: Chapter 10
Love, Milo
The elevator door closes, and the silence falls heavy upon us.
I wipe my eyes with the back of my hand, replaying everything that just happened, just to make sure I didnât imagine it all.
Milo at my side sighs through his nose roughly, letting go of my hand and pressing his back against the elevator. His eyes stay closed, and his hand is bleeding I realize, the knuckles busted along with his lip.
I tuck a curl behind my ear and sniffle, âHe did it by accident, Yâknow.â My voice is timid, rough from crying.
Milo raises his head and shakes it. âLogan does nothing by accident. I saw you walk away, and then I saw him walk directly in front of you. He spilled it deliberately.â
I press my lips together. So much for that.
âWhy did you run off anyway?â He questions.
I think about telling him what his grandmother said, the horrible things that came out of her mouth, but I think better of it, heâs already had a hectic night, something tells me adding that to the pot will make him go back up there with no hesitation.
So, I shrug. âNervesâ¦â
The elevator dings, saving me from continuing this conversation. We walk out silently and make our way to his car out front. He opens my door, letting me in, and I buckle up as someone calls Miloâs name.
He turns around from beside my door and I see Genesis and a woman. Sheâs not very old, maybe late forties at most, but something about her appearance catches my eye instantly, and itâs the fact that sheâs bald. She holds Genesisâs arm and is smiling at Milo. By the way, her eyes are shaped, and her lips resemble that of both Genesis and Miloâs; this is their mother. Iâm sure of it.
Milo speaks, âMom.â Bingo. âWhat are you doing down here? Arenât you going home with Dad?â
The lady waves her hand. âIâm here to praise you. Youâre also riding your sister and me home. Iâve had enough of your father for one night.â Her British accent is thicker than that of both her children. It makes sense now why Miloâs accent isnât the strongest British accent ever and why he even has one to begin with.
âPraise me?â Milo opens the back door and helps his mother in.
Genesis waves at me from the side door, and I wave back. Her dark brunette waves brush against her shoulders.
âOf course, for sticking up for this darling before us. Were you not going to introduce me to her? Embarrassed of your dear old mum, hm?â
He stutters for a moment and scoffs annoyingly at her words. I turn around in my seat to face his mom as he speaks. âDonât say that. Mom, this is Raelynn. Raelynn⦠my mom.â
I extend my hand and grin. âItâs nice to meet you⦠Mrs. Evans.â
She scoffs, shaking her hand. I donât miss the fact that her hands are jittery and cold to the touch. âPfft. Call me Iris.â
I nod. âIris. Got it.â
Milo sighs, shutting the door after Genesis gets in the back seat and then makes his way to the driverâs seat.
Genesis starts to say how crazy the night has been; she also thanks me for being there and how Logan is a jerk. Just having the company of these two women makes me feel a whole lot better about the situation that happened. I let out a few laughs while Milo drives.
âMom,â Genesis says.
âYes,â Iris sighs. Yet, I can tell she enjoys her time with her daughter.
âWhat do you do to get a robot mad?â
âI donât know.â
âYou push all its buttons!â I watch Genesis in the back seat through the rearview mirror and begin to wheeze at her terrible joke, and it makes me giggle.
âYou get it? Raelynn? Milo, you get it?â She leans forward between our two seats and looks at Miloâs side profile.
Milo grumbles, âYes, Genesis, we get it. Youâre beginning to push my buttons.â
âOh, shut up, your sense of humor is dryer than a burnt toast, you jackassââ
âLanguage,â their mother intervenes.
Milo turns his head to say something, but I speak. âI have a joke for you, Genesis.â
She grins. âTell me.â
âWhat do a tick and the Eiffel Tower have in common?â
She hums in question.
I giggle. âTheyâre both Paris sites.â
Genesis cackles, âJust like Milo!â
I laugh with her. My cackles and Genesis wheezes fill the car while Milo drives with low eyelids. Even Iris laughs silently as she stares out the window, shaking her head. For a moment, I forget about what happened; I forget the words that were said to me and the wine that dirties my skin. I spend the next few minutes in the car joking with Genesis.
âHope you two are having fun,â Milo mutters.
âIâm having the time of my life, you parasite,â Genesis snickers.
Milo glances at me as he stops in front of a building, the headlights turning off. His face reads, look what youâve started. I twist my face and shrug my shoulder as if saying, oops.
He reaches over to unbuckle my seatbelt, juggling it and me so it can come loose. However, he takes longer than usual, long enough for Iris and Genesis to get out behind us and shut the doors.
âThank you,â he says a second after their doors close.
I furrow my brows. âFor what?â Making fun of him with his sister and mother for fifteen minutes straight?
âI havenât seen them smile and laugh like that in a long time. Especially my mother.â His eyes dart between mine, the seatbelt coming undone between us. He slips it back to where it retracts from, his hand sliding across my body to do so.
âOhâ¦â I breathe in, looking down at your hand. A stutter breaks up my words, âof course.â
âMilo!â Both of our heads turn to Genesisâ frantic call for help from outside.
Milo darts out of the car, and so do I. Somethingâs wrong. Milo runs beside his mother, whoâs bent over, coughing a strong and harsh cough.
âMom! Mom, are you alright?â He holds her up, and Genesis lets go, backing up with a twisted face, eyes tearing.
I walk to her, not knowing what else to do, and take her hand in mine. Sheâs not as tall as me, but she doesnât hesitate to bury her head into my shoulder, hugging me despite just meeting me. I let her body sink into mine, wishing I could make things better, but I donât have a clue whatâs even going on. I watch Milo and his mother; she coughs for several seconds before stopping and standing up straight. Milo goes through several questions with her to ensure sheâs alright enough to go upstairs. His face wears the most worry Iâve ever seen on him.
Genesis cries quietly in my arms, and I feel her shake. âSheâs fine, see?â I whisper.
Genesis shakes her head. âSheâs sick, Raelynn. Really sick. You wouldnât understand.â I know she doesnât mean harm as her words fade with her sniffles, wiping her eyes dry. I donât respond because sheâs right. I donât understand. Iâve never wanted to understand something more. We follow Milo onto the elevator of this building that Iâve yet to recognize; it must be Irisâs home. My deal with elevators I ignore for the time being. There are more important things to worry about, and there is not enough room in my head to think about the space Iâm in. Once we get into the apartment, he tells me heâs talking his mother to bed, then orders Genesis to show me the bathroom.
After heâs out of sight, my eyes fall on the jaw-dropping sight of the house or the penthouse. Itâs large, with two floors and spacious windows overlooking New York City. The living room is gigantic, with a chandelier hanging from the high ceiling that illuminates the space just enough to see enough, to make the furniture glow dimly and faces show, but not bright enough to the point where itâs overpowering.
Iâve always wanted ceiling-to-floor windows; it makes the rooms feel enormous, less like youâre in a box and more like you are floating in the outside breeze. No matter how many flowers I sold, I couldnât afford a place like this.
It makes me wonder why Milo would live in the apartment under me when he could live here. Or why does he teach when it doesnât seem like he has to work a day in his life?
âRaelynn, come this way.â Genesis snaps me out of my admiration of the house and guides me to the bathroom.
Itâs, of course, beautiful in here, just like the rest of the house. âYou can strip in here and throw it in the laundry basket. Iâd give you some of my clothes, butâ¦â she looks at my body and sighs. âYou seem a lot more developed than me.â
I tilt my head, watching the red eyes sheâs gotten from crying. âThat isnât always a good thing. Itâs a blessing and curse.â
She shrugs. Then sadly mutters, âYeah, but not to high school boys. They rarely see it that way.â She shakes her head and tells me sheâs going to bed before I can say anything more.
Iâm left alone in a large bathroom, a tub on one end and a shower on the other, with white and gray decorations. The floor below my feet is glossy with a pattern, unlike my tiled floor bathroom back at home. An isolated burgundy bathtub is the only splash of color in this room. However, it suits the look. A bathroom for a queen, it seems like this was made for. I canât get over how polished everything is: the white marbled sink counters, the walk-in shower in the corner. Even the porcelain sink makes me feel too dirty to lay a finger on it. I walk towards the shower and turn it on.
I havenât showered in someone elseâs house in years, not after what happened.
But weighing my options of bath or shower, I make my way into the shower, trying my hardest to avoid that memory or lack of memory. The warm water runs down my chest, dripping down my neck and breast. I look down at my stomach and then my thighs, the white scars scaling around my area.
I was thankful my dress was long enough to cover them all, or else I wouldnât have worn it.
I close my eyes to make the thoughts disappear, but the images appear.
Images of me waking up, eyes blurry with sleep, my head pounding. Naked and scared, everything hurtingâ blood, blood everywhere. I gasp in a sharp, needed breath of air along with some streams of water, open my eyes, and slap a hand over my mouth to prevent myself from screaming. Coughs replace the urge to cry. My entire body trembles under the water, and I grip the bar connected to the wall, silently allowing myself to shed silent tears.
Wet curls fall over my face, and I sob, muffling cries against my palm so no one outside could hear.
Iâve once been told healing takes time, but itâs been two fucking years, and yet it hurts every time I close my eyes. He probably doesnât think of it at all, let alone as much as I do.
âRae,â I hear Milo call from behind the bathroom door. âGen said you needed clothes. Iâm leaving my shirt and sweatpants on a hanger on the doorknob.
I clear my throat. âThank you.â
After several deep breaths, I shake away the thoughts and clean myself, braiding my hair into two rows down my head after realizing I donât have my products here.
I shut the water off and grab a clean towel under their sink.
Like Genesis said to do, I throw my dress in the laundry basket sitting in the corner and open the door just a bit, peaking out at the doorknob to see the clothes Milo said he left behind: black shirt and gray sweatpants.
I put them on over my underclothes and make my way out into the hallway.
Now, to find my way to Milo⦠not a problem, just walk around the million-dollar-looking apartment and hope not to get lost.
And getting lost is exactly what I do for at least five minutes before I come across an open door. I nearly walk past it until I see Milo sitting on the edge of the bed, his elbows digging into his thighs and his head low, hands connected at the back of his neck.
I step in slowly, knocking twice on the door to announce my presence. He turns his head so heâs looking at me through one eye, one bloodshot wet eye.
The last time he was crying, he was rude. I wonât make the mistake of attempting to comfort him again.
âIf you want, I can⦠go home. Iâll just use my GPS or something.â
He shakes his head. âWhy would I want you to go home?â
I jerk my eyebrows up, twisting the rings on my fingers. âWhen I found you crying earlier, things didnât go well. Soâ¦â my word trails off.
He nods, sniffling. I watch him stand up from the bed, tall.
So tall and broad, in a black shirt and sweats. Just like me.
We lock eyes as he makes his way over to me. He pushes his hair back, a few strands falling over his face. I notice heâs cleaned his wounds as he stops an inch away from me.
Then, he drops to his knees.
I lower my chin, staring down at him, brows furrowing in confusion as I swap gazes from one eye to another.
âWhat are you doing?â I whisper.
âYou said you wanted me on my knees, asking for forgiveness,â he says, tears still residing in his eyes. âSo here I am, on my knees, saying sorry.â
Heâs serious, and that surprises me more than anything.
This man, who Iâve known for no more than a few weeks, is on his knees, saying sorry and hoping for my forgiveness.
This wasnât a part of the deal.
We didnât say we had to like each other to fake date. So why does he care if I am mad at him or not?
âWhy?â I ask.
âWhy what, love?â
âWhy do you care whether I forgive you or not?â
âBecause Iâd rather be fake dating my friend than enemy, Raelynn. And right now, I really need you as my friend.â
His face holds more sadness than puppy eyes. I slip my bottom lip between my teeth, hurting for him, looking down at him at my feet, wondering what the hell to do. We donât have to be friends. I donât think being his friend would be a good idea. Though staring at him right now⦠looking at the gray storm of his eyes, itâs hard to turn down the chance. Heâs doing a lot for me by faking this relationship. The least I can do is be there when he needs someone.
âThen weâre friends, Milo,â I say after a moment.
He stands up from his knees and takes me into his arms tightly. They wrap completely around me, his head falling into my neck like a puzzle piece, weeping an unsteady cry. Iâm stiff for what seems like forever before I relax in his hands.
And to my surprise, Iâm not uncomfortable. Iâm not itching to get away from his touch. I swallow the excitement down and turn my attention to the crying man in my arms.
I blink, blanking on what to do with this situation. I canât say Iâve done this before. Itâs not every day a gigantic man is crying into my shoulder.
I bring my hands to his back and rub them in circles, one hand traveling up to his neck. He holds me so tight that inhaling becomes a difficulty, but I donât move him or his hands that are wrapped around my torso.
âHow is she?â I ask softly.
He shakes his head, sniffling against my ear. âNot good.â
Sadness for him washes over me. His mother must have cancer; itâs the only explanation for her absence of hair and the coughing spree in front of the building.
âHow long has it been?â
âA year.â
I rest my head on his shoulder. âAnd thereâll be so many more to spend with her.â
His fingers grip me, moving up to the back of my head, holding me like a piece of china. âI hope so, too.â
Not saying another word, he loosens his hold on me and takes my hand in his. Turning his back to me and bringing me to the bed, sitting down.
âWould you like the bed? Iâll take the floor or couch out in the living room.â
I shake my head. âI canât take your bed,â I laugh shortly. âThatâs not really fair.â
âWell, youâre out of your pretty mind if you think Iâm letting you sleep on the floor or couch. My mother would kill me for listening to you and then kill you for not telling me to sleep on the floor.â
I smile. âFine. Then you sleep on that end.â I point behind him to the empty side of the bed he isnât sitting on. âAnd Iâll sleep here on this side.â
He seems surprised that I even suggested we sleep in the same bed, which makes two of us.
He doesnât say another word, just nods in agreement.
Slipping his body under the covers, his face illuminated by the lamp on the nightstand, he opens the covers for me.
I stare at the space meant for me, then at him beside it.
I trust you.
Out of every man Iâve met in the past two years, I trust him. I donât know why, but I do.
So please, donât make me regret it, Milo.
He looks at me curiously, and I clear my throat, getting in and under the covers. He reaches over to his bedside table and shuts the lamp off, leaving us in the dark, the moonlight shining through the curtains on the wall beside us being the only light source.
âGoodnight, Love.â
I turn to my side, my back facing him. My lip twitches at his last word.
âNight,â I whisper, but my eyes stay open.
Itâs not like Iâll be falling asleep anytime soon, anyway. I rarely do.