Ambroseâs Apostles is an honour I long coveted.
Year after year, watching the Year 13 students gather after school to attend the seminars in Mr Ambroseâs office, I couldnât help but envy them. I imagined how I would feel if I wasnât invitedâif Mr Ambrose hadnât deemed me one of the brightest minds of Spearcrest.
I imagined such a scenario only to shake my head with an inner smile. As if Mr Ambrose wouldnât choose me. Mr Ambrose is like me, an alumnus of Spearcrest. He attended Oxford, like I intend to do. He studied classics, a sister subject to my dream alma mater, philosophy. Like me, he is a son of politicians who chose the path of academia and education.
I knew Mr Ambrose wouldnât pick me because of those things.
In almost seven years at Spearcrest, Iâve never seen Mr Ambrose allow anything to influence his actions aside from his own mind and convictions. Flattery and threats slide off him like water over feathers.
Secure in the knowledge Mr Ambrose chose me because Iâm worthy, how could I decline this invitation?
The challenge will be undeniable, of course, and I have no doubt Mr Ambrose didnât exaggerate the gruelling hard work ahead, but Iâd face these challenges a hundred times for the sake of the prize at the end of the programme.
Not the Oxford scholarship or even the mentorship of Lady Ashton. Though worthy prizes, they pale in comparison to the triumph of finally, undeniably beating Theodora for academic achievements.
After so many years of seeing our names linked at the top of the results list, an eternal stalemate that kept proving to both of us that neither of us wonâthis competition will break the stalemate once and for all.
Theodora might not be in top form right nowâwhatever happened over the summer clearly impacted herâbut sheâs not one to give up. If I was beaten and bleeding out, I would scrape myself off the floor if it meant competing against her, and I know she would too.
The tug of war between us, this battle thatâs been raging for so many years, is set too deep into our lives. She canât avoid it any more than I can.
The Apostles programme will be our final arena, our final battle. Thereâs never a moment when I donât imagine meeting Theodora on the battlefield.
Until the week is over and I arrive at Mr Ambroseâs office as per his instructions. Out of the twelve students he invited last week, eight came.
Eight students, including myself.
But not Theodora.
Theodora is never late, but it would make more sense in my mind that Theodora would be late rather than absent. Mr Ambrose invites us all to sit and gives us a breakdown of what weâll be doing in September and October. He hands us schedules, reading lists, and booklets of material he wants us to read before the first lecture the following week. I listen to him restlessly, glancing at the door every few minutes.
I expect Theodora to show up the entire time, even when Mr Ambrose wraps up by congratulating and then thanking us for being part of the programme, even when he finally dismisses us.
My mind is a roar of questions as I fold my sheaf of papers into my satchel and stand. I let the others leave, looking at Mr Ambrose, whoâs leaning back against his desk, his arms folded. We both remain silent until weâre alone.
âWhere is she?â I ask. My voice comes out low and rough as if Iâm unwell.
I feel unwell.
I feel as if a deep black pit has opened in my guts, and everything inside me is sinking.
âTheodora has chosen to decline my invitation.â Mr Ambroseâs face is as calm as usual, and itâs difficult to work out whether the sadness and disappointment I hear in his voice are real or a projection of my own emotions.
âWhy?â I want Mr Ambrose to think Iâm like himâcalm in the face of any situation, unshakeable as marbleâbut unlike him, I canât keep the emotion out of my voice. âI donât understandâsheâs perfect for this, weâ¦â I donât even know what to say, so I stop myself and take a deep breath. âI was certain she would accept.â
âShe didnât give me a reason,â Mr Ambrose says. âNeither does she owe me one.â
âBut you know, donât you?â I stare into Mr Ambroseâs hazel eyes, set deep into his grave face, searching for any clue, any information I can draw out of him. âSomethingâs wrong with her, isnât it? What is it?â
âZacharyââMr Ambroseâs deep voice is solemnââTheodoraâs life is her own. She is entitled to make her own decisions, just as she is entitled to her privacy. I suggest you go speak to her. Youâre her friend, sheâll talk to you.â
âMr AmbroseââI let out a frustrated laughââbeing Theodoraâs friend is like standing next to the mountain instead of far away. It doesnât matter how close you are, the mountain is still a mountain. Youâll never get to its heart, to whatâs inside.â
âTheodora isnât a mountain, Zachary. Not some mysterious creature from the heavens nor a tightly furled blossom nor any other metaphor your mind might conjure. Sheâs a young person, just like you. Just like you, she has dreams and hopes and problems and a mind and a heart and a voice. If youâre worried about her, then look after her. If you have questions about her, then ask her.â
âWhat if she refuses to tell me anything?â
Mr Ambrose sighs.
âMy dear boy, she doesnât owe you anything. Love is neither conditional nor transactional. If you truly love someone, you canât love them less because they donât give you what you want. And you certainly canât expect them to give you what you want just because you love them. Thatâs simply not how love works.â
Mr Ambrose and I watch each other in silence for a moment. Itâs not jarring to me that Mr Ambrose is speaking of love. He sees everything, and my love for Theodora is about as inconspicuous and discreet as a raging inferno.
I donât even bother to deny it.
I know heâs right anyway. Heâs a fiercely intelligent man, and heâs been alive for much longer than I have. His wisdom is something I trust implicitly.
With sincere thanks, I leave his office, determined to be the kind of man Mr Ambrose wants me to be: calm, collected, and mature. I decide to go talk to Theodora, to be composed and mindful, to avoid a confrontation at all costs and to keep my emotions under control.
My determination holds firm until I reach the top floor of the library.
And then I see Theodora.
And then every reasonable thought in my head is obliterated.
usual desk. Her long hair is half gathered in a gold hair claw. Sheâs wearing a sage-green sweater that looks impossibly soft, the sleeves long almost to her knuckles. When I approach her, she looks up from whatever sheâs writing, and her face is small and pretty as a pearl.
The beauty of her melts me completely. It melts the reasonable thoughts out of my head and the measured words out of my mouth.
I didnât want a confrontation, but my voice is a harsh accusation when I blurt out the question thatâs been burning my tongue.
âWhy are you refusing to be an Apostle?â
Our gazes meet. The forget-me-not blue of her eyes is highlighted by the delicate pink of her eyeshadow. Her face is a porcelain mask, with no expression marring the fragile surface.
Her emotionless calm kindles my despair like gasoline thrown into a fire.
Laying down her pen, she folds her hands together on the desk, leaning forward slightly to give me a small, mocking smile.
âWhat is it, Zachary?â she asks. âIs this the blade and the whetstone again? Are you afraid your blade will grow dull without the whetstone of my mind?â
I immediately understand what sheâs doing. This is a sharp deflection disguised as a blow. She wants to appear as if sheâs striking when sheâs only really parrying.
âYou know perfectly well thatâs not the case,â I answer, narrowing my eyes at her. âAny whetstone can sharpen a blade. I donât need you in the programme to excelâI need you there so that I can win.â
âThen win against the others.â
âA victory is only worthy if itâs against you.â
âSo youâve said before. But I know you, Zacharyâso proud, so competitive. Youâd prefer your victories to be against me, but any victory will feed your appetite.â
âNo.â My entire body thrums like the chord of a harp after itâs been plucked. âNo, Theodora. You can tell yourself this if it helps soothe whatever you feel about your decision, but youâre wrong. I know that doesnât happen all that often to youâbeing wrong. But this time, you are. Because the truth is that Iâm not competitive by nature and winning means nothing to me. Itâs . I need to win against . Youâre the only person in this world whoâs my perfect equalâthe only person who is worthy of me. Two beings like us cannot exist without a battleâweâve been fighting it all along, and weâll keep fighting it until thereâs a victor.â
âGod, do you hear yourself?â She sits back, her face set in a sneer. âYouâre so arrogant, you donât even realise how you come across right now.â
âHow do I come across right now?â
âLike youâre better than everybody else in the world.â
âIâm not better than everybody else in the worldâ
are. Thatâs why it always has to be you, Theodora.â
She lets out a laugh thatâs the coldest sound Iâve ever heard, so cold it almost burns.
âWhatever image youâve created of me in your mind, Zachary, one day youâll wake up and realise it was just a dream. Iâm not an angel or a goddess. Iâm just a human being, and Iâm certainly not better than everybody else. If I seem like it, itâs only because Iâm good at pretending. Iâm not better than everybody else. Iâm barely as good as everybody else. Just because weâve tied grades over the years doesnât mean you and I are trapped in this great cosmic battle of higher wills. This is just a story youâve told yourselfâa story as fanciful as any childrenâs book you might look down on.â
Her words wash over me, and I let them do so, taking my time to reply. Theodoraâs talk of making up stories resonates with meâbut not because Iâm the one making them up.
âAnd what fanciful story have you made up to justify not following the programme when you know itâs perfect for you, when you know thereâs a hunger deep inside you for knowledge and ideas and debate, when you know how much you want it? What image is it youâve created to justify your actions, and how will you feel when you wake up?â
I donât want to be cruel to Theodora, and I donât want to fight with her. But this is like a debate. Not two sides debating one motion, but two sides debating two motions.
My house believes that Theodora should be a Spearcrest Apostle because there is no other way, because she wants to be there as much as I want her to be there, because neither of us can or should be doing this without the other.
Her house believes something else, something small and dark and ugly I canât quite get her to spit out. Something which makes her believe that sheâs not an angel and a goddess, that sheâs barely as good as everybody else around us.
A blatant lieâbut the kind of insidious lie that grows deep underneath someoneâs skin, sprouts seedlings and grows into something uncontrollable and barbed.
âThe truth isnât whatever you choose to believe, Zach,â she tells me in the severe, almost patronising tone of a schoolteacher. âYou donât get to state your opinion and will it into truth through sheer power of confidence.â
âFine, Theodora. Since you know the truth and I donât, why donât you tell me?â
She stiffens in her seat. At this angle, the glow of a light somewhere behind her catches the pale sheen of her hair and makes it gleam like a golden halo.
How ironic.
âTell you what?â she asks, her tone as rigid as her posture.
âWhy did you turn down Mr Ambroseâs invitation?â
âWhy is it so important for me to accept?â
I answer immediately. âBecause I know you want to.â
âIf you donât bother telling me the truth, why should I?â
âWhat truth?â I draw closer, resisting the urge to pull her to her feet, to draw her into the circle of my arms, to force her to speak to me while weâre heart to heart so that I can feel her emotions in the rise and fall of her chest.
âThe truth, Zachary. Do you want me in the programme because you think I want to, because of the enrichment of my soul, or because of Andrew Marvellâs perfect parallels?â
I didnât expect her to go there.
Itâs my turn to stiffenânot defensively, but proudly.
âAre you asking me if I want you there because I love you?â
Colour rises to her cheeks. Perhaps she expected me to tiptoe with my words just like she did, to speak in veiled allusions and poetic analogies. But not in this case, not about this.
âYou donât love me,â she hastens to say as if hoping to do some damage controlâas if the idea of me loving her is damage that needs to be controlled.
âNo,â I answer without shame. The balance of calm and emotion has tipped now. Iâm as calm as a sea after a storm; her eyes are wide with panic. âI absolutely, undeniably, inexorably love you.â