Born, Darkly: Chapter 24
Born, Darkly (Darkly, Madly Duet Book 1)
To break a person of their will, you have to break their hold on life itself. London knows this all too well. She employs this very tactic with her patients. Gradually stripping them of all hope.
Hope.
Itâs hope that gives a person the strength to fight, to persevere, to overcome. To live. Take their hope away, and youâre left with a perfectly pliable, shell of a person to mold and shape. I donât have to agree with the psychology of it to appreciate the process, the structure. Itâs brilliant.
You could say it appeals to the welder in me, and the puzzler. I enjoy the building part more than the tearing down, and thatâs why London and I are a perfect match.
Together, weâre complete. Weâre whole.
All these years, Iâve been missing an important aspect of the process. Torture isnât enough. Physical pain isnât enough. Itâs the psychological elementâthe total mental destructionâthat breaks a person. Like a twig, when the mind is bent to the snapping point, the slightest outside pressure will break it clean through.
I admit this is a recent revelation. Iâm prone to stick with what I know, the tried and true methods of my craft. In her presence, Iâm lacking. But I hope sheâll come to appreciate my methods just as I admire hers.
I turn the key, locking the cell door, then pocket my key ring. London is curled into a ball in the middle of the room, looking beaten, defeated. But I know better. Sheâs dressed in one of my T-shirts and a pair of my sweats. Sheâs disheveled and beautiful.
I didnât build this dungeon for herâI built it with the idea that one day it would serve a purpose. Which proves how fortuitous we are. A twisted design by fate itself.
Itâs perfect.
âDid your father have a light?â I ask her. I relight the candle that went out during our struggle to put her in the cage.
âDid you make this cell for me?â she counters. âHow long have you been planning to take me?â
I lower into a crouch and slide a plate of food under the bar. Spaghetti and two pain pills. âTake them sparingly.â Itâs not the freshest meal, but not too much else can be kept for long without spoiling.
âAnswer me.â
âBelieve it or not, London. Not everything is a conspiracy against you. Thatâs the paranoia kicking in.â I tap my temple. âI welded this jail because Iâm a welder. Itâs what I do. I spent time here myself, staring at the bars, getting accustomed to them.â I run my hand along the cold iron. âI spent a year incarcerated in solitary confinement. I can be a very patient man. Iâll wait for you for as long as it takes.â
She sits up, brushes her hair out of her face. âCan you at least tell me where we are.â
âThatâs not what youâre really asking. Our location serves you no purpose.â I sit, making myself comfortable across from her. âYouâre asking how likely is the chance that the authorities will find you. This house isnât in my name. Technically, it doesnât belong to me or anyone that can be connected to me. It will be a while before youâre found.â
A spark of hope ignites in her dark eyes.
Iâve given her just enough to keep going. Sheâll need that tiny flicker of hope to survive her dungeon.
âI have to get rid of the car.â I stand and brush down my jeans. Itâs liberating to be out of the orange jumpsuit. âI canât risk it being spotted. That would be irresponsible.â
âDonât leave me.â
Her voice is small and fragile. She looks almost helpless on the floor, surrounded by wrought-iron bars. She looks lost.
Another of her sins: deceit. Sheâs mastered the art of duplicity. In order to fool others, she has to live the lies. As a narcissist, she even believes them. The structure of her world depends on her falsehoods. When Londonâs truly at her breaking point, only then will the dam give, and the truth rush free.
I donât have an infinite amount of time with her, however. Iâm not deluded enough to think that this wonât fail absolutely. Her mind is her strongest attribute. And again, thatâs her specialty, not mine. She needs a push.
Bracing my hands on the bars, I say, âItâs strange what impacts us. What defines us. People donât remember the good. They remember what guts them.â
She gets to her knees. Keeping herself beneath me, giving me the assumption of power. Sheâs an expert. I smile.
âIâve been gutted, Grayson. My life is no fairytale. The punishment youâre inflicting on meâ¦Iâve already suffered. Any sins I may have committed throughout my life, I have paid for them already.â
âHave you.â
She squints at me. âYou know I have.â
I press my forehead to the bars. âYour patients suffered, too. Granted, they were sick individuals. Where weâve been able to channel our sickness, control our compulsions and hide in plain sight, theyâre not as talented. They lack impulse control. But thatâs where the good doctor comes in.â I smile at her. âYou are the best in your field.â
She gets to her feet. âGo to hell.â
I laugh. âWhich one?â
A disgusted expression tugs her features into a scowl. âI strove to help my patients despite a world that would see them executed, exterminated. Like vermin.â She clears her hair from her eyes. âAs rehabilitation became more and more unlikely, I still fought for my patients.â
âYou have a bit of Florence Nightingale about you, donât you? You fall a little in love with all your patientsâthat give and take, sacrifice and consume, like a lovesick couple. Except for you, itâs all about the take.â
She regards me cautiously. âWhat are you talking about?â
âYouâre an artist, London. Your practice is like a dance. A bloody ballet where you warp and break the minds of your patients like a dancerâs body. You devour their gifts, and when theyâre used up and broken, you discard them to the nearest insane asylum.â
She stands still, her eyes gauging me. Sheâs not the prey; sheâs the hunter. âYouâve fabricated a very rich story for me, Grayson. None of which is real.â
I cock my head. âWhen did the headaches start?â
The confused draw of her eyebrows is her only response.
âI bet theyâve been happening more frequently lately. Becoming more painful, lasting longer.â
âIâve worked harder this year than at any other point in my career. Of course Iâm going to suffer physically for that.â
âYou sure have been working hard. What about Thom Mercer?â
She shakes her head. âWhat about Thom?â
âBeing inside prison, you meet a lot of unsavory types. A lot of whom were your patients. Thom was a very disturbed individual. The things he saidâ¦â I tsk. âIf you hadnât already destroyed him, he mayâve ended up as one of mine.â
âWhat the hell are you talking about? Thom Mercer was committed to Cotsworthâs psychiatric ward as a functionally medicated schizophrenic. He was one of my most acclaimed case studies.â
âWho hung himself with his bed sheet.â
Her face pales in shock. âWhy are you doing this. Why are you lying?â
âCome on. Is lying a part of my disorder?â
She looks away, paces the cell. âNo, but creating an elaborate disaster is. I wonât fall victim to this. I wonât become your next disaster.â
âOh, London.â I love the way her name tastes; like fresh lilacs. âWhy do you think I was so tempted from the start? You came to me as a beautiful disaster already.â
She rushes the cage. Like a wild animal, she grips the bars and throws her body into a violent fit to rattle her prison. I stand unmoved on the other side. The bars donât give. âFuck you. Fuck youââ She says it over and over, a breathy chant falling from her lips.
Breathing heavy, she sags against the iron, her grasp on the bars barely keeping her upright. I rest my hands over hers. âThereâs only one way out,â I say. âYouâre smart enough to figure out how.â
Her gaze latches on to me. âDid beforeâbetween usâmean anything to you?â
I press my mouth to her fingers, inhale her scent. âIt meant everything.â
âThen you canât do this, Grayson. Youâre confusedâ¦you think this is love? Disempathetic types donât torture their loved ones. You should be protecting me from your illness, not inflicting it on me.â
A laugh bursts free. âBut thatâs a myth, right?â
Her brows crease together. âAnd Iâm a liar, right?â
I reach through the bars and grasp the back of her head, dragging her to me so I can taste her. I linger there, just feeling her breaths pulse against me, before I release her. âBecause I do love you, Iâll give you what Iâve never given anyone before.â Her eyes widen as I back away from the cage. She clings to her hope, waiting to hear the word freedom. But I canât grant her that. Itâs solely within her power to be set free.
âHereâs your one hint, London,â I say, and pick up the candle. âThink of this as your confessional. What Dr. Mary Jenkins was too proud, too vain to admit, you can divulge in secret. Only the cage to hear your whispers.â
A hysterical laugh springs from her mouth. âAnd a camcorder, right?â Through with pacing, she settles next to her dish and stares at the food. âIâm not like Dr. Jenkins. I didnât lobotomize my patients.â
âNo, you didnât. That wouldâve been too obvious. Youâre smarter than that. Better at impulse control. But yet, here you are, just like the others, caught in a web of your own design.â I move toward the door. âTime to admit to your sins, London. You tortured your patients. You shredded their minds. You played God, trying to find a cure for yourself. Once you can admit that, then the cell door will open.â
She looks up from the plate. âThis is what you want me to confess?â
âYes.â
She lifts her hands in surrender. âFine. I confess it. Now open the fucking door.â
I pause in the doorway. âYou know itâs not that simple, love.â
Itâs fleeting, but for a second, panic slips across her face. Sheâs about to be abandoned. In a cage like her father kept his girls. She claws at her clothes, searching for a loose thread, her hair in tumbled disarray. Wild and frantic. âI want to see Thom Mercerâs file,â she says.
I rub the back of my neck. âThatâs a hard demand to meet out hereââ
âI want to see it,â she snaps.
I exhale heavily. âIâll make it happen.â Then I turn to leave.
âNo,â she says, halting me just outside the door. âMy father didnât allow light in his basement. He held them in the dark.â
I keep her gaze. I promised to set her free, and I will. Set her free of the pain, and her crippling humanity. But first she has to face the dark. Even she knows this.
From the very beginning, people have divided good and evil. Two beings fighting for dominance. I donât believe in divine beings. Life is simpler than that. Weâre our own gods and devils. Capable of the vilest evil and of the holiest righteousness. We make our own rules, and create our own heavens and hells.
We choose them every day.
I douse the flame and close the door, shutting out the light. Leaving London to war with her demons in her personal hell.