â¦. Not great odds, but handleable with surpriseâ¦.
But how to keep the surprise�
Charlotteâs wrist twists and tugs in my hand. I grab, but sheâs gone, running, heading for the darkness beyond the farmyard, as though she is trying to escape into the night. There are yells and shouts, pursuing figures, the sound of running feet echoing into the darknessâ¦.
â¦. And I stand, cursing under my breath, fists raised to empty air as my Jade-Eyes sets the distraction which she wanted, and I forbade.
*****
Five Years Ago He sits in an armchair by the fireside, a teapot, cup and saucer and a small jug of milk on the table to his side.
The room is warm and comfortable, homely, with framed photos displayed on a mantle. One is old, monochrome ageing to yellow of a young couple, smiling and arm-in-arm. Another is of a young red-
haired girl.
Mr Kalkowski moves slowly, his hair silver and cheeks sunken, but his eyes are bright and dark behind the spectacles.
He takes the cup, sighing with enjoyment as he takes his first sip of morning tea, then unfolds the newspaper, shaking it to settle it to a comfortable reading position.
And as he sees the headline, he goes still.
Child Slavery Scandal - Children's Home Linked to Sex Market Reports are emerging of the escape of up to eighty children from the Blessingmoors Childrenâs Home.
Speculation is rife that the children were trafficked from countries worldwide and were destined for the sex market and labour gangsâ¦.
He reads the article carefully, drinking his tea. Then he pours himself another cup and re-reads the article.
Breathing deeply, he sits back in his chair, fingers steepled.
After a while, he stands, walking carefully to his desk. He takes out a pad of paper and a pen and in a neat and careful hand, begins to write.
Dear Jenny, I do not know when or if this letter will find you.
I am writing to you now because I have read today in the newspaper of the scandal which has broken from the 'home' in which you were incarcerated prior to your life hereâ¦.
He continues to write for some timeâ¦.
*****
Five Years Ago âWhat the fuck's happening, Bech?â
âSir, we have a situation here.â
âSituation? What the fuck are you talking about?â
âThere has been a breakout, sir, from Blessingmoors.â
âAh, crap. Well find the kid and haul him back.â
âNo sir, you don't understand. This isnât a single escapee. It's all of them.â
A pause.
Klempner's voice is slow. âDid I hear you correctly, Bech? All of them?â
âYes, sir. All of them.â
There is a long silence on the end of the line.
âThatâs not good, Bech. How the hell did it happen?â
âIâm still trying to find out. From what Iâm hearing, there was some kind of break-in.â
âWho the hell was on security? Iâll have their balls for this.â
âIt barely matters sir. The staff are all in custody. Every one of them that hasnât made a run for it. Hilda is under arrest too.â¦â
Another long silence. âWhatâs your own position, Bech? Can they trace her back to you?â
âNo, sir. I was never more than a voice on the line to her. So long as I keep my head down, no-one has any reason to suspect me. That being the case, I'll stay put.â
âBech, just how serious is the situation over there?â
Bech takes a deep breath. âAll hell's breaking loose.â
âWhat about Jennifer?â
âJennifer?â Bech is startled. âSheâs where sheâs always been. On the farm.â
âRetrieve her, Bech. Iâll get her out of the country.â
âSir, surely, given the currrent situation, this is hardly the most pressing matter thatâ¦.â
âDo as youâre fucking told, Bech. Iâm on my way now. I want her there and available when I arrive.â
âSir, where are you?â
âRight now, I'm in Juba on my way back, in what passes for an airport here.â
âSir I strongly advise that you do not return here. And don't travel on your usual passport. Do not return to this country. Not yet and not under your current identity.â
âAnd where am I going to get another passport from? They're in the fucking stone age here.â
âI suggest sir, make whatever changes in your appearance seem appropriate then get an image to me.
If I have an ID, visa and so on made up for you and get one couriered across to you, are you able to pass through the system there?â
âYes, thatâs no problem. The local officials are corrupt as it comes. Itâs why Iâm here goddammit. Thereâll be no problems greasing a few palms.â
âFine sir. In that case, get the photo to me and Iâll deal with the paperwork at this end.â
âI'll be in touch, Bech.â
*****
Richard She twists from Jamesâ grip and out, baiting the gunmen âCharlotte!â he hisses, but sheâs gone, and the gunmen are already pursuing.
James is a study in rage and frustration, standing, fists balled, raised to heaven, spluttering and cursing incoherently.
âWhen I catch her again, she is not going to sit down for a fucking week!â
Youâre going to pay dearly for this, Charlotteâ¦.
â¦. When he catches up with you Whenâ¦
⦠not ifâ¦.
And I put that thought from my head, knowing that what she has done, she has done for my Elizabeth.
Better put in a good wordâ¦.
â¦. Tactfully thoughâ¦.
âShe had a point though.â
James spins on me, hands still raised and for a moment I wonder if heâs going to punch me, then he reins himself in. âYes, she did. Letâsâ¦.â
Shouts and yells come from the darkness beyond the yard. âWeâve got her.â
So quickly?
She outran them beforeâ¦.
â¦. And she had Elizabeth with her thenâ¦.
She let herself be caughtâ¦.
Figures emerge from the beyond, Charlotte, arms held at both sides, being frog-marched back by her captors.
And waiting for her, in the light washing from inside, the figure of Klempner leans against the doorjamb, all nonchalance. âBack inside with her. Itâs party-time.â His voice is slow, enunciatedâ¦.
And sheâs marched back into the farmhouse, the door closes and we three are left, safe and undetected in the silence.
James has cooled down, but I donât think heâs calm. Instead, heat has turned to ice and his voice is cold. âHow many of them did you count?â he murmurs.
âFive out here chasing,â says Michael, âplus I think I saw a couple more moving inside, plus Klempner.â
He nods. âOkay, so weâre agreeing with Charlotteâs eight.â
But beyond them, something is happening. I nudge Michael. âHold on, the doorâs opening again.â
We watch as one of Klempnerâs apes exits, crosses the courtyard and, opening one of a pair of large double doors, vanishes inside one of the outbuildings.
âBack in a minute,â mutters Michael.
For such a large man, he moves silently, almost gracefully through the dimness.
I'm pleased to have him with us. I can look after myself and I don't doubt that James can handle himself too. But Michael is much younger, built like the side of a house and it's all muscle.
Iâm not sure of his intentions, but as he moves noiselessly closer, I donât judge that he means the man well. James and I follow.
At the door, he pauses, looking in, then stepping, he waits for a second, then lunges, head-first, at the emerging figure. As his forehead makes contact with his opponentâs face, there is a crack of splintered bone and cartilage that makes me wince.
Rather him than meâ¦.
The man, bowed and bloody, his nose gushing blood, staggers but doesnât go down. Michael repeats his head-butt and this time the man falls without a sound and Michael steps over him and inside, closely followed by James.
â¦. Wonder when he learned street-fightingâ¦?
City kidâ¦.
I take a moment to survey the fallen, without sympathy but interested to see just how much damage has been done.
Mmmm⦠Reconstructive surgery there I thinkâ¦.
Following inside, I find the two friends sorting through the contents of a car trunk âAny rope in the back?â asks James Michael holds something up. âBetter than that. Tape.â
The two work together in that way they have; almost no words, simply knowing what they each are doing.
Iâm not needed to help, and I find myself, once more, watching the two of them, operating as a pair and so smoothly I doubt whether it even occurs to them to think of it as teamwork.
Hereâs me, CEO of a multi-billion corporation and I feel like a fifth wheelâ¦
James gags then binds the manâs wrists tight with the tape while Michael does his ankles. âItâs probably what they used on the women.â
âOr were going to.â¦â I say. âYouâre a dirty fighter, Michael. Thatâs not a fighting style from polite circles.â
His voice is dry. âIâm not interested in fighting. Just in taking them out.â
James sniffs with a philosophical kind of air. Michael nods out. âLooks like theyâre all safely inside now.
Shall we take a look?â
The window is brightly lit and from where we are, across the yard, the figures moving inside are clearly visible, looking entirely relaxed.
No sign of alarmâ¦.
No idea weâre hereâ¦.
Surprise on our sideâ¦.
Quietly we move closer. A figure passes close by the window. Michael, his bright hair unmissable if anyone looks, flattens himself to the ground. But the men inside are looking inward, not out, drawn to some sight within. A voice is screeching and cursing; Charlotteâs voice.
Her distraction�
For sureâ¦.