The Present - Klempner âOut you come. You have visitors.â
Visitors?
Who the fuckâs going to visit me?
Some noseying lawyer I supposeâ¦.
The floor guard, Hartland, jerks his head at my door. Not that it doesnât make a change to get out of the cell, but the insolent bastard gets on my nerves and makes a point of trying to do it.
âCome on, Larry. Step lively now.â He pokes a baton into the small of my back, jabbing harder than necessary to move me along.
Larry?
Little shiteâ¦.
â¦. I'll make you eat your own liver for that one dayâ¦.
âIn you go, Larry.â Hartland juts his chin at the guard inside. âTheyâve got half an hour with him if they want to use it all. See that Larry here behaves himself. Still thinks heâs someone does this one.â
âYes, Mr Hartland.â
I donât know the guard, but he is polite enough as he indicates the seat by the screen.
But as I look up and see my âvisitorsâ, I hover, hesitating.
Itâs herâ¦.
And one of the menâ¦.
â¦. Summerfordâ¦.
What the hell are they doing here?
She sits on the other side of the glass screen. He leans against the back wall, arms folded, eyes flat. A couple of guards loiter, one to either side of the screen.
As I sit, her eyes follow me. Nothing else about her moves.
I flick my gaze to Blondie. âThatâd be Michael then? Whereâs the other one? James is it?â
Blondie shifts but doesnât speak.
He looks dangerousâ¦.
And has proved that he isâ¦.
â¦. The muscle in their arrangement?
Her reply is curt. âYes, this is Michael. And James isnât here, because heâs recovering from when your friend Corby shot him.â
?
Shot him?
What else havenât they told me?
Her eyes narrow, her head tilting. âYou didnât know about that?â
I donât want to appear unsettled, try to be dismissive. âNo, theyâd not told me that.â
Ahâ¦. Crapâ¦.
Iâve got to knowâ¦.
ââ¦. Whatâs his condition?â
âHeâll live, but it was touch and go for a while.â
âAnd Corby?â
âDead. The police took him down.â
Suppose he was bound to get himself killed sooner or later.
Always was a charmless bastardâ¦.
âAnd why are you hereâ¦?â
Little ginger bitchâ¦.
ââ¦. For that matter, why am I here?â
She licks her lips, scratching at a thumbnail with another thumbnail. âWill you talk to me?â
Talk to you?
Who let you in here little girl, just to talk?
You have powerful friendsâ¦.
Got Haswell dancing your tuneâ¦.
â¦. And he knows the Mayor, the Chief of Policeâ¦.
I sit back, shrug, trying not to wince as I move my barely healed arms. âI donât know. It depends what you want to ask. I donât have a lot of incentive to co-operate, do I? Theyâre going to lock me up and throw away the key. And youâll be testifying against me.â
What do you want, Jennifer?
Blondie snorts, coming up to her from behind. His arm on her shoulder. âYou want to go? Youâre going to get nothing from this one.â
She brushes him away. âNo, not yet.â
That gesture, that dismissive let-me-be shrug suddenly bites, familiar and bitter.
Mitchâs daughterâ¦.
âSo, how does it work then?â I ask, tossing my head at Blondie behind her.
She frowns. âHow does what work?â
And suddenly I want to knowâ¦.
How did you do it?
âYou, with two of them? How does that work? Two men with one womanâ¦.â For a moment her mouth drops open, but I keep goingâ¦.
You want to talkâ¦. Talkâ¦.
ââ¦. Okay, regardless of what I said when we met before, I know youâre not a whore. So, how does it work?â
Sheâs digging fingernails into her palm and her eyes lift to mine then slip away. âI donât see thatâs got anything to do with you.â
Come on Mitchâs Daughterâ¦. Talkâ¦.
âOh, you might be surprisedâ¦. You going to answer my question?â
Her eyes return to mine, hard as agates. âNo, because I donât see that itâs any of your businessâ¦.â
Fuck you thenâ¦.
ââ¦. Whatâs your grudge against me?â she says. âYou said it was because of Jenkins, but I donât believe you. Thereâs more to it than that. Itâs not really me at all, is it? Itâs to do with my mother and father?â
âYouâre going to testify against me. That hardly fills me with warmth.â
âI donât believe that either. If that was it, you would simply have had me murdered. You wouldnât have gone to all the trouble you have, to capture me, hurt me, make my life miserableâ¦.â
I chew a thumbnail. âAlright, Jenniferâ¦â
âItâs Charlotteâ¦.â
âAlright, Charlotte. Quid pro quo. Iâll talk to you if you talk to me.â
âWhat do you mean? You hate me. Why would you want to talk to me?â
âI want to know about you, and how you make it work with two men.â
She looks genuinely rattled, turning to look at Blondie who lifts a brow, shoving hands in his pockets.
âYour call,â he says. But he stands behind her, feet wide, eye-balling me.
âAlright. Iâll talk to you,â she says, âIf in return, youâll tell me what I want to know.â
I fold aching arms, wishing Iâd taken another pain-killer before I came through. âOkay. Shoot.â
âHow did you know my mother and father? What were they to you? I know you murdered my father.â
Ahâ¦. Mitchâs Daughterâ¦.
Connersâ Daughterâ¦.
And the pain and the shame and the dulcet bite of revenge come flooding backâ¦.
âDid I?â
âIâm told by the police that you did. And I believe it.â
âOkay, I killed Frank Conners, yes; if youâre determined to call him your fatherâ¦.â
Her eyelids flutter. âWhy?â
âHe was my friend, or I thought he was. It turned out I was wrong.â
âSo why did you think he was?â
âWeâd go out together, drinking, chasing women. You know, the things men do.
âWhat was he like?â
âThe reliable type. Solid, dependableâ¦.â
âWas heâ¦. a good man?â
You implying something?
Little bitchâ¦.
âWhat sort of question is that?â
âDid he know you were a trafficker?â
Donât try to trap me Madamâ¦.
I eyeball her, and she leans back in her seat, then changes tack.
âAnd my mother? What about her?â
âShe was a hooker.â
âI donât believe you.â
You so donât want that to be trueâ¦.
âJenniferâ¦.â
âCharlotteâ¦.â
âCharlotte, you donât want to believe me. But I assure you, she was a hooker, and rather a good one.
She actually enjoyed what she did; worked at the top end of the market. Charged a lot of money.â
I find myself beginning to enjoy the conversation, the interaction. Blondie watches as I talk, one hand on her shoulder, his gaze shifting between me and the girl.
Heâs very defensive of herâ¦.
She blinks, swallowing hard. âYou said you âran herâ, with a string of other womenâ¦.â
I wishâ¦.
âYeah, well, I lied about that. I was running women, but your mother wasnât one of them. Frank and I were in one of the classier hotel bars downtown. Some of the call girls would hang out there, looking for rich marks. She hit on us thereâ¦.â
Her face twistsâ¦.
âYou still donât want to believe me? She was very good at her job. Good enough that, at first, we didnât realise she was a professional. We thought she was just beingâ¦. friendly. And Iâll admit, when I set eyes on her, I thought she was the most beautiful thing Iâd ever seenâ¦.â
â¦.. Mitchâs daughterâ¦.
Blondieâs knuckles on her shoulder whiten. ââ¦. So did Frank. We took a room for the night andâ¦. well, you know the script from there. Youâve had two guys together often enough Iâm sureâ¦.â
Her face sets. âSo, what then?â
âShe was fun to be with. Not just a good fuck, but actually good company. We both liked her. And she seemed to like usâ¦. Really like us I mean, rather than just pretend to because thatâs part of the job description. In the morning, we took her number, and later, we called her back. It went from there. Weâd meet up with her a couple of nights a week. It became regular. And then.â¦â
Blondie breaks in, his voice low. âAnd then you realised, that youâd fallen for the woman you thought youâd just bought.â
His words jolt through me. Our eyes meet and for the first time, I see beyond his broad build, the blond hair. Heâs standing close enough that I can see the deep, intense blue of his eyes. His expression too, is intense.
You are in love with her. Not just fucking herâ¦.
âWhich of course, is something you know aboutâ¦.â
He ignores my tone, his face mild then sits by her. âSo, what happened then?â
Is he really interested?
Or is the interest on her behalf?
Should I go with this?
Why not?
It beats sitting in a cellâ¦.
âConners was crazy about her. Never stopped going on about her. Talked about marrying herâ¦.â His brows raise. ââ¦. She was a whoreâ¦. A high-class prostitute.â
His voice is dry. âBut a whore you were in love with tooâ¦.â
Fuck youâ¦.
Blondie leans forward on his folded arms. I lean back with my folded arms. Jennyâ¦. Charlotteâ¦.
Glances between us, looking uncertain.
âSo, quid pro quo,â she says. âWhat did you want to ask me?â
What do I want�
Mitchâs daughterâ¦.
â¦. Connersâ daughterâ¦.
I try to sound unaggressive, to keep my voice level. The more I look at her, the more I realise thatâ¦.
âI told you. I want to know how you make it work. And why? Two men sharing youâ¦?â
Blondieâs head tilts, eyelids lowering. She blinks a bit.
ââ¦. I know all about you up to the point I had you shipped out to that farm, up north. After that, I lost track of you for a while. When Corby first told me you were testifying, I gave him instructions to find out as much as he could about you from the last few years. He tracked the records; told me about you auctioning yourself, living with two men. I thought at first you had just grown up into just another whore.
But thatâs not it, is it?â
But her face grows stonyâ¦.
â¦. You could out-stare a fucking catâ¦.
I try a different tack.
âWhy did you auction yourself? Youâve grown up looking just like herâ¦.â
Mitchâs daughterâ¦.
â¦. My dancing green-eyed beautyâ¦.
ââ¦. Youâre beautiful. You could have had men throwing themselves at you; throwing money at you.â
She is dismissive, throwing away my words. âI didnât want to be some manâs propertyâ¦.â
Ahhhâ¦.
ââ¦. If I did that, I really would be a whore. I wanted to be myself, to go to university, have a life I chose.
But I needed to raise money for the fees.â
What the hellâs she talking about?
You whored yourself to two men just to be a student and not get paid for another five yearsâ¦.?
âYou sold yourself for a week, no holds barred, just to go to college?
She bristles. âJust to go to college?â she snaps. âI needed the education it takes to get somewhere in my own rightâ¦.â
Why would�
She pauses, looks at Blondie then back at me. Her chin juts. ââ¦. Yes, Iâve got looks, but a woman who relies just on that, always ends up as property at some level. And looks fade in the end. What happens later? I want more than that.â
There is challenge in her eyes she glares, almost daring me to disagree with her.
Is she right?
If youâre still alive Mitch, what do you look like now?
I try to sound conciliatory. âSo, you had your week with them. Then what?â
Like her mother, she is very pale-skinned, but dots of colour show at her cheeks. âI had the money. I started at university.â
âAnd later? What? You went back? To the man, the men, that bought you?â
âYes, I did.â
Whyâ¦...?
âWhy?â
She shrugs. âTheyâd been good to me. Better than anything else Iâd had up until thenâ¦â
What the fuck?
It must show on my face. Her expression turns furious and for the first time, she shows outright aggression, leaning towards me, as close as she can before the screen stops her.
âRemember where I grew up,â she says, with a voice like a cat. âYou dumped me in that hellhole at Blessingmoors. Two guys being good to me, and paying me well for it, felt like Heaven.â
Blondie reacts with a jolt, twisting to face herâ¦.
Interesting reactionâ¦.
Letâs play that one along a littleâ¦.
Donât be aggressiveâ¦.
â¦. Keep her talkingâ¦.
I try to sound perplexedâ¦.
â¦. Not that itâs difficultâ¦.
âSo, you went back because they were paying you again?â
She sits back again, arms folded. âNo, they werenât paying me. I went back because I wanted more of it. And later, I realised â¦. I wanted them.â
Ah, Christâ¦.
And just like that, I am flipped back in timeâ¦. âYou wanted them? Or youâd fallen in love with them?â
âYes.â
âBoth of them?â
Her eyes narrow. âYes, in different ways.â
Will she answer?
âYou didnât choose between them? They didnât try to make you choose?â
And to my surprise, where I expected anger, she looks indignant. âChoose? Why would I choose? I love them both. They both love me. They get on together. Why should I choose?â
Blondie watches all this, his eyes following between us. Now he interrupts. âThatâs what happened, isnât it? With you and Conners. You both fell in love with Charlotteâs mother, and you made her choose between you. She chose Conners. And you murdered him for it and took revenge on her.â
It wells up, sour as vomit, the past surging over me. The memory of seething anger and sick regret when the anger cooled.
And the return of the rage and the fury whenever I thought about her.
Mitchâ¦.
Where are you?
That way she had of looking, as though you were the only man in the worldâ¦.
Angelâ¦.
Whoreâ¦.
Clever, clever whore Her smile Her sly manipulation Her belief that because I loved her, she had pulled my fangsâ¦.
And I see her now, sitting in front of meâ¦.
Mitchâs daughterâ¦.
Connersâ daughterâ¦.
And the rage boils again, bright and hot and seductiveâ¦.
And yetâ¦.
There she sits, her man next to herâ¦.
â¦. One of her menâ¦.
The other, woundedâ¦.
Blondie still watches me, his eyes fixed on mine, waiting for my replyâ¦.
I underestimated youâ¦.
â¦. Thought the other was the brainsâ¦.
But you saw itâ¦.
âYes, thatâs what happened,â I admit.
She is wide-eyed, staring at him, then at me, then back again.
His face is set. âDid she know what you were? A trafficker? A slaver?â
âNo, of course not. She only learned that later, afterâ¦.â My gorge rises.
Self-disgust?
Fear?
âAfter sheâd already rejected you? Chosen Conners? What did you do? Threaten revenge by enslaving her? Like you did with Charlotte? Ship her out to some godforsaken part of the world where she had no hope of rescue, or of anything but a short, miserable life?â
You betrayed me, Mitchâ¦.
You wanted himâ¦.
â¦. Accepted himâ¦.
But Blondie keeps talking. âThe two of you paid for her in the first placeâ¦. You knew that you didnât have to have a conventional relationship with her; that there can be other ways of living. But when it came to it, you forced her to decide between youâ¦.â
Is he right?
Did it have to happen that way?
âWhen she learned what I was, what I did, she said I sickened her. She wouldnât look at me.â
He sits back, arms folded, his face full of loathing. âWell, most people donât like the idea of slavery. So, for the sake of a convention you didnât really believe in, you threatened and drove your lover into hiding, murdered your best friend, and have spent the years since trying to convince yourself that you did the right thingâ¦. to the point that you continued your revenge against someone who was completely innocent in all of thisâ¦. Charlotte, probably Connersâ child, but possibly yours.â
Her faceâ¦.
The loathing in her face when he says thatâ¦.
The idea that she might be anything to do with meâ¦.
â¦. Connersâ daughterâ¦.
â¦. Not mineâ¦
âAnd your final revenge on her was to steal the child, to force her to grow up into slavery herselfâ¦. To fit your idea ofâ¦.â
I claimed youâ¦.
â¦. Mineâ¦.
â¦. My dueâ¦.
â¦. My redressâ¦.
Blondie is still talkingâ¦. âAnd when you found sheâd grown up to look like her mother, you became obsessed with it again, determined to have the daughter forced into a life that the mother had already told you repelled herâ¦.â
And I remember the disgust in her eyesâ¦.
My beautiful Mitchâ¦.
â¦. Looking at me like shit on a shoeâ¦.
âIs she alive? Charlotteâs mother?â Blondie asks.
I canât stomach looking at him. âIâve no idea. The police gave her a new identity, hid her from me. I couldnât find her, and Iâve not seen her for over twenty years. But if sheâs not still alive, itâs nothing to do with me.â
Mitchâs daughterâ¦.
â¦. Have you made it happen?
â¦. Have you made it work?
âDonât the two of you get jealous over her?â
Blondieâs head tilts, but some of the aggression drains from his voice, to be replaced by derision. âHeâs my friend. Friends share things. They donât go to war over them.â
Friends share thingsâ¦.
And she accepted that�
Sheâs watching me with that wide green stare of hers, silently listening to the exchange between me and Blondie.
And youâre not afraid of meâ¦.
You never wereâ¦.
You should have been, but you werenâtâ¦
What are you?
âI thought you were a complete lunatic with that performance you gave, you knowâ¦.â If it were possible, her eyes widen further but her mouth sets tight. ââ¦. Daring us to rape you. I know what you were doing, keeping us off the other one.⦠Whatever else you are, youâve got balls.â I look to Blondie.
âNo wonder it takes two of you to keep her in line.â
For a moment the two just stare at me, then both burst into laughter.
âIâm glad you think we do,â he huffs.
But I barely hear his words. In that moment, her face has changed, transformed by the laughterâ¦.
â¦. and it is twenty years agoâ¦.
More than thatâ¦.
â¦. And I am dancing with an angel in my arms, her face bright with laughter, shining with sheer joy and merrimentâ¦.
Her expression changes again as she sees me watching her, turning sharp and feral. âWhat? Why are you looking at me like that?â
Mitchâ¦.
âIâve never seen you laugh before.â
She shakes her head. âYou were always threatening to have me raped or assaulted before. Why would I be laughing?â
What have I done�
âYou do look like your mother.â
She chews at her lip and Blondieâs fingers creep around hersâ¦.
Is your nerve finally failing?
Here?
âLooks after you, doesnât he?â I comment.
â¦. Those ringsâ¦.
They gave them back to herâ¦.
What do they mean?
And she had two setsâ¦.
âNice rings. You getting married? To this one? What about your James then? Where does he fit in? I see you have your two rings back. Is he wearing one too?â
She ignores the question. Instead, âSo, what happens now? I testify against you and yourâ¦. gang. You keep the dogs set on meâ¦. âCause I donât doubt that even though youâre in here, youâve still got contacts out thereâ¦.â
Abruptly, her eyes flood.
How old were you that last time I saw you cry?
The last time I made you cry?
Six? Seven?
Her voice tightens up too, ââ¦. Everything Iâve done, and gone through, to make something of my lifeâ¦.â
Sheâs growing shrill, an edge to her tone that begins to gnaw at me. The guards look askance at Blondie, but he gestures them away with a flick of the fingers, listening to her closely.
ââ¦. Right now, itâs wasted, isnât it?â she continues. âI canât return to my college, because if I step outside Iâm hunted, kidnapped, assaulted. Youâve made my life impossible; threatened and endangered my friends. You took my mother from me. Murdered my father. You tried to murder Michael. Corby shot James, even though he was aiming for me. He barely survived. Your men set an office tower aflame.
Itâs sheer luck that no-one died there. You were going to gang-rape my friend, and me. Where does my life go from here? Everything I did to drag myself out of the hole that you dropped me in as a baby has been trashed. And all because youâre obsessing over something I had no hand in. I wasnât even born for most of itâ¦.â
Her tears brim. Blondieâs hand over hers is white at the knuckles.
Obsessing?
Bech said somethingâ¦.
And I knocked him backâ¦.
âObsessing?â I say.
Sheâs crying freely now. âWhat you would call it?â
What the hell?
This is what upsets you?
âAnd now you cry? Not over threats to enslave you, ship you out, gang-rape you? But because you canât go back to your university?â