IâM HAVINGÂ drinks with Smitty, an old college friend, and Theo Drummond, a chemist who might do some work with the Locke Charitable Foundation.
Weâre at one of the posh bars that cater to the Wall Street large-assets crowd.
The place is filling up. People come up to us now and then to say a quick hello. Locke is stronger than ever. Everybody wants in.
Small consolation.
Smitty has his eye on three women across the way. âShould we ask those three to sit with us?â
âNot me,â I say. My heartâs not in it. Hasnât been for a while.
âTheo?â Smitty tries.
Theo shakes his head. âYouâre on your own.â
âI canât fuck all three,â Smitty says. âWell, actually I couldâ¦â
Theo groans.
I point my finger into my empty glass, lit from the bottom from the glowing bar. The bartender comes over and pours the scotch.
Smitty turns back to me. âCome on, Henry, when was the last time you had any?â
âA minute ago, and it tasted utterly amazing,â I say.
âYou know what I mean,â Smitty says.
How long? The answer is a year and twenty-one days. Itâs been a year and twenty-one days since I had sex. A year and twenty-one days since Vicky disappeared. Literally disappeared along with her sister.
I try not to think what sheâd say about my sex hiatus, how sheâd tease me about losing my most eligible bastard status.
I donât care. Itâs only her. Her or nobody.
My PI hasnât turned up jack. Itâs a lot easier to hack through somebodyâs fake identity than to scour the planet for a person who knows how to disappear.
Last I heard, Denny was up to his eyeballs in debt, drinking heavily and trying to borrow money from the people he once snubbed for being beneath him.
A spate of Where is Vonda? articles came out, but nobody ever found her.
One year and twenty-one days.
âYou sure?â Smitty tries.
âIâm not over my last thing,â I explain. âFinal answer.â
He turns to Theo. âWhatâs your excuse? Youâre not dating anybody. Look at themâsmokinâ hot!â
âIâm not dating anybody,â Theo says. âBut there is somebody.â
âWhat?â I ask. This is the first Iâve heard of Theo with anybody. âWho is she?â
âI donât know who she is,â he says. âThatâs the problem.â
âI donât understand,â Smitty says.
âThis is going to sound a little crazy, but Iâve been havingâ¦conversationsâ¦with my wake-up call girl.â
Heâs got our attention now. âConversations?â I ask.
He gets this faraway expression. He sucks in a breath.
âAre we talking phone sex here?â Smitty demands.
âNo. I mean, yeah, but itâs more than that,â Theo says. âWe talk about everything,â he says.
âBut to be clear, phone sex is involved,â Smitty presses.
Theo says nothing. I take it as a yes. âJesus,â I say.
Smitty just laughs.
âYouâve never seen her,â I clarify. âYou literally have no idea what she looks likeâ¦â
Theo shakes his head. âNo information about her whatsoever. Iâll find her, though. Iâm scouring this fucking city.â
âYou know she could be a total troglodyte,â Smitty points out with his usual sensitivity.
âI donât give a shit.â Theo gazes out the window at the people going by. âI have to find her.â
He looks exhausted. Is he even sleeping?
I nod. âDude. Hard to find a woman who doesnât want to be found.â I should know.
He tells us the scant details he has on her. We brainstorm ways to us it to find her.
I tell him about my attempts to find Vicky. How I sometimes scour the jewelry collections, but nothing I see ever comes close to what sheâd make.
Nothing feels like her.
Or maybe Iâm just getting further away.
âSpeaking of makers and their studios, you put a bid in for that London thing?â Smitty asks me.
âWhat London thing?â
âThe huge warehouse share studioâRedmond or something?â
âI havenât ever heard of it,â I say.
âThatâs weird. You have a UK presence. I would think Locke would be the first firm theyâd invite to bid. Itâs the kind of shit you guys have been getting off on lately. Itâs some big cooperative makers space. Freaking huge. Reclaimed urban ruin, neighborhood integrationâ¦â
I sit up, interest piqued.
He goes on to outline more featuresâ¦familiar features. âWe bid it, and itâs not even our thing.â
âAre there places to eat, sleep?â I describe the ideas I had for the Southfield Place Studio.
He nods his head. âSo you do know about it.â
âThe ownerâs not named?â
He gives me a funny look. âNo.â
âYou have access to the RFP?â Request for proposal. I nod at his phone.
âWhat? And let you bid against us if you werenât even invited?â
I nudge his phone toward him. âForward me the RFP.â