I fall backward, tripping over a book, and land on my back. âYou,â I say in shock and spastically get to my feet. I put my hand to my side and pull out my sword. But itâs not there. Iâm disguised, and workers donât carry swords.
âNow donât get excited,â the assassin says, and walks over to me. I put my hands up to fight him but all he does is give me a reassuring pat on the shoulder. âMore people will learn. And with your little speech, Prince Millar himself might have even heard about how peopleâs minds are changing. Sit down, have another drink.â He walks over and sits down on his stool again, taking another sip of his spirit.
He doesnât recognize me. The clothes and the grease make me look so different that even he and my brother donât recognize me.
âThat grease on your face canât be comfortable. Do you want a towel?â he asks.
Still standing speechless, I can only say, âNo, thank you.â
âSit down already,â he says after an awkward pause. I do, and take a reassuring sip from the spirit. It tastes a little less fiery now. Not good, but it doesnât burn my tongue. âSo tell me, why did you do it? Other than the fact that it needed to be said.â
âI, well,â I begin, âI wanted to stop the war with Nardor. And I figured that even if the prince decided to stop it, the only way to prevent it from ever happening again would be to make the people not want it.â
âThe peoplesâ power is greater than their rulersâ,â the man says, and laughs. âYes, thatâs true.â
âBut, I guess the people werenât ready for what I had to say.â I take another sip. The burning in my stomach begins to mellow and give me a more relaxed mood.
âMaybe so, maybe so.â The man raps his fist on the table. âBut maybe they were, and the message was just delivered incorrectly.â
âI saw a woman put her baby down just to raise her fists at me,â I say with a laugh. âI donât think they liked the message.â
The man shakes his head and grunts. âIf I tell a man that his wife is dying, he might strike me just for saying it. If I tell him his wife loves him, and that her last wish is that he be happy all his days till theyâre together again in death, then heâll most likely weep and want to go to his wife and leave me be. The message is the same; the method is different.â
âIs that why you wrote that book?â
âI never was much with words in front of a crowd. Thatâs why I wrote the book. But there was one thing I did that could have been disastrous.â
I take a sip. âWhatâs that?â
âI was going to kill Prince Millar.â
I cough into my mug and try to pretend itâs the spirit at work again.
âLet it go down on its own, donât fight it,â the old man says.
I wipe my lips and stop coughing.
âThatâs better. And try not to waste any more thatâs my good stuff,â the old man says.
âSorry,â I say.
âNo big deal. I love Nardor, you see. I was a soldier back when the kingâs father invaded past the mountains further into Nardor. I hated the Nardorish then, as all good Grundarins are supposed to. Long story short, I fell in love with a Nardorish woman and tried to live there. Neither of us found any happiness, Nardorish hating me and Grundarins hating her. We separated to save our lives after thirty years of marriage when Prince Millar announced his invasion.â
It was my fatherâs idea to attack Brill, but I did encourage it.
âAnd I came back to try and stop the war, hoping to return to my wife after,â the old man explains.
âAnd you thought that killing Prince Millar would stop the invasion,â I say, feeling terrible.
âThat I did, that I did.â The old man takes another drink. âI wanted the over-proud fool dead.â He pounds his fist on the table, shaking the glass bottle till it wobbles and finally settles. âI had it all planned out, too. Heâd be open and vulnerable, this one day when he would ride through Victory Square, and wouldnât look to the Monument since no one can for long. Iâd stand there, and as long as I could keep my feet, he was as good as dead. But then someone told me something.â He takes another drink, finishing off his glass. âMiss.â
He missed⦠on purpose? I suddenly realize that I owe my life to this man, and I grip the mug tightly, waiting to hear what he has to say.
The genuine version of this novel can be found on another site. Support the author by reading it there.
âIt was an old man, much older than I, though I look more aged than I am,â the would-be assassin says. He laughs, and drinks. âIâm only fifty-one, can you believe it? Had a gray beard and all with a funny walk, this guy. He was the one who told me the dying woman metaphor, and that killing the prince would only make Grundar want to hurt the Nardorish more. He said that if I missed, I would influence the prince. I wanted immediate results, and this man told me that I had to be patient.â
He pours us another drink.
I shoot up out of my chair. âEelian,â I say breathlessly.
âYes, yes that was his name,â the man says, and noisily slides his mug over towards his side of the table. âHeâs a crazy one, if you ask me. I donât even know if he was right. The warâs still on and Iâve lost my chance at killing that war-hungry prince.â He shakes his head, then looks at me curiously. âHow do you know him?â
I lick my lips and take a deep breath, wide-eyed with hope. âIâm, Iâm the prince. Iâm Prince Millar Grundarin,â I say. âIâm the one you wanted to influence and the man you chose not to kill.â I smile.
The man takes a slow drink and looks at me with sudden recognition. Pausing to look at the drink, he quickly stands and rushes at me with a shout, breaking the mug on the floor with a shatter.
I jump out of the way and he turns and punches. Not wanting to hurt the man, I let the punch connect and back away with a split lip. The man pulls out a knife and lunges at me with a thrust to my stomach. I dodge and grab the knife out of his hand. Insanely, the man grabs the bottle of spirit off the table and raises it to smash over my head. I drop the knife and put my hands up to stop him.
He has both hands on the bottle and pushes at my outstretched arm with a ferocity Iâve never seen in a man who looks so old. âYou said so yourself,â I say, pushing against him. âThis is your good stuff. Donât break it.â I maneuver my hands to free the bottle from his grasp.
Desperately, he kicks and tries to bring the bottle down. I dodge and keep holding on.
âI have to stop you! This war is wrong!â he says.
âI want to stop it! But I canât!â I say.
âWhy? End the killing! You have the power!â
âI canât just stop it. The people have to decide, and, andâ¦â I say, and pull the bottle free. With the release, the man falls down and lands on the floor with a flump and a cringe of pain. âAnd I donât know if peace is the answer.â
âWhat do you mean?â he asks, panting on his hands and knees in the spilled spirit.
âWhatâs your name?â I gently set the bottle back on the table.
âWhat do you mean?â
âWhatâs your name?â
âHaskins. Robert Haskins,â Mr. Haskins says.
âWell, Mr. Haskins, I want you to know that Iâm the prince and the same person who gave that speech on the square. I donât want this war, but you have to listen to me for a second. Will you be civil?â I ask.
Taking a few seconds to think, Haskins nods.
âGood,â I say, and put my hand out and help Haskins back to his stool.
âHow can peace not be the answer?â he asks, slowly settling.
âIt was in my speech. I was about to say what the better purpose in life is.â I get a new mug out of Haskinsâs cabinet.
Haskins takes a drink as well. âYou were doing well until then.â
âI know, but I couldnât say what I wanted to. I wanted to say that peace was the higher purpose. But is it?â
âOf course.â Haskins grunts. âWhat else could it be?â
I shake my head. âItâs not war, but it canât be peace, either. Because once you get peace, what then? Do you keep trying to find peace? Do you make more war so you can achieve peace again? How do you define peace? Is it just the absence of war?â I ask, spouting off these questions as in a mindless rant.
âYouâre overcomplicating something very simple,â Haskins says.
This time I pound my fist. âLife isnât simple,â I shout and stand up, frustrated. I pace around the room, throwing up my hands as I let out all my frustration at this screwed-up existence. âLife isnât black and white. Life is complicated. To say that the meaning of life is one thing, peace or war, is inherently flawed. Youâre just running toward a brick wall either way. Eventually youâll crash and then where will you be? Youâll revert to whatever path you werenât following just because itâs the only path left. I canât bring myself to say that my purpose is one solid thing. I donât want to follow one-way streets! I want to know the answer, but I have no idea how to find it.â
âYouâre searching for the meaning of life?â Haskins asks.
âIâm searching for something more than peace or war! Iâm searching for a way to lead a fulfilling existence without making others suffer and without going toward a dead end.â
I pant with exhaustion from all that Iâve done today. Iâve said too much and seen too much to be able to keep a logical thought going. I sit down again, putting my hands palm upward on the table. I let myself go and let my head fall with a crunch onto the round table. âIâm so lost I donât know what to do,â I say into the wood.
Haskins pours another drink. âWill you stop the war,â he asks as he fills my mug.
âI want to.â I slowly lift my head and rub the red spot on my forehead. âBut I want the people to want to.â
Haskins takes a drink. âIt seems weâre both searching. Iâm searching for peace while youâre searching for meaning. But canât peace, temporary even, be a meaning?â
âYes, butââ
Haskins interrupts me and says, âNo buts. Listen, youâre searching for something that youâll never find. You talk about peace as if itâs easily attainable but itâs not. Donât bother about meaning and life, just try to make it so that people donât get killed. Once you do that, then think about existence. Right now, there are more important things to take care of.â
I sit up and take a sip from my mug, staring into the face of my would-be assassin. As the burning comes back to my stomach, I suddenly wonder if this conversation ever occurred with the leaders of the Prophets. Coryâs efforts of peace led to death. Their unification of planets was through killing, and led to distrust with them. So why do they keep doing it? Are they clinging to that idea just so they can have an idea to cling to? With all their power, canât they find a meaning to life?
The door downstairs bursts open and a dozen feet come running up the stairs.
âThe window,â Haskins says, and we both run to the window. We look down and three grappling hooks go chunk into the wood outside. Three Elites begin climbing up. âThis way.â Haskins leads me to a door. These apartments have doorways leading to the upper levels. Haskins opens the door and my brother walks in.
âThank you,â he says, and punches me across the jaw.