Part 1 | Chapter 7 - Spiders Web
AQUILA [Dystopian Corpo-Feudalism + Animal Companions]
Part 1, The Ticking Clock
Chapter 7 - Spiders Web
âBiochemistry?â Iâve never been there, but I recognize the name.
He hums his affirmation. Eyes on the elevator door now. As they open we step into the hallway, and he glances in both directions before prowling to the left. I pad stealthily along after him, looking around the level that Iâve never seen before but still have a familiar sense of from seeing other levels lower in the building. His hand brushes the wall, unloading his symbiont who begins to race along the wall keeping pace with us. The span of its legs when outstretched would wrap around my face. The Vespa remains on his ear, occasionally fanning its wings or rotating its position.
We pause at the door to the Lu lab, marked with an aluminum name plate, his Theraphosid already hovering over the card swipe.
âWhere do they keep the fridges?â he asks, clipped and professional.
âUtilities run up the center of the building, anything needing decent electrical loads will be positioned there.â
The door lock snaps, and he pulls it open, sweeping inside and pausing with it held open long enough to let myself and his symbiont enter behind him. We pass the lab benches and whirring equipment, making our way back towards the center of the building where shut doors dampen the noise from banks of equipment beyond. The doors are decorated with a variety of safety warnings and images of the required PPE for each. He glances at each one as he passes, his Theraphosid following us on the ceiling now. He halts suddenly at one, peering through the window, then furtively glances about before pushing the door in.
There are six fridges, several upright and a chest freezer, and every one has some form of old school padlock handing on them. He blinks, and I hover in the doorway waiting. This time the hesitation seems less intentional.
âYou got this far and donât know which fridge or how to get into them?â I hiss.
He casts a castigating glance over his shoulder, âLike you know everything.â
I step within the room with him, casting a glance at the Vespa on his ear still. âDo you know which one?â I ask.
There is a long moment of silence, âChest freezer is my guess. The rest look like they arenât cold enoughâ
I enter at his side, crouching to look at the mechanism of the lock. Itâs built into the handle, the cylinder on the chest turning a latch that hooks up into the handle of the lid - like most things its 90% theatre. I kneel and glance at the underside, then pick a tiny plastic cap off to expose the hex screws used to mount the handle when it was originally assembled. He kneels with me, narrowing his eyes as he watches my fingertips pick off each of the plastic caps one by one, gathering them in my palm.
I wander back out into the lab and glance around the benches, feeling slightly bemused despite my beating heart when I sense him follow. I pick up a pair of nitrile gloves from a nearby bench, pulling them onto my hands, and begin to search the benches, before finally spotting a tool box on one of the shelves. I pull it down and bring it into the equipment room, retrieving a hex key set.
âNo, Iâll do it,â he instructs, his fingers brushing my own as he plucks the set from my hands. âFind an ice box and some dry ice if they have it. Something no one will notice going missing.â
By the time Iâm back the handle is removed and the chest freezer lid open without disturbing the lock. Heâs bent over the fridge, shuffling through the contents for his quarry. I check the underside of my city-monitor.
âHalf an hour before shift change,â I offer unprompted.
He doesnât even acknowledge me. Doubled over the freezer, I can see his scrubs riding up revealing black body armor and the glimpse of a tactical harness around his waist - and a sheath covering a weapon. After only a moment, he has what heâs looking for, palming a tiny vial I barely catch a glimpse of and stashing it in the small ice box Iâve bought him between the dry ice. Then he hefts the fridge lid back into position, his muscles rippling beneath his clothing, and returns the handle to its position, wiping everything down with a rag from one pocket. He holds an arm out, ushering me back out as well and working his way back along every surface.
âWho are you?â I ask as we walk back to the elevators. His symbiont follows along the walls again and he has the rope handle of the ice box threaded over one wrist.
âYou donât seriously think Iâm answering that?â he replies gruffly.
âI helped you, you owe me,â I try hopefully.
The sound of footsteps sends my heart leaping. He grabs my hand and pushes through the door to one of the equipment rooms, pulling me after him. Roughly he pushes me against the wall by the door, my back to his chest and his torso pinning me against the wall. I can feel his breath on the back of my neck, the rise and fall of his hard chest against my back. I can smell him, herbal sage and citrus mixed with sweat.
I take a ragged, nervous breath and he pins me tighter against the wall. Out of the corner of my eye I can see him peeking out the window to the hallway, the silence between us only broken by the continued footsteps and the whir of compressors around us. As the footsteps disappear I hold my breath and whisper, âTake me with you.â
He tenses, I can feel his lips against my ear, âWhy?â I suppress the shudder it sends down my spine. I can hear the buzzing wings of the Vespa in his ear.
âWhat the fuck am I going to do here after this?â I whisper in response.
âAnd what exactly do you think this is? Hmm?â he growls, âYouâre not my problem, you put your neck through the noose on your own.â
A case of literary theft: this tale is not rightfully on Amazon; if you see it, report the violation.
âI canât stay here. Iâm good at this sort of thing, no oneâs ever caught me once I got serious-â
I can almost feel his smirk in the subtle brush of his lips against my ear, âWhat? You break into secure labs on the regular?â
âNot this, but I break things, just for-â
âRebellion against the system? Makes you feel alive?â he finishes, his voice a purr. My breath catches.
He flips me, pressing his forearm against my throat and I feel the tip of something cold and sharp at the side of my neck. His blue eyes catch mine, hard and callous in the flashing green and blue status lights of the equipment room. I can feel the contrast in my own rushed nervous breaths, and his languorous confident ones - keeping the blade steady.
The knife at my neck should fill me with terror, but⦠Itâs everything I crave - color, fear, emotion, life, a way out - anything except more grey walls, beige doors, sunlight barely reaching me, and windows Iâll never freely look out. Another meeting with HR, cages and chains and closed pathways every direction I look - barely better than the symbionts except we need food and air to keep on subsisting. Iâm sick of hoping for the realistic and settling for reality, I want something more.
âI want out,â I assert, meeting his gaze with my own.
âYou think this is a game? Robin hood and his merry men, robbing from the rich? Someone pays, and we retrieve. Same cogs, different system. Got it?â
My breath catches, and the reality of his words wash over me. Of course, everyone is employed by someone at the end of the day. Fuck, I must look like a child to him, swept up by the rush of sudden danger. But I want it so badly, Iâve never felt so alive.
âWhat would you do if I didnât show you how to get past the physical lock?â
âBreak it,â he replies simply. I can see that muscle in his jaw clenching, almost hear the click of his teeth as they meet.
âAnd theyâd know you were here then, what you took? You think your client wanted that?â
The Vespa buzzes, and in the hum of its wings this close to his face I swear I can hear the words, âSheâs got a point Rhett, let her go.â
He narrows his eyes, pressing a little tighter with his forearm, I gasp slightly as the pressure begins to cut off my air supply. âIâll tell someone if you leave me, you might as well kill meâ I threaten, meeting his eyes.
He watches me, his eyes darting as if he's truly looking at me. I can feel his breath and the movement of his chest when he sighs. Then he pulls back and releases me. The Vespa in his ear continues to buzz.
âIâm not killing you. And, if you do talk, itâll go worse for you than me. I wonât be here.â He pulls down the collar of his scrubs to return the knife to a sheath in the harness over his body armor. I take a huge breath and lean against the wall. Rubbing my neck, I canât feel any mark on my skin.
He leans against the window of the door peering out in thought. âWhatâs your symbiont?â he asks, returning to the casual, disinterested tone he used when we first met.
I hesitate, and he slowly turns arching an eyebrow, âYouâre not fucking bonded yet?â he hisses incredulously. He pushes the door open again and we continue to the elevators. His symbiont is already waiting, calling the elevator, and I notice him casually brush against the wall again for it to step onto his arm.
âWhat of it?â I bristle back.
He huffs, is he amused? âAnd you just happen to know what symbionts the different security shifts have as a hobby?â
I watch the elevator numbers change as we descend, âNo⦠I, uh work in the Taxonomy labs. Iâve interviewed a bunch of people doing descriptive workâ¦â I trail off. That still doesnât explain why I know so much about security specifically. I bite my lip thinking of how to explain myself without giving myself away. It feels like a step too far, a line once crossed I can never take back. Iâm desperate for this, but even my appetite for risk only goes so far.
Deflection seems easier, mask my subterfuge in truth, âI started just stealing things, when I was barely a teen. I got caught and reprimanded, got my dad in a bunch of trouble but weâre serfs, they canât get rid of us so easily. Iâm used to properly looking at things, paying attention to the details. So I got better, paid attention,â my voice gets stronger as I speak, growing in confidence, âThey donât care. Weâre dregs to them, as invisible to them as symbionts are. As long as we keep on working, producing new research for Murasaki to sell to other companies, theyâll keep us fed and clothed and caged. All for what? So they get windows and ferns instead?â
The elevator doors open, and the stranger leans against the doorway, scanning the lobby before stepping clear and sweeping towards the turnstiles again. He pauses, letting me pass through first and dropping his Theraphosid to reboot the mechanism as he passes after.
âAnd what, you think Iâve got the authority to just take you with me?â he asks, beelining for security. The Theraphosid unloads from his hand and hunkers down on the workstation, glowing blue along its markings and at the joints of its segmented legs again.
âI need to get out before I manifestâ¦â I admit breathlessly.
âLife is what it is,â he replies mildly, and I feel all my adrenaline drain, heâs not taking me with him?
âYou canât leave me here?â I plead.
âWhatâs so bad about manifestation? You got bad genetics?â
I swallow, he leans on the security desk as his Theraphosid returns, crawling up his torso now and settling on his shoulder, folding its legs tightly. Without even looking my way he begins to stroll casually for the exit, hands in his pockets with the ice chest hanging from his wrist as if it's just the end of any other work day.
âIâ¦â Heâs a stranger, he doesnât care. He couldnât make it any more obvious. The wind rushes out of me with a sigh and I feel drained and exhausted like I havenât in a very long time, âMaybe genetics that are too good. It doesnât matter.â
He pauses in the doorway, looking past me outside. The Vespa on his ear buzzes. The fangs of his Theraphosid gleam as it watches me back with eight shiny black eyes of various sizes. He lifts his hand, pulling down his collar to withdraw a card from a pocket on his harness underneath. With two fingers, he extends the business card to me and I stretch my own hand, cautiously taking it. Then he salutes, and pushes the glass doors at the entry open.
I turn the card in my hands, itâs made of black textured card, I can feel the paper fibers with the tips of my fingers. On one side is a single embossed logo in burnished gold, an Aquila with wings spread. And not a single written word.
âThereâs nothing-â By the time I look up, heâs disappeared into the street. I shove the door open, and jog into the darkness, trying to spot any trace of movement, desperately listening for quiet foot steps in the dark. My breath catches, and I canât help when I crush the card in my grip.