Chapter 28: ’69 - Nice!
The Prior
Someone is carrying me. And they are running. My eyes fly open, only able to see Elliotâs clenched jaw. He doesnât look down at me, instead alternates between looking ahead and looking behind him. Wind brushes against my skin and Elliot speaks to someone.
âMax!â he shrieks before finally looking down at me.
âWhat is going on?â I ask.
He pants, glancing back behind us once more, âNo time to explain. If I put you down, run for your fucking life.â
I start to reply, but he throws me onto my feet. I feel fallen leaves slipping underneath my feet. Iâm wearing the worst possible shoes for this. Elliot is already yards ahead of me, so I donât have time to take them off. These giant clunky boots could not be worse. To my left, Max catches up running for his life.
âWhat the fuck is going on?â I shout.
He glances back, so I do too. A blur of dark clothing is sprinting miles back. Max coughs, which slows him down a little. Elliot is still fairly far ahead of us. Real nice to leave us behind.
âRun from that person!â Is all Max musters out between pants. Elliot disappears suddenly, turning to his left. Once Max and I reach the same distance in the trees, I catch up with him. The end of a cliff appears rapidly. My feet fall from underneath me and I land on my butt, barley saved from falling off the cliff. My leg dangles off the edge barley. Max stumbles, but stops too.
Suddenly, something yanks my leg and pulls me to the edge. My finger sink into the dirt, but the soil is soft. Instead of clutching the ground, I end up dragging a handful of dirt. I shriek a bit and Max reacts quickly, in an attempt to catch me. Last minute, I drop my handful of dirt and bear-hug Maxâs right calf. The force that yanks me down is stronger than Max.
Max accidentally elbows me on the way down. Iâm certain weâre dead. I squeeze my eyes closed, prepared for the deadly impact of the ground. For a moment, I canât breathe. The ground riffles through my back.
âCassidy. Max,â Elliot murmurs. I open my eyes, Elliot smiles at me.
I try to sit up, still breathless, âAre we dead?â he laughts and shakes his head.
âNo, Cassidy,â he tossles my hair, âGot the wind knocked out of you?â
I nod at him and sit up, looking around. The three of us sit on a platform, just below the edge of the cliff. It over looks a large forest. Max rubs the back of his head.
âCan we talk about whatâs going on now? Who was that? Where are we?â I ask. Elliot glances at Max, who still stares blankly.
Without breaking his stare, Max says âWe fucked up. Thatâs what happened.â
Elliot runs his fingers across the stubble on his face, âYeah, we fucked up.â I stare at him, unenthused. He nods and turns back to me, âLast time, we ruined the recorder, right? Well, the Congressionalists figured out that we were up to no good and sent a soldier to kill me and whip yâall back into shape.â
âOh, great!â I sigh. Max bites one of his finger nails. I turn back to Elliot, âWhere are we?â
âThe UK,â he says.
Max yanks out a paper from his pocket, âI woke up, first, with this.â I take the paper from him.
âOh. My. God,â I mutter. Max nods, silently. Elliotâs now sitting down on the ground too, with his knees tucked into his arms. His brows are furrowed.
âSo, they donât suspect that we turned you?â I ask.
âGuess not,â Max mutters.
âWhat are we going to do?â Elliot asks. I shrug.
Max sighs, âWe canât run forever. Theyâre going to find us, eventually.â
Elliot rises to his feet. I look up at him. âI just need to turn myself in,â he mutters. I furrow my brow, trying to show some kind of discontempt.
âNo!â Max blurts, âTheyâll kill you.â
He nods, making eye contact with me. âWhat choice do we have?â he asks, âWe canât run forever. Weâre stuck in the 1900s. Let them kill me, then at least you guys can get home.â
Max scoffs, âYeah, that works real great until Cass and I continue to defy every order new solider gives us and then they kill us too. We have to stick together.â Max is right. We need each other. There must be some other way. Right?
âCassidyâs scheming,â Elliot says, looking back at Max.
I nod, âI am scheming. I have a scheme, actually.â Max raises an eyebrow. Elliot squats back down, making eye contact with me. âWe need to stick together, but in order to do that we need to separate. Max and I can find the new guy. Get him on side. If he sees you, Elliot, heâll kill you on the spot. But, if Max and I can talk or threaten him alone, then we have better odds.â
Max grins at me, but Elliot seems unsure.
âWe donât know that thereâs only one solider. What if we separate and someone else comes to kill me? I think that is risky. I also donât think they would kill me in front of you two, right? I like the plan except for the splitting up aspect,â he elaborates. I teeter the idea in my mind.
âCompromise. You stay with us, but from a distance. You get somewhere that you can easily run, if needed, but stay close enough to have our protection,â I suggest. Max gives me a thumbs up, which makes me roll my eyes.
âFine,â Elliot mutters. We all take a five minute break before hiking back up the mountain, waiting for our new solider target.
âWe have to remember that he probably has a recorder. We take it before we say anything that could make us look guilty,â I remind. Max nods.
A crunch from ahead of us alerts me that weâre not alone. Blue fabric flashes, just for a split second, from behind the tree. Gotcha. I raise a finger to the boys and take off running to the tree. The figure is smaller than expected. Iâm almost startled when I realize what I see.
. My jaw hangs open as I freeze in place. This just got a lot harder.
She smirks at me, âCassidy. What a treat!â
I hold my breath, âHi. Do I know you?â
Her smirk widens into a full smile, âNo, but I know you. My nameâs Donna, your new solider. Max told you about the letter we left him, right?â
âHe did. I actually was wondering if I could talk to you, alone, for a bit,â I whisper. She scans me, but nods.
We find a quiet landing, I see Elliot and Max loitering a decent distance away. She leans against a tree.
âWhat would you like to discuss, Cassidy?â she asks. The way her lips curl, when saying my name, nauseate me.
âDonât call me that. Cass is fine,â I scoff.
She half rolls her eyes, âOkay, Cass.â
âI have significant interest in learning what terrorist group Elliot has joined. Max and I find it very offputting that youâve marched your way in here claiming to be some special solider and havenât given a valid reason to remove Elliot,â I spit.
âI understand that you and Elliot have engaged in a relationship of some kind. Albeit, sexually, do you think the relationship may have blinded you from Elliotâs participation in terrorist activities?â she counters. I dig the heal of my shoe into the dirt.
âNo. I do not think so. You seem to be ignoring the part where I told you that Max agreed. Max and Elliot have historically not gotten along. I see no reason that Max would stick up for Elliot, if it was not the right thing to do. So, I am waiting for you to give me a reason,â I say flatly.
She swallows, hard for a moment, âOkay. Look, Cass, I donât know what you think Iâm here to do, but Iâm here to move the missions along. The last several have failed. I am getting you and Max back on track. I am making sure that no one else dies the way that Belle did.â I analyze her outfit. Where would the recorder be? My eyes had been trained to look into Elliotâs suit and pants pockets, but Donna wears a skirt. Where would it be in a skirt? A garter, maybe?
I cut her off there, âYou do not get to talk about⦠or Belleâs death to your advantage. You were not there that day. You do not know what happened. Pick something else.â
âYouâre making this much more difficult than it needs to be, Cass. Iâm starting to sense that Elliot may have converted you to his terrorist ways. Is that the case, Cass? If so, I have a way to deal with both of you,â she threatens. Her leg is pressed to the tree. A small gush of wind reveals the outline of something. A box in a garter. I signal to Max that I need help.
He creeps up from behind Donna. His eyebrows raise as he approaches her. I pretend to itch my leg, hopefully clueing Max to grab the recorder there. He takes the hint, but tries to ask me a question. I have to stall the conversation.
âIâm sensing jealousy or maybe overconfidence,â I say with a laugh, âYou know I run this team and youâre worried, arenât you? Iâm not trying to be difficult or fight you. Iâm simply looking for a reason that I should trust you over someone whoâs stayed loyal to me for this entire mission. Give me one good reason and I am all yours. The threats wonât work on me, darling.â I crack my knuckles, giving Max and discrete thumbs up, a yes, for his question. He leaps around the tree, just as Donna begins to answer my question. He skims her leg, yanking the garter and whatever was attached to it, immediately. The garter falls, rung around her ankle. The recorder flops on ground, which I scurry over to scoop up. I nab it before she realizes whatâs happening. Elliotâs shifted to my left.
âGo long!â I shout, chucking the recorder as hard as I can toward him. Max already has a knife pinned to her neck. And, suddenly, thereâs fear in her eyes. My heart still low in my chest, I smile.
âOkay, bitch, hereâs how itâs gonna go. Youâre listening to me, then you can ask questions, then you can make a decision: participate or die, mkay?â I say. She nods, quietly. A little too quietly. Sheâs scheming. I know that face. I pull out my gun. Max catches sight of it and tightens his grasp on her shoulders. âSit down!â I order. She scoots down the tree. Max is able to rotate around the tree and keep her down more effectively. Sheâs still scheming. We cannot trust her. I try to read Maxâs face, but something heâs gotten particularly good at recently is his poker face. I have no idea what he is thinking.
Donna still smirks, acting unphased by Maxâs knife and my gun, âArenât you gonna talk?â
I roll my eyes, âI actually have some questions for you first.â
âMight not answer âem, but go ahead,â she scoffs. Max shoots me a look of uncertainty. They picked her well. She shouldâve been their choice to begin with. Much stronger than Elliot. No shot that I wouldâve turned her orginally.
âWho do you work for?â
âSo generic. The CIA. Move on,â she spits.
âYeah, I donât think so, Donna. Try again,â I counter. Max tightens his grip on her shoulder. She must be squirming. Her left hand barley twitches, just enough reason for me to justify a restraint. I rush towards her and tighten my hand around her wrist. I shove her onto her stomach, Max taking her right hand. He removes his tie and I fasten it tightly around her wrists. âStay on your stomach and answer the question.â
She grunts, âThe. C. I. A., what the fuck did Elliot do to you two?â Max holds her neck down, her face flat against the dirt.
âYou really believe that? You really think you work for the CIA? âCause I know you donât. New question. Were you aware that you work for the Congressionalists? Or did they lie to you too?â I ask, as she tenses up under the dirt.
Through a grit in her teeth, she says, âDonât spew that bullshit that Elliot taught you. I work for the CIA.â
I shake my head at Max, who pipes in, âNo, you donât. They lied to you. Itâs a terrorist organization. What happened? They promised you that you were CIA material just months after you started at the FBI? And what, officially trained you, never giving you official paperwork? âCause thatâs what happened to Elliot.â
She squirms a bit, âWho told you that? Youâve clearly been brainwashed. I work for the CIA.â
I make eye contact with Max, âSit her up.â he helps me lean her back against the tree, she glares at me.
âYou think sheâs being truthful?â Max questions. I give him a soft nod. She glances at me. For the first time, I see a tinge of fear in her eyes.
âYou donât work for this CIA. And, I know thatâs the truth, because I work for the CIA,â I explain.
She clenches her jaw, âThey told me you were a diplomat.â
âYou really think a diplomat wouldâve tied you down to a tree like this?â Max butts in. I canât help but chuckly, lightly, at his dig. She chews on her lip, looking at me.
âA terrorist group, called the Congressionalists, recruited Elliot and you by lying and pretending to be a branch of the CIA. They recruited loyal, well-trained agents from the FBI and convinced them to participate in this mission. Meanwhile, the actual CIA, whom Iâve worked for for 2 years placed me undercover to infiltrated the Congressionalists,â I continue.
She shakes her head, âThatâs not true. None of it. Let me go!â she violently shakes from her restraints.
âIt is true,â A voice booms from behind me. I turn my head to look at the speaker, Elliot. I glance over at him. He walks towards us, making eye contact with Donna. She holds her breath, staring right at Elliot. Iâm nervous about him being so close. We havenât turned her yet. I see her hard swallow.
Her eyes widen as he comes closer, âElliot, it is you after all,â she mutters. Elliot grazes my back with his hand before approaching even closer. He squats down to Donnaâs level.
âStill think weâre all brain washed? Or do you trust it from my familiar face?â he asks. She furrows her brow, looking sad almost. How does he know her? I glance at Max, who still keeps her pinned to the tree. He shrugs at me.
She releases the breath sheâs been holding, quietly. Her face softens, âHow are you doing now?â
âDonna, Iâm actually doing really great. You know, other than the whole Congressionalist thing. Howâs that West Coast thing treating you?,â he says, smiling wide. Are they friends? Old FBI partners?
She blushes a bit, âDidnât work out. Ended back up in Virginia at Quantico a couple months ago. I guess we couldâve worked things out, after all.â My stomach drops. Donna. That Donna. Ex-girlfriend Donna. I catch that Elliotâs still smiling which makes me even more nauseous. Max makes eye contact with me. I can tell from his face that he looks concerned.
âWhatâs wrong?â Max mouths, quietly. I just shake my head, paying special attention to Elliot and Donnaâs conversation. Sweat dampens my entire body. My hands are clammy.
âMaybe we wouldâve,â he mutters, before nervously glancing back at me. That makes my stomach wreck. Some kind of heartburn fluid floods into my mouth. Gross. He turns back to her, âToo bad time travelâs not real.â
She laughs and nods at him. âSo, you going to tell your goons to untie me or no?â her smile makes her face extra punchable. He shakes his head.
âI donât run this pack. You shouldâve gathered that by now. Cassidy?â he asks.
The blood rushes back into face and my vision focuses, as if waking up from a dream. I glance at Max, who only waits for my response.
âNo, I actually had a few more questions,â I say.
She squints at me, âYou donât trust me yet?â she looks at Elliot as a plea for help.
âShe doesnât trust you, I donât trust you,â Elliot says, still chuckling. He obviously does trust her, which only makes me trust her even less.
I stretch my arms, âDonna, now that youâve learned that youâve been fooled, tricked, whatever you want to call it, whatâs your plan? I untie you, and then whatâs the next thing you do?â
She glances at Elliot, but he keeps his eyes on Max. Turning back to me, she answers, âWell, I⦠I would probably let Elliot look at the papers they give me to see if they mean anything. Then, Iâd probably find a way to go home. Leave this shitshow for you three.â
I nod, semi-agreeing with her plan. I turn to Elliot.
âTake all her weapons. She can earn them back,â I say. He nods at my command and starts patting her down at the ankles. I watch as his hands crawl up near her upper thighs. He takes two knives out of her left pocket. And, from her right, several pieces of paper and a canister of lipstick, which I assume is just a discrete tazer. He continues up her stomach, his hands grazing each rib. His hand slips up her shirt, removing a mid-waist holster. He returns to patting above the fabric of her blouse, avoiding her breasts. She laughs a little.
âGo ahead and pat down my breasts, Elliot. You act like youâve never fucked me before,â she says bluntly, making hard eye contact with me. A wave of jealousy runs up my body, hard enough to take my breath. Elliot goes red in the face. Maxâs jaw hangs open. Max mouths something at me, but I just look towards the sky. Elliot instructs Max to roll her over onto her stomach, where Elliot begins to pat down process all over again. She continues to laugh, âYeah! Grab that ass just like you used to.â I grit my teeth, reminding myself that sheâs only saying these things to get under my skin. He hurriedly clears two final items â a can of pepper spray and a few rounds of ammo from her back pockets. My only relief is that this pat down was evidently necessary. His face is still flushed in red. Max bites his lip, as if to contain his laughter. I almost see a hint of a smile under his cheeks.
âClear?â I ask, eyeing the pile of removed items. Elliot nods at me. I instruct Max to untie her. She pops up, onto her feet. She reaches down for the letter, but Max stops her.
He takes the letter from the ground, âAllow me.â
âI got more questions,â I spit.
Donna toughens up her stance, âHit me.â
I take the letter from Max, glancing over the lines myelf. âSo, when it says here that you were to take care of Elliot, what did that entail?â
She takes a couple steps over to Elliot and pats him on the back, âSupposed to kill him.â he takes a step away from her. âIâm not going to actually do it, you donât have to step away from me, Ell.â he winces at the pet name, but doesnât stand up to her. Itâs starting to make me angry.
âOkay. And, to make it clear, we are not listening to you. Youâll be listening to us,â I state. She rolls her eyes, which only makes me stare at her.
âTalk about a bitch,â she mutters.
Elliot lets out a massive scoff, âYou donât talk to her like that, okay?â he says, sternly. She seems almost taken aback.
âWow, look at you being defensive. Turns me on,â she rasps. I notice Elliotâs hands are balled into fists. His knuckles are white from the tension. He seems ready to explode at her, but gives me a look first, requesting my approval. I shake my head, no.
âCan you not take a hint? Heâs not interested, Jesus Christ,â Max jumps in, almost as fired up as Elliot is. I give Max a quiet thumbs up behind my back. Donna rolls her eyes, but stays quiet.
I clear my throat to give everyoneâs attention. As I glance at the last item on the paper, I ask her to define the âgoals.â
âWell, they werenât super specific, but they want you guys to be subordinate, which obviously Cass over here isnât capable of. They didnât mention specifics, just to have you on good terms with the CIA upon ending the missions,â Donna explains. I think itâs too vague. There has to be more to the story, but Iâm done bothering with her.
I flip to the second page, which Max didnât read outloud. Itâs just a repeat of the remaining missions.
âThis is a joke, right?â I stutter, reading our current mission. The other three look at me, silently. âOur mission is to prevent the Beatles from breaking up. What does that have to do with anything?â
Max giggles a little, âI love the Beatles!â
âYeah, but what does that have to do with the Congressionalists?â Elliot asks.
I shrug, âOff we fucking go!â
We all march out of the woods, to discover that weâre in the U.K. in March. No wonder itâs so cold. We wander through town, looking for some kind of clue. Donna situates herself next to Elliot at all times. I trust him, though. And, I can tell heâs trying to stay near me. I find his shoulder pressed against mine way more frequently than normal. But, I donât trust her or her egotistical smirk. And that makes me anxious.
âSo, to be clear,â Donna says, âThe note says to prevent the Beatles from breaking up, but weâre not going to do that?â
âCorrect.â
âSo, what the hell are we doing here, then? In our timeline, they break up. Shouldnât we just fuck off?â Donna suggests. Irritation runs up my body.
I clear my throat, âSo, weâve changed a lot of history already. We simply cannot expect that the original timeline with play out if we donât interfere. So, we must step in and convince them to break up.â
Donna remains silent, turning her focus elsewhere. Max overhears a couple of girls talk about the Beatles. One says that she saw some people taking their equipment into the Apple Corps building a few minutes ago. Another gossips about an possible impromptu concert in a few hours. New mission: Figure out what time it currently is and where the hell this âApple Corpsâ is at. Itâs also ridiculously cold outside.
Elliot suggests that we stop at a local record store and ask for directions. The four of us wander into the shop, a thankful breath of warmth out of the cold. Donna waltzes up to the front counter and immediately speaks to the guy. I cringe at her horrible British accent attempt.
âForeigners, huh?â The counter employee says, with a laugh, âApple Corps is two blocks north and five blocks west. You got tickets?â Donna glances back at us, but I merely roll my eyes at her.
Max jumps into the conversation, âNo, we donât. Didnât know we needed any. Think we can still get in?â The man at the counter raises a finger before crouching under the counter. I inhale nervously. Elliotâs hand reaches for mine. I let him graze my wrist before taking a step to the side. His facial expression falls into drooped, sad eyes. He nods quietly, just as the counter guy pops up.
âTheyâve been sold out for hours. We had someone waiting in the box office line for 3 full days. But, youâre in luck. Iâve got 4 general admission tickets for a small mark up of 7 euros each,â he says, flashing just one ticket.
Donna beams from ear to ear, âOnly seven dollars each? We can do that!â I make eye contact with Max, who chuckles.
âGive us a few minutes to get enough?â Elliot asks. The employee nods, but threatens that heâll only hold them for 30 minutes.
Donna turns to us, âNo one has like thirty bucks?â The other three of us glance around at each other. Finally, Max cracks into a laugh, prompting Elliot and I to snicker too. âYou are that broke?â she picks.
âYou got thirty euros?â I ask. She shakes her head.
âI mean, itâs not that much. Iâm sure if we panhandle enough we can make that in like 15 minutes,â she suggests. Elliot sighs, one more time.
âNow, I donât know the Euros conversion, but itâs 1969. Thirty dollars in 1969 is at least $200 adjusted for inflation. Not to mention itâs in Euros, which have always been worth more than US Dollars. Iâm guessing weâre not going to just panhandle and end up with three-fucking-hundred dollars in 15 minutes, are we?â he snaps. Max gives him a subtle fist bump from behind.
I glance over to a haggle of well-dressed college-aged men standing on the street corner, smoking. An idea.
âI got a suggestion, but, youâre not going to like it,â I say, pointing at Elliot, âAnd youâre really not going to like it,â I add, pointing at Donna. All three of them raise their eyebrows at me.
âSee those men over there? I think that they are fairly wealthy, based on their clothing. Donna, you and I can go over and chat with them. Ask for $30 in exchange forâ¦.â I start before Elliot cuts me off.
âNo, no, no. You are not doing that,â he shakes his head, âWhat if you get some kind of disease?â
I glance at him, âHow did you think I was going to finish that sentence? Iâm not a fucking prostitute,â I mutter, âI think we should ask two of them to take us to the concert. Donna and I will hang out with them for the next few hours before the concert. I promise, weâll keep things above the level of a prostitute, Elliot. Then, on the way in, you two can mug them for their tickets and let us keep ours.â
He makes burning eye contact with me, but nods. Max encourages us to have fun, so Donna and I set off to the group of young men. She doesnât speak a word to me as we cross the street. One of the men glances up at us. I decide that heâll be my personal target. As we step onto the sidewalk, he smirks at me, briefly.
âWant a smoke?â he asks us, the man next to him already making googly eyes at Donna. The other man extends her a cigarette, but she waves it away.
âOh, Iâve never smoked before!â she says, innocently. I roll my eyes and take the first manâs cigarette. He raises an eyebrow, surprised that Iâm taking it. I press it to my lips, as he laughs.
âSo, you do smoke. Not so common to see a lady do,â he flirts.
I exhale, rolling my eyes, âEver see a lady do this?â I say, before inhaling more smoke, and puffing out a smoke ring. Havenât done that since high school. The ring floats upwards, as the man smiles.
âWhatâs your name anyway, Miss Free Spirit?â he asks. I debate my opportunity for a new name, but fear that Donna will spoil things.
âCassidy,â I say, secretly hoping heâll call me Elliotâs special name in front of him. Make him feel all the jealousy that I have been feeling.
âIâm Paul,â he says.
I smile, âLike the Beatle!â
He cocks his head, smiling, âBig Beatles fan, huh?â
I nod my head, âI am. We came all the way here from the US to see them live. No tickets yet, though.â
He drops his cigarette on the ground and puts it out with his foot. His hand extends to take mine, as he nods towards the left. I put out my cigarette and take his hand.
âIâve got something to show you,â he whispers, as he hurriedly takes me away from the sidewalk. I glance back to see Donna, looking at me confused. I turn back to Paul and keep walking with him. After maybe three blocks, I start to get worried. Were there any charming British serial killers named Paul in the 60s?
âWhere are we going?â I ask, trying to sound less terrified than I actually am.
He squeezes my hand, âIâm taking you to see the Beatles.â Definitely a serial killer, right? No way that heâs not. I glance to my left and see Elliot and Max drinking outside a pub. Please save me. Max and I meet eyes briefly. He smacks Elliotâs arm and they both fly out of their chairs. Meanwhile, Paul picks up speed and we are sprinting through London. I canât look back for the boys anymore, but I pray that theyâre running just as fast behind me.
Iâm jerked to the right, into an alleyway. Definitely getting murdered. I try to recall if my gun is in my left or right pocket. Instead of stabbing me, he pulls me up a fire escape. Is this worse? At the top of the fire escape he lets go of my hand. I think my heart stops. Surely Iâm getting pushed off or stabbed or shot in the next 30 seconds. I watch his hands slip around my waist.
He leans into me and presses his lips into mine. And there is way too much tongue. Really, any tongue from a stranger is too much. But, this is particularly bad. Even Elliot would get smacked if he used that much tongue. I feel like heâs trying to lick my esophogus. I cautiously pull away, acknowledging that he still has the full power to absolutely shove me off the fire escape.
âAre you excited?â he asks. I smile, a bit.
âYeah!â I say, still wildly confused. This has got to be some kind of horrible scam.
He turns to the brick building wall behind us, pushing himself up onto the railing of the fire escape. Just barely balancing on it, he stands up. His right arm stretches to grasp the top of the roof ledge. He slowly raises his body up to the top of the roof top, hoisting himself over the ledge. He disappears over the wall for a moment, before popping back onto his feet. Leaning down, he reaches for my arms.
âI got you,â he says, his British accent sultry. I climb onto the railing and take his hands. He pulls me onto the ledge. I land awkwardly on top of him. He runs his hands through my hair, smiling, âYou are the most beautiful woman I have ever met.â
I laugh and give him a gentle peck on the cheek. His hug is warm compared to the rooftopâs bitter wind. I stand up and look off the rooftop. Thereâs an amazing view from here. I glance down and see Elliot and Max on the street. Max points up at me, to which Elliot flips me off. I laugh, as Paul appears behind me.
âYou know that guy?â he asks.
I shake my head, âNot well. I think he might be jealous though. Met him in the airport on the way here.â
Paul puts his arm around me, âSee that building to your left? Apple Corps is there. I havenât heard anything about a concert there tonight. But, if there is one, like you say, weâll be able to hear it from here.â
I watch Elliot and Max walk around the corner. I wonder what happened to Donna. Actually, I donât wonder. I truly do not care. As Paul and I take in the view, he chats me up about other music. Which I was royally screwed for. I know absolutely nothing about 1960s music. I try to recall the music my older family members spoke about, but Iâm not left with much. He leads most of the conversation, going on and on about the music he likes. I shiver into his jacket as we wait and watch the concert.
âI want to meet them,â I say to him.
He nods, âYou might be able to jump over while theyâre playing. If theyâre inside, you go could in through the window there. Probably wonât be as many people watching once the show starts.â I smile at him. Four men walk out through the doors to the rooftop, next me. The Beatles. My jaw drops, as they each collect instruments and begin playing. The people on the street point and cheer. Soon, the rooftop is flooded with people.
After the cheering closes, they begin to play their first song. After turning to Paul and thanking him for getting me up here, I crawl onto the ledge. He wishes me well and asks if we can meet in the future. I tell him to find me tomorrow morning, but of course, I wonât be here then.
I fly over the gap and land uncomfortably on the concrete. I twinge of pain sores through the skin of my knee. I tilt my head over to look at my knee and see red, everywhere. My pale blue go-go boots are stained in red. Oh, god. I sit up for a moment and look at the rest of my body. The elbow of my wool jacket is ripped, but otherwise things are okay.
A man steps out from the curtain in front of me, coughing. I push myself up, onto my butt. I give an awkard smile as he looks in my direction, putting down the glass of water he walked back here to get.
âNeed some help up, love?â he asks. I make eye contact with him. The glasses on his face look just like John Lennonâs. And, so does his hair.
âAre you John Lennon?â I ask.
He laughs, âThat would be me.â I suddenly notice his extended hand. I hastily accept his help up. I canât help but stare at him: John Lennon, my grandmotherâs teenage crush, who died way before I was born. He tilts his head at me, âStarstruck?â
I blush, âA little.â
âHow did you get back here, anywho? And all scraped up like that, doll?â he inquires.
I glance down at my profusely bleeding knee, then back behind me to cement wall. I bite my lip, but decide to tell the truth. I admit to him that I hopped over the wall, quite ungracefullly. This makes him laugh, which I suppose is a better reaction than calling security.
âYou didnât need tickets? This was an impromptu event. You couldâve just walked up the stairs to get up here, like everyone else,â he says, laughing.
I shake my head, âFucking scammers.â
He cocks his head at me, âI donât know what that means.â
I cringe, and nod, âAmerican slang. Uh, for someone who lies to get money. Someone tried to sell me fake tickets to this show for a lot of money.â
âWell, Iâm glad you didnât pay. Maybe you should slip out to the crowd before anyone finds you back here,â he suggests. I inhale. This has to be the moment that I get us in.
I swallow, âI have a question first.â I see irritation on his face, but he allows me to ask the question, âI have very important information for you. Thatâs why I am here. I know that this is your last ever performance because youâre all going to break up. I know that youâre marrying Ono Yoko in 2 months. I know that youâll be murdered in your home in 1980, in New York City. Please, listen to me. I need to speak to all of you later. Meet me here, at the end of the show?â
Color drains from his face as he shakes his head, âLeave before I call someone to kick you out.â he hurries back onto stage, for which the crowd cheers. I slip out from behind the stage and merge into the crowd. The open wound on my knee stings. I feel a trace of sticky blood on my socks. I work my way to the outer portion of the crowd. Iâm not leaving. Someone grabs me from behind. I instinctively elbow the stranger in the gut.
âWoah, Cassidy, itâs just me,â Elliot voice says from behind me. I twirl around and sigh at his familiar face. I almost pull him into a hug, until I see Donna standing right next to him. He slightly raises the hem of my long coat, âWhat happened to your knee?â
I sigh again and tell the story: fom the rooftop to seeing Lennon. His face looks at me disappointed, but nods. Donna just stares at me like some kind of demon. Elliot tells me that Max is outside, by the backdoor waiting for the Beatles there. He suggests that I wait at the stage, but that he and Donna will clear away. I agree. The music courses through my body. They play some of the songs more than once. A few I havenât even heard before. They announce a second rendition of âDonât Let Me Down.â I cautiously listen to the lyrics, this time.
I feel burning in my chest. Hope or anger or sadness, I donât know. My mouth smiles, but my eyes water. Elliot stares straight at the band. Donna sways from side to side, her hand on her heart. I swallow the lump in my throat, staring at Elliot.
He runs his hands through his hair. He doesnât dance or smile or sway like the people around us. He looks straightforward, still as a statue.
A cough of air escapes my throat. He glances over at me, right as I look at him. I know he can see the water in my eyes, because I can see the water in his.
He glances away, for a second, as the next song begins. The crowd goes wild around us. I tunnel my focus onto him. He makes eyes contact with me.
âI love you,â I want to say. I canât do it. Is this even what love feels like? Donna pulls him to her. He nearly falls over, but turns around right as she plants a kiss onto his lips. I close my eyes and exhale through my nose. I reopen my eyes and stare at them. Elliotâs shaking his head. Donna sandwiches his right hand between hers. He pulls his hand away and turns back to me, just as the Beatles begin the next song. Police march in from the rooftopâs doors.
âIâm going to the front,â I say, loudly. He reaches for my hand, but I move away before he can get to me. I wipe a final tear from my cheek before approaching the stage. I shove through the front of the crowd, just as they cheer for the last song, which is being cut off by police. Eventually, the room empties and I stand, alone. Elliot and Donna have left, together of course. My chest is full of regret. Ringo wanders off stage and approaches me.
âJohn said you needed to speak to us?â he says. I nod quickly. He turns around, and I follow him off the rooftop. After a moment, we meet up with the other three Beatles.
Thereâs evident tension between them. No one speaks as we walk down the flights of stairs to the ground.
I pipe up, âMy friends also know what I do, I think they may be able to help me tell you everything.â
No one says anything, as Paul pushes open the door to leave. I follow behind the four men. Max awaits, I nod for him to join in. Max and I could do this alone. That would be good. I honestly hope Elliot and Donna get lost. We walk through the alleyway with the men, before a black stationwagon approaches. John talks to the driver, then we all get in. Max and I cram into the rear seats. I have no idea where the car is taking us.
Max gently taps my arm to get my attention, âWhat happened in there? Your leg looks awful and you seem sad.â I look over at him, his face softened.
âJumped over a roof, cut my leg. Iâm mad at Elliot, tell you later. The Beatles know weâre able to see the future, so weâre good to tell them everything that happens,â I elaborate. Max just nods, solemnly.
The stationwagon parks in front of a small cottage after what I guess to be a 15 minute drive. Iâm surprised that there arenât poparazzi or security guards here. Iâm more surprised by the fact that the cottage is smaller than my childhood home. You would think a Beatle in the peak of their career could be better, right?
Max and I get out of the vehicle just after the band does and they led us into the cottage. Itâs eccentrically decorated, in true Beatle fashion. Itâs also not hard to notice the smell of marijuana in the home. And, a quick glance around identifies some other questionables items: needles, bongs, a plate of powder⦠I glance at an oblivious Max, just as the Beatles sit down.
âSo, John told us you were timetravlers? If I was sober, you probably wouldnât be here, but thankfully I am not,â Ringo says. I glance at Max, who looks at me, waiting, I clear my throat, just as George, gives me a silent stare.
âSo, this concert needs to be your last,â I say. George continues to stare, as Paul and John whisper to each other. âWeâre here, because if you donât break up, then John, you will be murdered in New York City in 1990 because of your World Peace efforts with your future wife. And, George you die at just 58 from lung cancer. Ringo and Paul, if you keep the band togther, youâll both die in a plane crash,â I blabber. Max was nodding up until the end. George crosses his arms and shakes his head. I look over and notice that John isnât in the room anymore.
Ringo adjusts himself in the chair heâs sitting in, âHow do I know youâre telling the truth?â
I hear Max take a deep breath. I join his breathing, before finally answering, âBecause I know Johnâs doing herion right now. Go see for yourself.â
All three of them glance at each other and Paul quickly gets up. George and Ringo follow him, less enthusiastically. Alone now, Max whispers in my ear, âHow did you know that?â
âLucky guess⦠or at least I hope it was lucky,â I mutter. The clock behind us clicks. Tickâ¦tickâ¦tickâ¦tick. Cuckoo! I flinch, almost launching myself out of my seat. Max yelps a little. I glance and make sure none of the Beatles saw our startle.
Max laughs, âSorry, that scared me. No reason it needs to be this quiet in here.â I close my eyes and focus on getting my heartbeat down. After a few more minutes, all four of the Beatles walk back in together. George looks like heâs seen a ghost. John is evidently on something. The others may be high on pot, but John has a crazed look. Herion. Iâm certain that I was right.
I swallow, âSo, I was right?â
George, Ringo and Paul all glance at eachother and nod. I catch Max smiling out of the corner of my eye. He gently pats me on the shoulder.
âSo, Iâm encouraging you to breakup because, if you do break up, youâll all have really successful careers. And, if not, the band will fall apart anyway,â I add.
âWeâll see,â Is all George says.
Ringo turns around and grabs a different bong than the one I noticed when we waked in. I glance at Max, but he stares off into the distance, chewing his thumb nail. Ringo turns back around, lighting up. The smell is making me nauseous. What kind of lightweight has this mission turned me into? After each of the Beatles has gotten their fill, they offer it to Max, who takes it quickly. I turn it down, but the second-hand smoke may be getting to me. I try to ignore my tossing stomach as my thoughts begin to be soothed.
Iâm not even sure how long weâve been here. Paul and Ringo are dancing when I feel Max tap my shoulder. I look over at him and he pulls me into a soft kiss. I almost enjoy it for a second before processing what just happened. I pull away, slower than I should have, and shake my head.
His eyes bugle, âIâm so sorry.â
I squeeze my eyes shut and shake my head, âWe need to go.â
He giggles, âI donât think I could walk at this point.â