almost speechless. When she replies, itâs in that stiff, formal, almost matronly voice she uses in debates when she needs to appear self-assured and authoritative.
âIâve told you Iâm not allowedâI canât date.â Thereâs a visible flutter in her throat as if her heartbeat is too powerful for the slim column of her neck. âWeâll never be together.â
All I hear is that sheâs not telling me she doesnât love me or that she doesnât want me to love her. When she gives me the reason I shouldnât love her, all I hear is that if it wasnât for that reason, then we would be together.
âI know,â I tell her in a reassuring tone. âI donât expect us to be together, Theo, but that doesnât mean I can stop feeling the way I feel. Remember the poem? The parallel lines can never meet, but they can never stray from one another.â
She watches me for a moment, an expression of incredulity on her face. And then she gets to her feet and stands in front of me. I can smell that delicate perfume of hers, roses and peaches. I gaze down at her, now almost a head shorter than me, to see her face turned up to mine like a flower.
Her expression is nothing like a flower, though.
âIs this enough, Zachary?â she hisses as if thereâs barely enough air in her lungs to speak. âIs it really enough to have me right here, at armâs reach, even though you can never have me?â
âOf course, itâs not enough. Itâll never be enough.â
I smile at her and raise my hands, my palms brushing up her arms and shoulders on their way to her face. I cup her cheeks through the silk strands of her hair. Her face feels delicate as porcelain in my hands.
âI could have you in my arms and in my bed every day and every night, Theodora, and it would still never be enough. Having you this close and this far all the time is a constant torment. But my pain is soothed by the fact youâll be suffering too.â
âSuffering? How?â
âBecause while it burns me to have you so close when we can never be together, deep down, youâre burning too.â
âBurning?â She laughs coldly, but she doesnât move her face out of my hands. Our bodies are locked in each otherâs gravity fields, in the warmth and perfume of each otherâs bodies, in that trembling heat haze of tension between us. âAre you sure of that?â
âCertain beyond doubt.â
âHow?â
I sigh and tilt her face up, and she lets me, her pink lips gleaming as they part.
âBecause I know you, Theodora. I know you better than I know my own soul. I know every expression on your face like they are the lines of my favourite poems. Everything you think you keep hidden from the world, you can never quite hide from me. The beautiful thingsâyour determination, your strength, your gentle soulâbut the ugly things, too. Your ambition, your pain, your fear. Your desire. Theyâre naked to my eyes.â
She says nothing for a long time. Her eyes are wide, thrown blue jewels in a blue ocean. Her lips tremble for a moment, forming the shape of words. The silence between us speaks a thousand words. Truthful words, painful words, words of denial, words of want.
Words she doesnât have the courage to say aloud.
With a defeated sigh, she steps away, freeing her face from the cradle of my hands, freeing her body from the heat of mine, freeing herself from the burden of truth.
âFine.â Her voice is low and defeated. âIâll tell Mr Ambrose I made a mistake. Iâll join the programmeâif it matters so much to you.â
I smile. âOh, it matters. And youâll find me to be generous in my gratitude. Iâll even reward you with a gift.â
She narrows her eyes in suspicion. âWhat gift?â
My gaze sinks into hers. I lower my voice. I speak low and tender, not like a secret, but like an intimate promiseâa sacred vow.
âIâll give you something youâve always wanted but never dared to ask for. Something you dream about at night, alone in the dark, alone in your bed.â
She retreats in a hasty back step. I let her. Her fingers clutch the long hem of her soft green sleeves.
âWhat would that be?â she asks, her voice quivering but defiant.
I tilt my head. âYour first kiss.â
She scoffs. âOr maybe Iâll take yours.â
I laugh. âPlease do, Theodora. Iâll offer it up freely. Iâll even give you my second and my third, and all the ones after thatâevery kiss, if you want. Iâd give you anything youâd ask for. If your love demanded my prostration, Iâd get on my knees for you, Iâd kiss the ground at your feet. Iâd do everything youâve ever thought about in those secret midnight moments and everything youâve never even dared to imagine. Iâd melt all that ice in your skin, Theodora Dorokhova, and replace it with flames. All you need do is ask.â
âYou donât know what youâre saying,â she hisses, eyes wide with panic, cheeks flooded with colour. âYou need to stop.â
âI know exactly what Iâm saying, and I mean every word of it.â I tilt my head. âWould you like me to prove it to you? Do you want to claim your gift right now?â
âIâve not spoken to Mr Ambrose yet,â she says, backing away in quick steps.
âMm.â I grin at her. âYouâre right. Better do that first and claim your prize second.â
âIâll go speak to him now. As for your gift, you can keep it to yourself.â
She gathers her stuff hastily, piling her laptop and books and throwing them into her bag. I watch her, leaning on the wooden desk separator, not bothering to hide the idle smirk of satisfaction on my face.
When sheâs all packed up, she shoulders her bag and throws me an imperious glare. âYou know youâve messed up, right?â
âHow so?â
âBecause youâll never get your victory now.â
I laugh. âYouâre certain of that?â
Itâs her turn to smirk. âCertain beyond doubt.â
the nature of the programme. By the end of September, I find myself forever climbing a pile of work that only ever seems to grow however hard I work.
There is reading for my A-level classes, practice papers and essays and research assignments, and then there is the Apostles work. The first assignment Mr Ambrose gives us is a research project asking us to write a detailed explanation, history and comparison of Platoâs Akademia and Aristotleâs Lyceum, with our essays exploring a mix of both our opinions and references from notable scholars.
Itâs an enormous project which takes me upwards of fifteen overall hours to complete. The night before the deadline, Iâm in the libraryâon the top floor, but not in Theodoraâs territory. I know sheâs thereâI can almost sense her presenceâbut I donât want to be accused of trying to distract her for fear of sullying my eventual victory.
Iâm proofreading my assignment, headphones on and reeling off my proofreading playlist, which consists mostly of Satie and Debussy, when a pale form appears from the shadowy corridor of an aisle. I look up with a slight start and immediately relax.
Theodoraâs hair is gathered in a twisted bun at the top of her head, loose strands framing her face, almost silvery in the low late-night lights of the library. Sheâs out of her uniform and dressed plainly in high-waisted jeans and a white silk top. She looks more like an air-borne nymph than a student crumbling under the pressure of too many assignments.
She looks perfectly beautiful.
I take my headphones off and smile up at her.
âWhat an unexpected pleasure, Theo.â I raise an eyebrow. âYouâve not come to claim your prize, have you?â
She rolls her eyes. âBelieve it or not, itâs not a priority right now.â
She stops near me and peers at my laptop screen. Her perfume wraps around me as she leans on my shoulder, eyes across the document displayed on my laptop. I fight the urge to place a kiss on the ivory column of her neck.
My mind trails off after that thought, imagining all the places I would love to kiss and taste.
âYouâre working on the Plato-Aristotle project?â Theodora asks, bringing me back to reality.
âMm-hm,â I answer her, my eyes still on her throat. âIâve just finished. Iâm proofreading.â
âPerfectâme too.â She hesitates, pursing her lips a little. âHow would you feel about proofreading each otherâs work? Iâm so tired, and Iâve re-drafted and re-read mine so many times it feels like Iâm trying to read a palimpsest.â
âThatâs surprisingly trusting of you,â I say, genuinely a little surprised. âYou donât fear sabotage?â
âNot for a second.â
âNo?â
She shakes her head and lifts a corner of her mouth in a half-smirk. âIf you sabotage me and win, then youâll know your victory wasnât truly earned. If you sabotage me and still lose, then youâll probably hate yourself for the rest of your life. So no, Iâm not worried.â
âYou know me so well, huh?â
âIs that a yes or a no?â
âHave I ever said no to you, my revered nemesis?â
âIâm not your nemesis.â
âBring your essay over. My adored adversary.â
âJust say Theodora.â
âYes, my sublime Theodora.â
expected her to, Theodora does claim her prize in the end.
Thereâs a Young Kings party in the study hallâa small one, with champagne and pizza and games, where weâve only invited an elite group of guests.
Theodora comes late, dragged in by Camille and Rose, who hold her arms tightly in theirs. Sheâs wearing a short dress in blue satin and strappy white heels. Her hair is tied in a high ponytail, and sheâs got a faraway look in her eyes. If I had to guess, she would rather be in the library than at this party, and I canât blame herâso would I.
As I watch her from afar, a huge body throws itself against the side of mine, almost toppling us both into a nearby table. The study hall, a cavernous chamber underneath a vaulted ceiling, is dark, lit dimly by a few lamps and the green glow of the emergency signs.
In those hazy lights, Iakovâs face appears. He curls one arm around my shoulders, and I wince as his thick biceps squeeze my neck. Iakovâs eyes are glazed over, which tells me heâs already inebriated. I wouldnât put it past him to choke me in a drunken underestimation of his own strength.
âThorny thing, your Zaro,â Iakov slurs in my ear.
âYeah?â I laugh. âAre you rethinking your idea of teaching her how to fight?â
âNo.â He shakes his head. âI wanna teach her, but she doesnât wanna learn.â
âBlackwoods arenât big fans of physical violence.â
Iakov rasps out a dark cackle. âNo, but big fans of verbal abuse.â
âNot verbal abuse. More⦠fighting with the sharpness of oneâs wit.â
âLike you do with your Theodora?â Iakov asks with an enthusiastic nod.
Iâd been searching her face in the dark room, but Iakovâs words bring my attention straight back to him.
âWe donât fight. We debate, like fighting but without violence.â
âYou donât debate, you argue, like fucking but without touching.â
âYouâre drunk, Kav.â I grab the bottle out of his hand. âWhatâre you drinking thatâs got you spouting such obscure shit?â I peer at the label and give Iakov an appreciative nod. âCognac? Very classy of you.â
He shrugs. âItâs Sevâs. I ran out of vodka.â
âOf course you did.â
more than one sip of Sevâs expensive cognac while Iakov updates me on Zahara, and soon, the ground starts wavering under my feet.
Unlike Evan, who just had to run out of the room to throw up, I know my limits, so I pass Iakov his bottle back with a wince. Iakov doesnât know his limit, but only because he probably doesnât have one at all.
Weâre both startled when a slim body barges past Iakov to stand in front of me. Iâm surprised to find Theodora glaring up at me. Her hair is impeccable in its ponytail, but her cheeks are flushed, and her eyes have the same glaze as Iakovâs.
My heartbeat stutters in surprise. Sheâs drunk.
Theodora never gets drunk.
But then again, I rarely do. Maybe the pressure of this year is crushing her just as much as itâs crushing me, and sheâs seeking the same reprieve I came here to seek.
âAre you too lofty to say hello?â she asks in a withering tone.
The music is louder now. Earlier, everyone was still sober enough to worry about getting caught. Now, though, everyone is too far gone to care. If the party gets discovered and broken up, I donât even think Iâd be terribly heartbroken. Iâm so tired lately I could fall asleep standing.
Not too tired to respond, with verve, to Theodoraâs blatant attack on me.
âIâve been standing here for the past hour,â I say with a wave of my hand I hope comes across as nonchalant. âYou could have come up at any point.â
âYou saw me come in. You couldâve come up to me.â
âIâve come here to let loose and relax after a rough week of deadlines, not to pay tribute to you like some sycophant in your royal court.â
âSo much for all that talk about getting on your knees if I asked you to,â she says in a mocking tone.
âYou werenât asking me about getting on my knees. Iâll get on my knees for you anytime, Theo. Iâll do it right now, if you like, right here in front of everybody.â
She bristles. âIâm not asking you to. Iâm asking you for some common courtesy.â
âCommon courtesy is not screaming at your friends at a party.â
âIâm not screaming, and weâre not friends.â
âDonât lie.â I step closer to her. âWhereâs all this anger coming from, Theodora?â
âIâm not angry.â
âThen whatâs the problem? You wanted me to say hello, well, here. Hello, my lovely Theodora, how do you do?â I give a flourish. âThere. Have I satisfactorily soothed your bruised ego, goddess of wrath?â
âIâm not your Theodora or a goddess of wrath, and rich of you to mention my ego, Lord Blackwood.â
âWhy are you starting an argument with me?â I ask, drawing closer to her.
As I speak, Iâm suddenly reminded of Iakovâs line about fucking without touching.
I turn my head and realise Iakov is long gone. Smart of him, I suppose. He probably didnât want to risk getting caught in the crossfire.
âAre you feeling worked up, Theo?â I ask, turning back to her and pressing closer to speak in her ear. âAre you feelingâ¦
? Like thereâs an itch deep inside you that you canât quite scratch, and maybe fighting me will soothe the itch?â
She flinches back. âWhat are you talking about?â
âIâm talking about the strange, irresistible urge you felt to find me and draw all my attention to you with the flimsiest excuse imaginable. Look deep inside yourself, Theodora, and youâll see what I mean. It canât be that hardâeveryone except you can see it.â
âIâve no idea what youâre talking about. Youâre just spewing off nonsense sentences, as usual. Donât worry, itâs not your fault. I suppose itâs how one ends up when one is raised by politicians.â
âOh, you love a good deflection, Theodora, donât you? You never have the guts to fight back, but youâre too scared to take a hit, so all you ever do is deflect. Thatâs why we always draw, thatâs why itâs forever a stalemate with you.â
âYouâre drunk,â she says with an angry burst of laughter. âYouâre making no sense whatsoever.â
âAnd youâre drunk too.â
âIâm not drunk,â she lies. âI came here to claim my prize. Or have you already forgotten?â
Sheâs drunk.
A stone-cold sober Theodora would never claim a kiss from me. A stone-cold sober Theodora would never let me draw her into such a ridiculous argument. A stone-cold sober Theodora would never lose control like this and let me pluck the harp strings of her emotion to make such intoxicating music.
âIâve not forgotten,â I say, too elated to repress a grin of triumph. âClaim it.â