Chapter Eleven - God, I Wish I Had the Plague
The Consequences of Champagne and Murder
I woke with a heaving gasp like Iâd broken straight through the surface of the sea. Something cool tickled my hairline and neck, and I shivered, forcing my eyes open. I was underneath a series of yew trees in the courtyard, thick branches twisting overhead. Between the branches, pinpricks of stars twinkled like fireflies against the blackening sky. I let out a shaking breath and pressed my hand against my heart. Its beat was faintâbut steadyâbeneath my fingertips.
I tried to sit up, but I was so goddamn tired. It didnât matter that I wasnât sure where anyone was. I didnât care that I was splayed on my back somewhere outside and not safely tucked in my bed. All I wanted was sleep.
I was just closing my eyes, ready to succumb to slumber, when something poked me in my side. I cracked my eyes open to see Jacqueline hovering over me, her loose hair tickling my cheek.
âOh, God,â I croaked. âI truly have died and woken up in Hell.â
Jacqueline, for once, looked worried. âYou fainted.â
âYes. I have the plague.â
The worry in her face dissipated, and she blew out an annoyed breath, dark strands of hair fluttering around her face. âI shouldnât have said anything.â
âLet me alone, Hell demon.â I rolled over. âI wish to sleep.â
Jacqueline grabbed me by the shoulder and yanked me back to face her. âI know itâs difficult, but you must wake up! We have more important matters at hand."
I started to groan, then stopped, lifting my head to better assess my surroundings. The Palais-Royal stood in front of us, the candles in each window lit and dancing behind orange-tinted glass. Save for a few carriages rolling by in the distance, there wasnât another soul in sight. âWhere is Renée?â
âI brought you to this clearing because I thought it would benefit you to be somewhere cooler, and she went to fetch help.â
Though it felt as if someone had replaced all the bones in my body with boulders, I managed to raise myself to a standing position. The world spun around me, and for a moment, I feared I would faint a second time. I stumbled, and Jacqueline latched a hand around my wrist to steady me.
âAre you sure youâre all right?â she asked. âWe can wait a few more moments untilââ
I snatched my wrist from her grasp and turned away âDonât act as if you understand any of this.â I pressed a hand against my chest, taking small, controlled breaths like Ãtienne had taught me to whenever I felt panicked. In and out, in and out. Like youâre a bird, preparing for its morning song. But thinking about Ãtienne only made my chest ache, and knowing Jacqueline was witnessing the whole ordeal made me want to melt into the dew-soaked grass, never to be seen again.
And then I wasnât embarrassed anymoreâI was angry. None of us would even be in this predicament if Jacqueline hadnât shown up at our home months ago looking for Ãtienne. My brother would have never been arrested and thrown into the Bastille.
He would never have been sentenced to death.
The desire to punch something overwhelmed me. To fling out my foot and kick it against the yew tree, over and over and over, until the brown bark chipped. But I was panicked, and my nerves were weak, and all an outburst like that would do was make everything worse.
I turned to face Jacqueline, hand resting over my chest. My heart slammed against my palm. âYou ruined everything.â
Something flashed across her face. Worry, perhaps. Or shame. But before I was able to discern its meaning, she narrowed her eyes. âI was trying to help. I know what youâre going through right now.â
I looked away, glaring at the moonlight as it filtered in through the olive-tinted leaves. âNo, you donât. And how could you even help? All youâve done is ruin our lives.â
âMe?â
âYes, you. Have you already forgotten you killed the coachman and that is the reason my brother is in the Bastille?â
Jacqueline glowered. âMy brother is in the Bastille because he insisted on taking the blame for my actions. Have you ever done something similar for Renée?â
âThatâs notâI havenâtââ I sputtered, trying to come up with a way to defend myself. But all I could think of was the king and the pity in his eyes as heâd turned away from me.
I curled my hand into my palm, wishing desperately to be alone. Or better yet, wishing I could dash down the street and out of sight. âWell, at least Iâve never stolen anything!â
Jacquelineâs mouth fell open. âI beg your pardon?â
âYou took my sisterâs dress! Donât act as if I wouldn't notice.â
âI didnât steal her dress. Renée let me borrow it for tonight. She thought I might need it to enter the opera house.â
There was no clever retort for that. Instead, I said, âWell, you look stupid.â
âAnd you look like a blueberry.â
I gasped. âI do not!â
âThe abundance of lilac silk youâre wearing says otherwise.â
âThis is lavender.â
âI donât care! I didnât mean to kill anyone, but I did, and now Ãtienne is taking the blame for it. Andââ Jacqueline stopped, gulping a breath, and wrapped her arms around her chest. Her fingers flexed, nails biting into her tanned skin. It was the same reaction sheâd given in my familyâs library when speaking about trying to find Ãtienne. Iâd paused then, and I paused now too, eyes fixed on the red marks blossoming along her arms. I know what youâre going through right now, sheâd said.
Did she?
âNever mind, It doesnât matter.â She threw up her arms, vulnerability dissipating like morning fog. âIâm not going to sit around and argue with his immature younger brother when something terrible could be happening at this very moment.â
She didnât wait for my response before she started in the direction of the palace, the orange silk of her dress flapping behind her like sunlight caught in a storm.
âWait,â I called out, but she didnât stop. âMurderer, wait!â
She spun around. âMy name is Jacqueline.â
âWhat do you mean something terrible could be happening?â
Jacqueline stopped halfway between a copse of trees. The overhanging moonlight shone against her face, bringing out the gold tones in her dark eyes and the heart-shaped beauty mark on her cheek. âWhat I said about the clock wasnât a lie.â
My first instinct was to yell at her again, something clever and grating that was sure to hurt. But then I remembered the conversation Iâd overheard earlier. âWhen I first eavesdropped on the comte,â I said, âhe mentioned Ãtienne was arrested on purpose because the comte wants your father to make him some clocks. Iâm not certain what any of that means, but if it has something to do with the clock he had in the caféââ
âMy father?â
I waved a hand. âYes. The comte said something like he will make the clocks for us now. I believe he in this case is a reference to your father, who is, in fact, alive, and has been informed of Ãtienneâs arrest. Though Iâm not sure why he hasnât done anything about it. My parents havenât done anything because theyâre cowards who only care about goats, but I would have thoughtââ
âMy father,â Jacqueline repeated. The words were quiet, as if they were meant for her ears alone. âHeâs alive. After all these years without contact. . . I wasnât certain. . .â She paused.
âYes, your father is alive. Iâve already said it once, would you like for me to say it again?â
âThen I was correct. The comte has one of my fatherâs clocks.â
I shot her an incredulous look. âWhat does any of that mean?â
Before she had the chance to answer, a womanâs scream rang out in the night. I whipped my head around and peered across the courtyard, searching for its origin. But the entrance to the opera house was empty, silent save for the music drifting through the walls. I turned back to Jacqueline to continue our conversation when a gunshot pierced through the symphony of stringed instruments.
A moment later, the music stopped.
âWhat was that?â I asked. âWhatâs happening?â
But Jacqueline was already sprinting across the courtyard. I ran after her, my fingers digging into the skin above my heart, as if that could somehow slow its panic.
When I reached the palace, Jacqueline had already thrown open the mahogany doors and entered the operaâs front hall. I tumbled in behind her, following her gaze. The doors to the amphitheater were flung wide, and courtiers spilled out of them in a blur of wigs and silk. In the commotion, a porcelain vase of roses crashed to the ground, and people trampled over the red petals, smearing them against the white marble floors like streaks of blood.
Jacquelineâs attention was fixed entirely on the frantic crowd. Her knuckles were white where she had them latched around her skirts.
âWhere is Renée?â I asked. The screams of distressed aristos soared through the hall, devouring my words in their path. âWhere is Renée?â I repeated, louder this time.
âWhat?â Jacqueline asked. She, too, was shouting.
âRenée! You said she went to fetch help earlier. Where did she go?â
Jacqueline snapped her head back to the crowd. But this time, she wasnât simply looking at the opera attendees with a sense of shocked curiosity. Her brown eyes were moving in rapid motions from one person to the next. As if searching for Renée.
I shoved my way in next to her, my shoes skidding against the polished floors. My heart was beating so hard, I could taste it in my throat. âWhere is my sister?â
âShe went into the amphitheater to find someone to help you. Sheâsââ Jacquelineâs words cut off with a gasp. âSheâs over there.â
With a shaking finger, Jacqueline pointed to the parterre. There, among the mass of courtiers, Renée ran with swaths of pink satin clutched in her fists. My eyes flicked back to the crowd, to where a single man stood, watching. It was the same man Iâd seen in the opera caféâthe one with a scar running up his arm.
Only now, he held a pistol.
And it was aimed at the crowd