Five Years Ago - Chad Chad checks the door number against the address on the letter, then knocks. Itâs a good building in a good area. An apartment here would not be cheap.
The door opens, and he strides across to the concierge, a tall, slender man of perhaps twenty-five or so. He has golden-brown skin, eyes like rich, dark coffee, framed by long lashes and a well-formed expressive mouth.
âYes, sir. What can I do for you?â
âIâm looking for Jennifer Bennett. Is she in?â
The concierge shakes his head. âIâm sorry, we have no-one of that name here.â His gaze travels up and down Chad; tall, well-muscled, with corn-blond hair and cornflower-blue eyes.
âHow about Jenny Conners?â
âOh, that Jenny, the red-haired girl. Yes, I know her. She's a stunner that one, isn't she?â He hesitates.
âIf you go for that type of courseâ¦?â The question hangs in the air.
Chad isnât sure how to reply, and after a moment, the concierge, sounding slightly disappointed, continues. âNo, she's not here, sir. She moved out a few weeks ago. She said she'd found a cheaper place.â
âDid she leave a forwarding address?â
âIâm sorry, no she didnât. Itâs a nuisance because I have some post for her, a letter.â
âJust one letter?â
âYes, she was only here a few days. The letter arrived a week or so later.â
With a sinking feeling, Chad says, âCould I see the letter please.â
The concierge blinks large, liquid eyes. âIâm sorry, sir but I canât just give you someone elseâs post.â
âI only want to see the handwriting. I think it might be from a mutual friend. If his letter didnât reach her, he will want to know.â
âWellâ¦. I suppose thatâs alright.â
The envelope is addressed in a firm careful hand, a hand that Chad has known from boyhood.
âIs it from your friend?â
âYes, it is. Heâll be upset that it didnât reach her.â
The concierge pulls a face then, âLook, Iâm only supposed to keep uncollected mail for a couple of weeks, then throw it away. Why donât I give this to you? If you find your friend, you can give it to her.â
âThank you. I appreciate that.â
As Chad turns to leave, the concierge calls after him. âIf thereâs anything else, just ask for me. My nameâs Kristoff.â
Chad pauses on the thresh-hold, then turns back. âThank you, Kristoff. I might do that.â
*****
James There is a voiceâ¦.
â¦. A female voiceâ¦.
I should know who you areâ¦.
â¦. Darling, a true lady takes off her dignity with her clothes and does her whorish best. At other times you can be as modest and dignified as your person requiresâ¦.
Or am I listening to my own thoughts?
Who are you?
But it is dark and there is no reply.
*****
The voice returns, echoing out of the darkness.
â¦. A human being should be able to change a diaper, plan an invasion, butcher a hog, conn a ship, design a building, write a sonnet, balance accounts, build a wall, set a bone, comfort the dying, take orders, give orders, cooperate, act alone, solve equations, analyse a new problem, pitch manure, program a computer, cook a tasty meal, fight efficiently, die gallantly. Specialization is for insectsâ¦.
I puzzle, or try to. But itâs hard. My thinking is woollyâ¦.
â¦. I hurtâ¦.
Why do I hurt?
â¦. Never try to out-stubborn a catâ¦.
Why would I try�??
*****
The darkness fades a little, blinking into green and red fogâ¦.
Where am I?
?
?
Who am I?
âMichael! Michael!â The voice echoesâ¦.
I do know youâ¦.
â¦. I thinkâ¦.
A different voice. âWhat? Charlotte? What was that?â
âHe opened his eyes. Heâs waking up.â
But the multi-coloured mist swirls and darkens to blackness once moreâ¦
*****
â¦. Do not confuse "duty" with what other people expect of you; they are utterly different. Duty is a debt you owe to yourself to fulfil obligations you have assumed voluntarily. Paying that debt can entail anything from years of patient work to instant willingness to die. Difficult it may be, but the reward is self-respectâ¦.
*****
ââ¦. The way to live a long timeâoh, a thousand years or moreâis something between the way a child does it and the way a mature man does it. Give the future enough thought to be ready for itâbut donât worry about it. Live each day as if you were to die next sunrise. Then face each sunrise as a fresh creation and live for it, joyously. And never think about the past. No regrets, everâ¦.â
The darkness lightens and liftsâ¦.
Whiteâ¦.
Everything is whiteâ¦.
Thirstyâ¦.
The dark returns, but almost immediately vanishes againâ¦.
Whitenessâ¦.
And it comes to meâ¦.
A ceilingâ¦.
Awareness congeals around gummy eyelidsâ¦.
Ah, jeezâ¦. My headâ¦.
Thirstyâ¦.
The voice again. âMaster? Master? Can you hear me?â
I do know youâ¦.
Something invades the whiteness, blurred, indistinct, orange around greenâ¦.
Vaguely, I try to see more clearly. Something cool and comforting pats at the fire, dampness on lips puffy with desiccation. Then, my head lifting, supported from behind, the coolth penetrates, water trickling over my tongue.
âMaster? Is that better?â
And finally, my vision makes sense. The orange and green blur resolves into flaming hair and deep green eyes.
Jadeâ¦.
âCharlotte?â My voice, my greatest effort, is only a whisper. I wonder if I actually speak the words, or merely think them.
But she smiles, lacing her fingers with mine. âYes, itâs me. Iâm here, Master.â
âThatâs good, Charlotte. Thatâs good.â
And there, behind her, standing with thumbs hooked into his pockets, is Michael, also smiling.
My friendâ¦.
?
?
Where am I?
I can barely move. The smallest effort, even turning my head, saps me. But I try to make sense of what I see.
Screensâ¦.
â¦. Medical equipmentâ¦.
And rolling eyes down my arm, a drip, taped into position.
Am I in a hospital?
Have I been ill?
Michael tosses his head at me. âBack in a minute.â He strides out, âNurse! Heâs awakeâ¦.â
*****
âWhat am I doing here?â
The nurse looks up from where she is fussing over something to do with my leg and over the top of her half-moon glasses. âYou were shot, Mr Alexanders.â
Shot?
She straightens up, looking down at me. âYou donât remember?â
âNo,â I say weakly. âI donâtâ
I can still barely lift my head and canât even consider sitting up. Michael stands over me, arms folded.
âHow are you feeling?â
My skull aches abominably and I still canât think straight, thoughts dancing away If I try to concentrate on anything. As I squeeze the bridge of my nose, trying to relieve the pressure a little, Charlotte strokes my fingers.
âErr.⦠terrible, actually,â I say. âIâve never felt so knocked out.â
âMmmâ¦.â Michael purses his lips. âThatâs a good sign actually.â
âIt is?â
âAh-ha. It means youâre alive.â
I was shot?
I still canât believe it.
âHow long have I been here? I feel dreadful.â
âFour days,â says Michael. He presses the tip of a forefinger to his lips. âYou donât remember what happened? At all?â
âUmâ¦. no, not reallyâ¦.â
I try to think through the screeching headache. Memories bob like apples in water, surfacing only to vanish again.
Charlotteâ¦. Nakedâ¦.
â¦. Drawing them on to herâ¦.
Fearâ¦.
Prideâ¦.
â¦. Angerâ¦.
ââ¦. I was blasting Charlotte for behaving like a maniacâ¦.â She stirs next to me wearing that âIâm-sorry-
but-not-reallyâ look of hersâ¦.
Screamingâ¦.
Michael, tacklingâ¦. someoneâ¦.
ââ¦. Thenâ¦. erâ¦. itâs a bit hazy after that.â¦â
Michael sits, then his voice falling quiet, says, âCorby was there, with a gun, aimed at Charlotte. I tried to get to him, to stop him from firing, but I couldnât move fast enough. I only knocked his aim off. You grabbed Charlotte and shielded her with your body; took the shot instead.â
I let him shoot me?
?
?
âI did?â
âYou didâ¦.â Michael tilts his head. Charlotte squeezes my fingers. ââ¦. It was either the bravest or the most stupid thing Iâve ever seen. You dropped like a stone, and I think you were unconscious before you hit the ground. The bullet severed your femoral artery. You lost a lot of blood. Youâre very lucky to still be here, to be able to complain about how you feel.â
I almost died?
I almost diedâ¦.
Jade-Eyes?
Were you hurt?
âBut Charlotte wasnât hit?â
âNo, Master. It didnât touch me. Iâm fine. And even if you donât remember doing it, thank you. Iâd be dead if it werenât for you; for the two of you.â
*****