James Michael looks me up and down. âYou fit to walk?â
âIâll manage.â
He gives a short jerk of his head and turns to Charlotte, arms outstretched. âYou walk. Iâll carry Cara for you.â
She retreats, clutching Cara to herself, shrieking. âNo!â
Michael steps back, holding up his palms. âWhoa⦠Calm down. Itâs me. What do you think Iâm going to do?â
She bursts into tears. âIâm sorry. Iâm sorryâ¦â
He takes a step closer, moving carefully. âCharlotte, we have to leave. Iâm not sure you can carry Cara and walk too.â
âNo.â She swings her head in denial, tries to step out, then totters, Cara still tight to her chest.
Michael exchanges a look with me, shaking his head, then he moves in⦠âHold on to Cara.â â¦.
sweeping her up. His voice changes to a kind of fake yokel accent. âCome, Mr Frodo!â he says. âI can't carry it for you, but I can carry you.â
She gives him a watery smile. âIâm sorry.â
âStop saying that. Youâll be fine when weâve got you home and rested up for a few days.â
Klempner shoves a knife into his belt. Another into the top of his boot. A handgun into a pocket. Then, picking up his SMG, âWe need to get moving. I'll go to the front. Michael, you with Jenny in between.
James, cover our backs.â
*****
Michael My arms full of Charlotte, we clear the first flight of stairs to the corridor of âcellsâ. âKlempner, we should release the other women.â
James double-takes at me, then looking along the passage and its barred doorways, nods understanding.
Klempner gives me a startled look. âMichael, we don't have time for that. Once we're out, you can sing to the world about what's in here, but until then...â
I cut him short. âBy that time Finchby and Baxter could have murdered all the witnesses. Gotten rid of the evidence.â
âFinchby wonât. Whoeverâs in those cells represents his working stock. His property. Heâll not be eager to get rid of them. Whatâs your priority, Michael? We have to get out of here.â
âSo, you donât think a lot of screaming, panicking women, running around the place, creating chaos, trying to escape, is likely to make our job easier?â
Klempner pauses, shoots me a calculating look. âSold to the man with the highest bid. Get on with it then. You got those keys?â
âNope. Theyâre downstairs somewhere. But I do have my axe. James, can you take Charlotte from me.â
I pass her to him, clinging to his Cara with one hand, waving a gun in the other.
Then striding ahead, unslinging the axe from my shoulders, I aim⦠swing⦠and strike at the first padlock. The angleâs a little wrong. The blade bites in, but the lock doesnât break.
I adjust my aim, this time striking square on.
And this time, the blade cuts through. The lock springs open and after a brief struggle with the bolt, I open the door to a dim cell.
A woman cringes back, babbling something at me. Dark-haired and eyed, fair-skinned, she would be beautiful if she werenât so obviously terrified.
I gesture her, âQuick, out.â
She backs away, then sees James with Charlotte and Cara. Wide-eyed, tearful, she jabbers at me, hands outstretched, pleading.
Klempner pokes his head around the door. âVocê quer partir? Venha conosco.â He throws a glance to me. âPortuguese.â
She draws a breath, then scrabbling up, dashes out, joining us, babbling at Klempner.
Heâs short with her. âNós estamos indo embora. Você quer ajudar?â He jabs a finger to me⦠âAjudem-
no.â Then he stands back, plucking at his lip.
She nods, and this time, as I crash open the padlock, she darts inside, gesturing me on to the next.
Half a minute later, she exits, now with another two women, one looking barely old enough to drive legally.
But Iâm already working on the next. Klempner taps me on the shoulder. âKeep at it. Iâll see if I can find those keys. Back in a minute.â
Three cells, four, five. I lose count. The crowd of women grows; black-skinned, white-skinned, coffee-
skinned. Asian, Caucasian, Afro. Few seem to share a language, but all come bursting from their grim prisons, flooding down the cells. A couple of boys emerge from one cell, ten, maybe eleven years old.
Another, with eyes like blue ice and hair of Scandinavian platinum, is maybe sixteen.
Klempner reappears, now with the keys, thrusting them into the hands of the first woman we released.
âAbre as portas.â
She tugs at his sleeve. âOnde vamos?â
âEu não sei. Em toda parte. Eles não podem encontrar todos vocês.â
âWhat are you saying?â
âIâm telling them to scatter. Finchby canât catch all of them and Baxter probably wonât try.â
As the final door opens, disgorging its prisonerâ¦
Gunshotsâ¦
Something screams by me, ricocheting from the wall and spitting brick-dust. I duck, and screaming and shouting, chaotically, the women scatter. Splitting and flowing one way and the other; maybe thirty of them, running as if the devil rides behind them.
Klempner yells, âSuba as escadas.â
Jamesâ limp is heavier, more pronounced. He must already have been exhausted as he arrived at the cell and heâd taken a beating. He may not want to admit it, but heâs struggling with Charlotteâs weight.
âJames, give her to me. Klempner needs you with a gun in your hand. Charlotte, give James yours.
Arm around my neck. I need you to hang on tight.â
James gives me a dry lookâ¦
Ever the diplomatâ¦
⦠but hands Charlotte overâ¦
*****
Richard The doctor speaks quietly, nodding towards Elizabeth, now sleeping. âIt appears, Mr Haswell, that we have been successful, and your wifeâs premature contractions have ceased. We would like to keep her here for a few hours to be sure. But meanwhile, please try to stop worrying and get some sleep yourself. Weâll wake you if anything changes.â
âIâll do that, yes.â
Feeling wrung out, I sit in the armchairâ¦
Jamesâ¦
Michael⦠Charlotteâ¦
Mitchâ¦
At least I can call Mitch. Let her know that this part of events is back under control.
I tap in her number.
It rings, but thereâs no reply.
Why would she not answer?
At a time like this?
I check the number. Try again.
Still no reply.
Where is she?
*****