âLeechâ. Therefore, the approach to creating the poster had to be fundamentally different.
Because the target audience wasnât the general public.
Of course, people attending the Cannes Film Festival would watch âLeechâ, but the real key individuals were influential filmmakers from various countries. The juries and officials of the Cannes Film Festival, prominent actors from different nations, globally renowned producers or distributors, and investors from around the world, including Hollywood.
In short, a poster for âLeechâ that would be seen by global filmmakers was required.
This poster would become both the face and the symbol of âLeechâ, and if it were to win an award at Cannes, it would spread across the world.
Box office success was a concern for later.
There was no problem in producing a release poster afterward. In fact, if âLeechâ caused a big stir at Cannes this year, there would be no need for a separate poster. Turning Cannes upside down would itself serve as massive promotion and marketing.
Because it was the production of such an enormously important main poster.
âIâm paying a lot of attention to the editing as well as the poster. Once Woojin-gun returns from Japan, weâll shoot according to the selected poster list, so I called to let you know to keep that in mind.â
Director Ahn Ga-bokâs voice was profoundly serious. On the other hand, while Kang Woojinâs exterior was deeply poker-faced, his inner thoughts were unconcerned.
âWell, I just need to do what they tell me to do.â
There wasnât anything to feel nervous about. In fact, something else was on his mind.
âBy mid-September?? The editing for âLeechâ is almost finished? Whoa, things are really wrapping up, and everything seems to be coming together at once.â
It felt like the works that had been holding their breath were suddenly pouring out all at once as autumn arrived. Around this time, the ponytailed Choi Sung-gun stuck close to Woojin, and Kang Woojin, slightly tensing his neck, answered Director Ahn Ga-bok on the phone.
âYes, Director-nim. Iâll keep that in mind.â
âGood. When we start on the main poster, it means thereâs less than a month left until Cannes. Weâll also do some media publicity in line with the timing. You wonât have much to worry about, but Iâm just letting you know.â
âI understand.â
âBy the wayâwhy are you going to Japan? Ah, is it related to that animation?â
âSomething similar. Thereâs also the production announcement for âThe Eerie Sacrifice of a Strangerâ.â
âHmm. So, that work is already having its production announcement.â
Director Ahn Ga-bok murmured after a brief pause.n/o/vel/b//in dot c//om
âThey might end up releasing around the same time.â
He wrapped up the call.
âIâll pass the detailed schedule to CEO Choi. Take care.â
âYou too, Director~nim.â
-Click.
As Kang Woojin slowly lowered his phone, Choi Sung-gun immediately asked.
âDirector? Which director?â
Woojin conveyed the core of the phone conversation to the eager Choi Sung-gun who had rushed in. Soon, Choi Sung-gunâs eyes gleamed with interest as he grinned.
âOh-hoâthe main poster for Cannes, huh? Itâs starting to feel real that youâre heading to Cannes. But wait, theyâre wrapping up the editing for âLeechâ by mid-September?â
âYes, according to Director Ahn Ga-bok.â
âAre they grinding their bones to finish it? I know they were doing rough edits even during the night shoots, but the pace is unbelievably fast.â
Kang Woojinâs team resumed their halted steps. Among them, Choi Sung-gun, who was checking his phone calendar, smiled broadly.
âThereâs really only a month left before going to Cannes. Now that itâs actually happening, Iâm anxious. Whew- Honestly, I thought weâd go someday, but I didnât expect it to be this soon.â
Choi Sung-gun, mixed with tension and urgency. In contrast, Kang Woojin wasnât feeling particularly nervous.
âCannes? Whatever. Iâve already ingrained French, so what problem could there be?â
It still didnât feel real to him.
Meanwhile, in a conference room of a major film company.
An old man seated at the large U-shaped table placed his phone on the table. It was none other than Director Ahn Ga-bok, who had just been on the phone with Kang Woojin.
-Swish.
His short white hair remained the same, though he had more wrinkles now. His face was heavily marked with fatigue, but nonetheless, Director Ahn Ga-bokâs signature air of a veteran still radiated sharpness.
ââ¦â¦So, âThe Eerie Sacrifice of a Strangerâ is done tooâseems Iâll need to push harder.â
Director Ahn Ga-bok muttered quietly to himself as he lifted his head. Standing in front of him were the film companyâs CEO and several executives. It appeared they had been in the middle of a meeting. After relaying the conversation he had with Kang Woojin, Director Ahn Ga-bok.
-Shwoop.
Lowered his gaze once again. Right in front of him were three sheets of paper, each the size of a typical movie poster, attached to a clear plastic panel. These three sheets contained illustrations and a shared title.
-âLeechâ
Thatâs right. These were the candidate posters for âLeechâ, which was set to go to Cannes. Director Ahn Ga-bok studied the poster candidates intently. The film companyâs CEO and the others standing around didnât say a word.
ââ¦â¦â
ââ¦â¦â
They were simply waiting for the legendary Ahn Ga-bok to make his choice. However, his decision wasnât quick. Five minutes, ten minutes, fifteen minutes. Director Ahn Ga-bok, arms crossed, scrutinized the poster candidates for over 15 minutes. It was understandable. The poster chosen here would be sent to Cannes. In fact, even creating these three candidates had taken about two weeks.
Finally.
âHm.â
Director Ahn Ga-bok let out a deep sigh and raised his index finger. Then, he pointed to two of the three poster candidates in succession.
âLetâs produce both of these. I need to see the final versions myself.â
âIs that what you want? Understood.â
The illustrations on the two selected poster candidates depicted different characters and scenes from âLeechâ, but there was one distinct similarity that stood out.
Both prominently featured âPark Ha-seongâ, or Kang Woojin, as the main focus.
In other words.
âShare these two poster drafts with Woojin-gun right away.â
It meant that Kang Woojinâs face was set to be plastered all over Cannes in a large format.
A few hours later, in Japan.
Kang Woojin arrived in Japan to carry out his short, three-day schedule. He had departed from Gimpo Airport and arrived at Haneda Airport in Japan by late morning. As Woojin entered the arrival hall, he turned up his usual cynicism by several notches.
âWo, there sure are a lot of reporters.â
The reason was simple.
-Pababababak!
-Pabababababab!
Hundreds of people, including Japanese reporters, fans, and onlookers, had gathered to catch a glimpse of Kang Woojin as he emerged from the airport. It was the largest crowd that had ever come to see him during his visits to Japan.
Screams and shrieks loud enough to shake the airport.
âKyaaahhh!!â
âKang Woojin! Kang Woojin!!â
âEeeek!!!â
And the desperate shouts of reporters buried under the noise.
âKang Woojin!!*%&%#)%#%!â
â(#)%(*@$@*âThe Eerie Sacrifice of a Strangerâ#)*(#%â
âWoojin!!#%()%*#)(%âMale Friend: Remakeâ@#@â
Although a few recognizable words were mixed in, overall, it was impossible to make sense of what they were saying. Regardless, Kang Woojin calmly waved at the reporters and fans as he made his way out of the airport.
Meanwhile, back in Korea.
ã[Star Talk] Kang Woojin departs for Japan for âThe Eerie Sacrifice of a Strangerâ production announcement/ Photoã
The Japanese media, as expected, were simultaneously reporting on Kang Woojinâs activities. Recently, Japan, where several major issues had arisen, was particularly intense in covering him. However, Woojin paid it no mind. He boarded the van provided by the Kashiwa Groupâspecifically, arranged by Chairman Hidekiâand headed to his designated accommodation, the Kashiwa Tokyo Hotel.
Kang Woojinâs first schedule in Japan was related to the âMale Friend: Remakeâ, consisting of interviews with two well-known Japanese magazines.
At that moment.
âOh!!â
âWhoa! Oppa, oppa! Look over there! On top of the building!â
âUnbelievable!!â
The stylists riding in the van with him were in a frenzy. Thanks to them, Woojin, who usually had a nonchalant expression, turned his gaze toward where they were pointing. Kang Woojin gasped inwardly, of course.
âWhat the hell?? Thatâs me, isnât it??!â
On the billboard hanging on top of a large building, an ad for the anime âMale Friend: Remakeâ was playing. Of course, it was an advertisement, and in the middle, Kang Woojinâs face appeared in a huge close-up. As the lead voice actor of the smash-hit anime, it was only natural that his face would take center stage. It was no longer strange to see Woojinâs face plastered all over Tokyoâs cityscape.
âThis is embarrassing-â
And that wasnât all.
âOh! Itâs on the side of the bus too!â
âAh! It really is! Oppa! Woojin oppa! Your face is on the bus too!â
âHuh? The life-size cutout in front of that store also looks like Woojin oppa!â
Kang Woojin was everywhere in Tokyo.
Later.
Kang Woojin, hiding his embarrassment as best he could, smoothly completed his first-day schedule in Japan. At every magazine interview, they took a ridiculous number of photos, making it feel more like a photo shoot.
In the late afternoon, Kang Woojin met with Director Kyotaro for a meal.
âHaha, Woojin. Itâs only been a few months, but it feels like itâs been a long time. Your face looks even better than before.â
âHello, Director~nim.â
âPlease, have a seat.â
Director Kyotaro, who had come straight from working on the final edits for âThe Eerie Sacrifice of a Strangerâ, immediately began discussing the progress.
âAt this pace, the editing should be completed by the end of September without any issues.â
âYes, Iâve been informed.â
Even as he responded, Woojin thought to himself.
âSighâend of September. Thatâs cutting it close. It might overlap with my trip to Cannes for âLeechâ.â
And it was true. The Cannes Film Festival for âLeechâ was set to open on September 30, and Kang Woojin needed to be on a plane before then. That meant it might be difficult for him to attend the final test screening of the completed version of âThe Eerie Sacrifice of a Strangerâ. Director Kyotaro seemed aware of this too.
âCannes is on September 30th this year, right?â
He preemptively brought it up to Kang Woojin.
âYes. While the exact date when the editing finishes isnât certain, itâll likely be around that time. The screening test will be held just a few days after the editing is done.â
âI might not be able to attend.â
âI understand, it canât be helped. Youâre a very busy person, Woojin. If your schedule allows, weâd love for you to attend the test screening. If not, weâll gather the other actors for it.â
The completed version of âThe Eerie Sacrifice of a Strangerâ. Honestly, Woojin wanted to see it if possible.
âItâs my first Japanese film, so Iâd really like to check it out if I can- but I canât postpone my Cannes schedule.â
What could he do? If it was impossible to align his schedule, heâd just have to give one side up.
âTsk, if it gets too tough, I can always sneak into a theater when âThe Eerie Sacrifice of a Strangerâ premieres and watch it.â
Afterward, Director Kyotaro shared details about tomorrowâs production announcement. The venue was the same location as the script reading for âThe Eerie Sacrifice of a Strangerâ, at the Kashiwa Tokyo Hotel, where Kang Woojin was currently staying. It was clear that Chairman Hidekiâs influence played a role here. It was fortunate in a wayâWoojin could rest at his hotel and just head downstairs when the time came, without rushing.
After finishing the meal like that, Woojin.
âShall we head back?â
âYes, Director~nim.â
Kang Woojin and Director Kyotaro made their way to the Kashiwa Tokyo Hotel. From the hotel lobby, Woojin garnered the attention of countless guests. With all eyes on him, he entered the hotelâs massive hall. More specifically, he was visiting the grand hall where tomorrowâs production announcement would be held.
âWhoaâthis place is huge. Isnât it about twice the size of where the script reading was held?â
The setup for the production announcement was already complete. Hundreds of desks were spread across the hall, with a large podium at the front, and a long table placed on top of it. Small cameras were set up throughout the hall, and at the back and diagonal corners, larger cameras were being adjusted by the Japanese staff, who were busily operating something.
Seeing them, Director Kyotaro chuckled softly and explained.
âTheyâre the live broadcast team. You heard, right? Tomorrowâs production announcement will be mainly streamed live on YouTube. Around 150 reporters are expected to attend.â
âIs that so?â
âCounting our people and other officials, there will easily be over 250 attendees. As for the public joining the streamâwell, a few tens of thousands will likely tune in. What do you think? Haha, as you mentioned, weâve doubled the scale of the event.â
ââ¦â¦â
Kang Woojin, who was scanning the massive hall, responded in a low voice.
âItâs not bad.â
âThatâs a relief. Tomorrow, no one will be able to stop you, Woojin.â
Director Kyotaroâs smile deepened.
âYou can do whatever you please.â
Whatever he pleases? Woojin sensed a strange vibe of misunderstanding in Kyotaroâs sparkling eyes.
âWhy are his eyes twinkling like that?â
Whatever it was, after finishing the pre-event inspection of the hall, Kang Woojin and Director Kyotaro parted ways. Still feeling puzzled, Woojin reunited with Choi Sung-gun in the lobby, who had been waiting for him. What was interesting was the tablet in Sung-gunâs hands.
âDone?â
âYes.â
Choi Sung-gun nodded as he moved toward the elevator, holding the tablet. Then he said,
âDid you agree to receive a house as a gift from Miley Cara? In LA.â
A house? What house? Woojin, hearing this for the first time, silently shook his head.
âNo.â
âThen why- no, anyway, Cara sent a list of houses in LA to the company. Take a look at it first.â
Filled with questions inside but pretending to be calm, Woojin checked the tabletâs screen. At the same time, he let out a scream. Of course, only inwardly.
ââ¦â¦â
It was only natural. The first house on the list,
âThis is insane!! Wow- what the hell!! It even has a swimming pool? Is this even a house??â
It looked more like a mansion, complete with a swimming pool.
****