âSo, you didnât get any footage from Thame yesterday?â Mick asked, glaring at Po from across his desk. Po could only lower his head, bracing himself for the scolding.
âNo, I didnât.â
âYouâre making me look bad, you know that?â Mick sighed loudly. âI hired you because I thought you could get the job done, but this? Thame is leaving for Korea soon! If we donât get the footage now, what are we going to use for the documentary? Can you imagine how disappointed Khun Pemika will be?â Mick continued ranting before finishing with a sharp question. âWhatâs your excuse? You had Thameâs time, didnât you?â
âI⦠donât even know Thame yet. How could I get good footage from him?â
âOh, Po.â Mick leaned back in his chair, exasperated. âYou donât need to know someone like Thame to get good footage. He knows exactly what to do and what not to do, what to say and what not to say. For instance, yesterday, when you handed him the wrong water bottle, he knew not to take it.â
âHuh?â Po blinked, confused and startled that Mick had noticed despite seemingly being asleep. But what surprised him even more was Mickâs explanation.
âHe refused it because he canât be seen with other brands. Thame is a brand ambassador for a mineral water company. He can only hold or drink their product.â
âI thought he was just being difficult.â
âThame?â Mick laughed quietly. âHeâs just a kid whoâs highly professional.
Thatâs why I said youâd get the footage you want from himâword-perfect âeven without knowing him at all.â
âSo⦠everything Thame says in interviewsâ¦â
âIf it wasnât me writing the script, it was Ming or Tae.â
Po blinked, realization dawning. No wonder Thame had said there was no need to know his real thoughts or personality when it came to work.
â
Clang! A can of soda fell from the vending machine in the break area on the 19th floor of Winner Entertainment.
Poâs thoughts wandered to the contrasting images of Thame he had seen:
the seemingly arrogant, untouchable Thame backstage, commanding a team of staff and standing apart from his bandmates, and the vulnerable Thame on the rooftop, crying silently to the sound of his friendsâ laughter and saying, âDonât you think the person who has to leave feels pain too?â
Determined, Po returned to his department and asked Ming and Tae for old footage of Mars, claiming it was for the documentary. Without questioning him, they handed over what he needed.
Po spent the time before his next meeting with Thame poring over the early days of Mars. He wanted to uncover the person Thame used to be, before the endorsements, the companyâs pressures, and the overwhelming responsibilities. He watched Thameâs interactions with his bandmates, his raw, unguarded moments, and saw glimpses of the house they all once shared.
Curious, Po asked Ming and Tae about the bandâs old dorm. They gave him the keys, saying no one stayed there anymore, but he could go to capture footage of the space. Po decided to visit.
â
The Mars dorm was a two-story house about twenty minutes from the company. It had a living room, a kitchen, and a small garden space used for parties or filming. Upstairs were the bedroomsâone shared by Thame and Dylan, and the other shared by Jun, Pepper, and Nano.
Po carefully examined the living room, finding old Mars albums, fan lightsticks, fan art, and a small orange tree with handwritten wishes hanging from its branches.
He called Baifern for advice, asking if there was anything specific he should look for to understand Mars better. Baifern mentioned a shared diary the band members used to pass around, especially during their trainee days when their phones were confiscated, and they trained relentlessly.
Po found the diary on a bookshelf. Inside were handwritten messages from all five membersâcomplaints about dance instructors, hunger, words of encouragement, doodles, and promises to stay together. The entries became increasingly bittersweet, with notes about missing Thame, who no longer returned to the dorm due to his demanding schedule. The last page was a drawing of the Mars logo, crossed out and replaced with the words âThame and Friends.â
â
Applause filled the room as Thame finished the final take of a commercial shoot.
âThank you, everyone,â he said politely, bowing to the team before heading to the dressing room to change. A staff member reminded him that he needed to finish the documentary interview he had missed the previous day.
Thame nodded, keeping his thoughts to himself but recalling the rooftop conversation with Po the night before.
He found it strange that Po had stood out at the Winner Hall event, not because of what he did, but because of what he didnât do. Po had lowered his camera during a critical moment, as if believing his own eyes were more important than the lens. Thame thought such a person might be able to capture the genuine essence of his friends in a way no one else could.
After changing into something more comfortable, Thame asked where he needed to meet Po.
Thame entered the practice room on time, finding Po already setting up his camera.
âAbout last nightâ¦â Thame began, but Po quickly interjected.
âSorry for saying something weird. When I said I wanted to know you outside of work, I didnât mean anything strange.â
âWhat do you mean by âstrangeâ?â Thame asked, raising an eyebrow.
âI just meant⦠when you said leaving hurts, I wanted to understand how it hurts.â
âOh.â
âIf youâre comfortable sharing,â Po added cautiously.
Thame paused for a moment before deflecting. âShould we start the interview?â
âUh⦠sure,â Po replied, positioning himself behind the camera. âLetâs start with a question about your bandmates. Could you talk about them?â
âIâll start with Nano, our youngest,â Thame said, smiling faintly at the camera. âAlways cheerful and bright. Stay that way, okay? And eat more so you can grow strong. Pepper, I hope you succeed as a hostâitâs what youâve wanted for so long, and youâre amazing at it. Dylan, youâll write so many incredible songs. Every song you compose is brilliant. I know youâll be a famous producer one day. And Jun, acting might be a tough road, but with your dedication, youâll go far.â
âHold on a second,â Po interrupted, pausing the recording. Thame looked up, puzzled.
âDid I say something wrong?â
âNo, itâs just⦠youâre sticking to the script too much.â
âDo you want me to improvise?â
âNo, I justâ¦â Po hesitated. âI donât know what you really feel.â
Thame fell silent, his gaze fixed on Po. âIf I donât follow the script, itâll only cause trouble for you.â
âThameâ¦â Po frowned. âDoesnât all this trouble you? Everything youâre doing?â
Thame stiffened, taken aback by the question. No one had ever asked him that before.
âCanât we just get this done?â Thame said, his voice strained. It wasnât anger but a mix of confusion and emotions long buried.
âBut Iâm making a documentary,â Po said firmly. âDocumentaries need truth.â
âYou work for Winner. Truth isnât what they want.â
âAnd you? Donât you want to be honest with your friends? Donât you want them to know how much it hurts you to leave? None of these scripts say anything about your pain. They only talk about how this is the right decision, how everyoneâs happy. But the truth is, youâre hurting.â
âAnd whatâs the point of saying that?â Thame countered, his voice trembling. âWhat will it change? If saying it meant I didnât have to go, Iâd say it. But it doesnât.â
âDo you not want to go?â Po asked softly.
Thameâs voice wavered. âNo⦠I donât.â
TO BE CONTINUED.