We arrive under the window ledge. James inches up, looks in and then immediately drops down again, shaking his head and swearing under his breath. âJeez⦠Sheâs a fucking lunatic sometimes.â
Michael huffs. âWhatâs she doing?â
âWinding them up, drawing them onto her. I think sheâs enjoying it.â
âYou fucking bastards!â shrieks the voice. âYou think you can do me? Letâs see if youâre up to itâ¦.â
Michaelâs eyes meet mine and together we slide up, looking inside.
The room is large, Klempner and his men gathered in a groupâ¦. And thereâs Elizabeth.
My gut tightens. My beautiful Elizabeth. On the floor, hunched in on herself, arms wrapped around her knees she rocks herself. Her eyes are swollen with weeping, fiercely red against her pale face.
Sheâs terrifiedâ¦.
â¦. and Charlotte will keep her that wayâ¦.
Keep up the pretenceâ¦.
But the fear on her face is being nudged over by disbelief at what she sees. And at least for now, sheâs safe. Everyone is ignoring her.
Charlotte is on her knees. Sheâs naked and what remains of her clothes are on the floor around her in tattered shreds. Sheâs facing us, but not looking at the window. Her eyes are fixed on Klempner, looming above her.
Sheâs not remotely fearful and sheâs screeching like a demon at the men who, supposedly, are in control. Her eyes are black saucers rimmed by green. Head tossing, her hair billows and swings around her with the movement and her face is twisted as she screams defiance at her captors.
Klempner and the men with him are all watching herâ¦.
Not usâ¦.
â¦. with expressions of utter incredulity.
Michael hisses to James, âYouâre not seriously suggesting that sheâs getting off on this?â
âLook at her. At her face, her eyes.â
Heâs rightâ¦.
If Old Nick incarnate came winging up from below, he couldnât look much wilder than this.
And I canât help myself. Sheâs not mine. Sheâs not Elizabeth, butâ¦.
What a womanâ¦.
And sheâs Jamesâ sub?
Michael nudges up again, and as his blond hair catches the light, for the briefest of instants, her eyes flash to him and then immediately away.
She stands, naked, clothed only in the long red hair which swirls and sways around her, pacing like a caged animal, snarling. For all her fury and the violence writ across her face, sheâs not out of control.
Sheâs graceful and agile as, mesmerising her audience, she raves at them, jabbing fingers at one after another.
âCâmonâ¦. Big brave men. All of you with guns, on one little girl? You think you can fuck me? Letâs see what youâre really made of....â
âSheâs like a fucking wild animal,â I say.
And thatâs not an insultâ¦.
James, angled to peer around the room, clicks his tongue. âThatâs our Charlotte.â
*****
James Sheâs eye-balling Klempner, almost crowding him, jabbing a finger into his chest. âYou think you scare me? Iâm long past being scared of you. Itâs easy isnât it, when itâs kids, butâ¦.â
Klempner back-hands her in a blow that sends her flying. She hits the floor panting, wiping blood from her mouth, but stares up at him, the whites of her eyes showing all around, not remotely cowed.
Christâ¦.
Even through the window, I hear it. The smack of flesh against hard tiles as she lands sends a shudder running through me.
Richard leans in close. âWhatâs her pain tolerance like?â
Good questionâ¦.
Iâve never found outâ¦.
â¦. The times itâs gone too far, itâs been emotional, not physicalâ¦.
âIn that mood,â I say, through gritted teeth, âsky-fuckin-high.â
Is she a pain-junkie?
Have I turned her into one�
Perhapsâ¦.
Richard blinks. âShe doesnât scare at all?â
âOh, she scares. It just doesnât stop her.â
Michael is restless, his voice impatient. âWe need to get in there now.â
I take a deep breath. âYes, but letâs take the time to do this right. Thereâs more of them than us and theyâre armed.â
He turns on me. âYou cold-blooded bastard. Are you going to let them just get away with that?â
Cool itâ¦.
I look inside again at whatâs happeningâ¦.
Christ!
âSheâs playing for time. Letâs not waste her efforts. And no, when we get the women out of there, Iâm going to blow the bastardâs head off, and enjoy doing itâ¦.â
Michaelâs head tilts back, his nostrils flaring as he takes on my wordsâ¦.
ââ¦. Sheâs spent her life being hunted, abused. This ends here, tonight.â
I look to Richard, who nods.
In a calmer voice, Michael continues, âWhat do we do? Oneâs accounted for. Itâs seven against three.â
âFive against three.â
âFive? Why five?â
I nod them through the window to the docu-drama that is our Charlotte. âSheâs got her hands around the balls of one, and anotherâs about to shove his cock between her teeth. What dâyou think will happen to them when we burst in?â
Richard screws his eyes and turns away.
Michael looks, recoils and swallows. âYou have a point.â
I look inside again, watching Charlotteâs performanceâ¦.
Ah, Jeez⦠theyâre strippingâ¦
â¦. Sheâs going to have them all on her soonâ¦.
Theyâve put their guns downâ¦.
Trapped between terror and admiration, I measure the room in my head, what I can see of itâ¦.
That exit to the rearâ¦.
âStay there a minute. Iâm going to see if thereâs a rear entrance. Klempnerâs got his back to a door there. If I can get behind himâ¦.â
Slipping away, I make my way around the farmhouse, ducking under another brightly lit window, walking past others tightly boarded up.
And I find just what Iâm hoping for. The door I see on the inside leads to the outside and as I ever-so-
gently turn the handle, it nudges open. Carefully I click it closed again, then spot another small outbuilding, the door only a few feet away.
In a spirit of experimentation, I try the lock, which clicks co-operatively open.
Carelessâ¦.
â¦. But handyâ¦.
Itâs a tool-shed.
Bingo!
A minute later I return to the other two with my rifled goods. I offer a large wrench and a hammer to Michael and Richard, holding on to the crowbar. âYes, thereâs a side entrance. I can get behind him.
You want these?â
âThey were in a shed to the rear,â I continue. âCan I suggest that you two go for the pair over by Beth, keep them from taking her hostage. Iâll take Klempnerâ¦.â
Michael hefts the wrench in his hand. âAnd I think we can rely on Charlotte to do as much damage as possibleâ¦.â
Oh, yesâ¦.
I take a last look through the window, checking the position of everyone inside.
Klempner is facing away from that doorâ¦.
â¦. But Charlotte should see it openâ¦.
Perfectâ¦
âAs soon as you see me appear behind Klempner, get in there, and weâll take out as many as possible while we have surprise on our side.â
They nod, heading for the front entrance as I make my way to the rear once more.
My stomach is making a good attempt at a fight-or-flee response, tight and nauseated. I resist down the sensationâ¦.
Be angryâ¦.
â¦. Be angry for herâ¦.
And itâs not difficult. As I ease the door open, crowbar raised, sheâs there, restrained and kneeling. The men gathered around her are grinning and cheering on one would-be rapist as he pushes his cock into her mouth. Another drags her hand to let her feel him upâ¦.
Moronsâ¦.
Grimly, I smile to myselfâ¦.
Youâve got it comingâ¦.
Opening the door, I step through, weapon raised â¦.
Charlotteâs eyes flick to mine, glinting like twin demonsâ¦.
The man next to her drops like a felled ox, screaming and clutching his groin. The one face-fucking her has more trouble, shrieking as he tries to pull away from her teeth. She leaps to her feet, hand and face dripping blood, looking like some warrior goddess from Hell.
The others freeze, goggling at her and in that frozen moment, I swing my crowbar to bring it across the back of Klempnerâs skull.
A split-second before it contacts, he senses me, moves, and the blowâs not quite true. The bar glances then skids free as he screams and turns, knocking it from my hand.
The door bursts open, Richard and Michael aiming for different marks.
I have a bare moment to see a single blow from Michael felling one. Richard tackles another who makes for Beth, slamming him back against the wall as Beth, swinging her legs, sweeps his feet from under him.
But Klempner is coming back at me, face disfigured with raw fury. Neither of us is armed now but he lurches at me with a snarl, arms outstretched, reaching for my throat.
Heâs tall, about my height and weight. Grappling, we struggle. Gasping and heaving, I try to take him downâ¦.
The man who hurt her. Enslaved her.
As a childâ¦.
As a womanâ¦.
Who keeps hurting herâ¦.
But weâre too evenly matched. I canât get a hold on him. He canât get a hold on me. Dimly Iâm aware of the struggle elsewhere in the room, of Michael and Richard, of Klempnerâs henchmen, but my whole world is the bastard in front of meâ¦.
Who I am going to stop.